喜多郎 Kitaro and Viva Girls - Matsuri from Live in Hong Kong on 04/01/2011 - Staff Report 10

Part of CD sales and concert profit will be donated Japan Tsunami and Earthquake Relief through Hong Kong Red-cross. (HK$100,000)

コンサートとの収益金の一部とCDの売り上げの一部 HK$100,000が香港赤十字社を通じて東日本大震災被災者の方達へ義援金として送られます。

Matsuri
http://itunes.apple.com/us/alb....um/kitaro-digital-bo

Adam Cheng Liza Wang Kitaro New Millenium 2011 Concert

Place: Hong Kong, HK
Date: Mar. 31st, April 1st, April 2nd.
Venue: Hong Kong Coliseum

Kitaro Official Website
http://www.domomusicgroup.com/kitaro/index.php

喜多郎オフィシャルウェブサイト
http://www.diaa.net/kitaro/index.php

Viva Girls Official Website
http://www.domomusicgroup.com/vivagirls/index.php

Domo Music Official Website
http://www.domomusicgroup.com/index.php

All Music by Tears For Fears From The Album : 'The Hurting' and 'Songs From The Big Chair'
1985 Phonogram Ltd

To celebrate the 30th anniversary of their blockbuster album "Songs From The Big Chair," Tears For Fears convened in historic LA Studio The Village to perform some of their biggest hits and a surprise Radiohead cover for an intimate audience of 50 superfans. Hear these exclusive performances and the stories behind their legendary songs here, only on Spotify Landmark: www.spotify-landmark.com

Tears for Fears performing "Everybody Wants to Rule the World" Live at Night of the Proms (Belgium/France, 2007).

Tears For Fears' 1985 hit "Everybody Wants to Rule The World" with lyrics below. Enjoy, subscribe, and leave your comments!

LYRICS:

Welcome to your life
There's no turning back
Even while we sleep
We will find you acting on your best behavior
Turn your back on Mother Nature
Everybody wants to rule the world

It's my own design
It's my own remorse
Help me to decide
Help me make the most
Of freedom and of pleasure
Nothing ever lasts forever
Everybody wants to rule the world

There's a room where the light won't find you
Holding hands while the walls come tumbling down
When they do I'll be right behind you
So glad we've almost made it
So sad they had to fade it
Everybody wants to rule the world

I can't stand this indecision
Married with a lack of vision
Everybody wants to rule the world
Say that you'll never never never never need it
One headline why believe it?
Everybody wants to rule the world

All for freedom and for pleasure
Nothing ever lasts forever
Everybody wants to rule the world

Księżycową sonatą usta nocy zamilkły Dotykiem rąbka tajemnicy srebrzystej poświaty...., azali jam księżycowym jeno pyłem dalekiej zawżdy utrudzon Mlecznej Drogi echem gwiazd oddali. Nic to opodal kamienie, głazy, posągi słów, jakoby i one ostać by chciały milczeniem, tedy na on czas rozpostarłszy swe ramiona odleciały czułym westchnieniem. Księżycową sonatą, moją muzą, obrazem, samym przecudnym rozgwieżdżonym nocy tęsknotą niebem ! Batszebie2010 Dedykuję.....

On Sundays I will try to post Ambient/Space/Instrumentals in honor of my favorite radio program Hearts of Space...
1981
00:30 Revelation
07:21 Stream Of Being
13:32 Kaleidoscope
18:00 Oasis
24:16 Sun
29:12 Endless Water
33:00 Tree
36:50 Clouds In The Sky

Higher: http://bit.ly/blockhigher
Same height: http://bit.ly/SameHeight
Lower: http://bit.ly/BlockLower

Special Thanks to:
Henry (MinutePhysics): http://www.youtube.com/minutephysics
Destin (Smarter Every Day): http://www.youtube.com/smartereveryday
Greg and Mitch (ASAP Science): http://youtube.com/asapscience
Elise Andrew (I F***ing Love Science): http://youtube.com/iflscience

Thanks to everyone at RIT and Dickinson College who helped with the making of this video:
Rochester Institute of Technology
Robert Teese, Katelyn Wilkerson, Andrew Gillie, Andrew Stidwill

Dickinson College
This experiment was the brainchild of David Jackson based on a demo at Princeton.
Priscilla Laws, Catrina Hamilton-Drager, Maxine Willis

High-speed camera support:
Charles Zwemer and Bria Antoine

Kitaro

Kitaro (喜多郎 Kitarō), (nacido como Masanori Takahashi (高橋正則 Takahashi Masanori) el 4 de febrero de 1953, en Toyohashi, Prefectura de Aichi, Japón), es un músico, compositor y multiinstrumentista. Su nombre artístico le fue dado por sus amigos posteriormente, quienes lo sacaron de un personaje de una serie manga de la televisión japonesa llamado Kitarō, de GeGeGe no Kitarō. Es hijo de una familia de granjeros sintoístas.

Inspirado por la música del R&B de Otis Redding, aprendió por su cuenta a tocar la guitarra. A este respecto él señala que nunca tuvo una educación musical y que sólo aprendió a confiar en sus oídos y en sus sentimientos. Atribuye sus creaciones a una fuerza que está más allá de él. "Esta música no proviene de mi mente," señala. "Es del cielo, pasa a través de mi cuerpo y sale por mis dedos convirtiéndose en una composición. A veces me maravillo. Nunca practico. No leo ni escribo música, pero mis dedos se mueven. Me pregunto, '¿De quién es esta canción?' Escribo mis temas pero no son mis temas.

My video from 2012-06-16
Enya - Athair Ar Neamh
(Heavenly Father)
Lyrics by Roma Ryan
Appears On: The Memory Of Trees
Language: Gaeilge (Irish Gaelic)

Lyric:
Athair ar Neamh, Dia linn
Athair ar Neamh, Dia liom
M'anam, mo chroí, mo ghlóir
Moladh duit, a Dhia
Fada an lá, go sámh
Fada an oích' gan ghruaim
Aoibhneas, áthas, grá
Moladh duit, a Dhia
Móraim thú ó lá go lá
Móraim thú ó oích' go hoích'
Athair ar Neamh, Dia linn
An ghealach, an ghrian, an ghaoth
Moladh duit, a Dhia
Móraim thú ó lá go lá
Móraim thú ó oích' go hoích'
Athair ar Neamh, Dia linn
Athair ar Neamh, Dia liom
M'anam, mo chroí, mo ghlóir
Moladh duit, a Dhia

English Translation:

Father in Heaven, God bless us
Father in Heaven, God bless me
My soul, my heart, my glory
Praise be to you, oh God

Long is the peaceful day
Long is the night without gloom
Wonder, joy, love
Praise be to you, oh God

I praise you from day to day
I praise you night after night

Father in Heaven, God bless us
Father in Heaven, God bless me
The moon, the sun, the wind
Praise be to you, oh God

I praise you from day to day
I praise you night after night

Father in Heaven, God bless us
Father in Heaven, God bless me
My soul, my heart, my glory

http://www.enya.com
Sequences from movie ''The Lovely Bones'' .
(Supernatural drama film directed by Peter Jackson)
Visual content managed by: paramount_vfp
english lyrics:
Father in Heaven, God bless us
Father in Heaven, God bless me
My soul, my heart, my glory,
praise to you, God.
Long is the peaceful day
Long is the night without gloom
Delight, joy, love,
praise to you, God.
I glorify you day after day.
I glorify you night after night.
Father in Heaven, God bless us
Father in Heaven, God bless me
The moon, the sun, the wind,
praise to you, God.
Select the optimal resolution 720p
Thank you all for viewing and comments! All the best!
http://www.youtube.com/user/TBluedream
http://www.youtube.com/user/bluesensation75
https://www.facebook.com/pages..../Tatiana-Blue/221910

Stars and Celtic Music

This is the first Veritasium science video. It addresses one of the most fundamental concepts in science: the idea that all things are made of atoms, tiny particles that are in perpetual motion. They attract each other when a little distance apart and repel when squeezed together.

Light is so common that we rarely think about what it really is. But just over two hundred years ago, a groundbreaking experiment answered the question that had occupied physicists for centuries. Is light made up of waves or particles?

The experiment was conducted by Thomas Young and is known as Young's Double Slit Experiment. This famous experiment is actually a simplification of a series of experiments on light conducted by Young. In a completely darkened room, Young allowed a thin beam of sunlight to pass through an aperture on his window and onto two narrow, closely spaced openings (the double slit). This sunlight then cast a shadow onto the wall behind the apparatus. Young found that the light diffracted as it passed through the slits, and then interfered with itself, created a series of light and dark spots. Since the sunlight consists of all colours of the rainbow, these colours were also visible in the projected spots. Young concluded that light consist of waves and not particles since only waves were known to diffract and interfere in exactly the manner that light did in his experiment.

The way I have always seen this experiment performed is with a laser and a manufactured double slit but since the experiment was conducted in 1801 I have always thought that it should be possible to recreate the experiment using sunlight and household materials. That is basically what I did here. I will show the interference pattern I observed with my homemade double slit on 2Veritasium but I chose to use a manufactured double slit here to ensure that the pattern was impressive for observers at the beach.

Special thanks to Henry, Brady, and Rupert for their cameos, Glen for filming and Josh for helping create the apparatus. Thanks also to the Royal Society for allowing us to view the original manuscript of Young's lecture and the University of Sydney for lending the double slits.

Music by Kevin Mcleod (incompetech.com) Danse Macabre, Scissors

The US signed the metre convention and bases all customary units on SI standards. As an aside, the Utah constitution from 1895 required the metric system to be taught in schools. This requirement was repealed in 1987. ¯\_(ツ)_/¯

Huge thanks to NIST, Ben Stein and Patrick Abbott.
https://www.nist.gov/
https://www.nist.gov/pml/weights-and-measures/si-units-mass

Special thanks to Patreon Supporters:
Tony Fadell, Donal Botkin, Jeff Straathof, Zach Mueller, Ron Neal, Nathan Hansen

Back in 1875 The US signed the Metre Convention, which basically committed the country to use the metric system. In return, French scientists sent two platinum-iridium cylinders that weigh 1kg to the US in 1889 (known by their designations K4 and K20 from a set of 40 identical objects that were produced and sent around the world). So even though everything you see and buy in the US is usually reported in pounds, all weights are traceable back to the K20 kilogram (by applying a conversion factor to get to pounds).

When I was in DC a few weeks ago, I visited the National Institute of Standards and Technology (NIST) and got up close with K20, which is still kept there and used to calibrate all mass standards in this country. I thought it was pretty cool.

Edited by Bill Connor

The strange thing about high jump is that the technique changed dramatically after 1968, when Dick Fosbury used his trademark flop to win the gold medal at the Olympics in Mexico City.
Previously the scissors and straddle had been the most common jumping technique, but after the introduction of safer landing matts, the new unorthodox Fosbury Flop became the jump of choice. There are good physical reasons for this - the style allows the jumper to pass over the bar while his or her centre of mass actually passes below the bar.

Huge thanks to Elly (Appchat http://bit.ly/NxAMlX ) for filming, editing, and music!

numberphile http://bit.ly/numberphile
efit30 http://bit.ly/O4CMme
appchat http://bit.ly/NxAMlX
erikaanear http://bit.ly/MdyUzQ
whoisjimmy http://bit.ly/LtFzpW
minutephysics http://bit.ly/Muh6CC
1veritasium http://bit.ly/MrupzL

Spinning objects have strange instabilities known as The Dzhanibekov Effect or Tennis Racket Theorem - this video offers an intuitive explanation.
Part of this video was sponsored by LastPass, click here to find out more: https://ve42.co/LP

References:
Prof. Terry Tao's Math Overflow Explanation: https://ve42.co/Tao

The Twisting Tennis Racket
Ashbaugh, M.S., Chicone, C.C. & Cushman, R.H. J Dyn Diff Equat (1991) 3: 67. https://doi.org/10.1007/BF01049489

Janibekov’s effect and the laws of mechanics
Petrov, A.G. & Volodin, S.E. Dokl. Phys. (2013) 58: 349. https://doi.org/10.1134/S1028335813080041

Tumbling Asteroids
Prave et al. https://doi.org/10.1016/j.icarus.2004.07.021

The Exact Computation of the Free Rigid Body Motion and Its Use in Splitting Methods
SIAM J. Sci. Comput., 30(4), 2084–2112
E. Celledoni, F. Fassò, N. Säfström, and A. Zanna
https://doi.org/10.1137/070704393

Animations by Iván Tello and Isaac Frame

Special thanks to people who discussed this video with me:
Astronaut Don Pettit
Henry Reich of MinutePhysics
Grant Sanderson of 3blue1brown
Vert Dider (Russian YouTube channel)

Below is a further discussion by Henry Reich that I think helps summarize why axes 1 and 3 are generally stable while axis 2 is not:

In general, you might imagine that because the object can rotate in a bunch of different directions, the components of energy and momentum could be free to change while keeping the total momentum constant.

However, in the case of axis 1, the kinetic energy is the highest possible for a given angular momentum, and in the case of axis 3, the kinetic energy is the lowest possible for a given angular momentum (which can be easily shown from conservation of energy and momentum equations, and is also fairly intuitive from the fact that kinetic energy is proportional to velocity squared, while momentum is proportional to velocity - so in the case of axis 1, the smaller masses will have to be spinning faster for a given momentum, and will thus have more energy, and vice versa for axis 3 where all the masses are spinning: the energy will be lowest). In fact, this is a strict inequality - if the energy is highest possible, there are no other possible combinations of momenta other than L2=L3=0, and vice versa for if the energy is the lowest possible.

Because of this, in the case of axis 1 the energy is so high that there simply aren't any other possible combinations of angular momentum components L1, L2 and L3 - the object would have to lose energy in order to spin differently. And in the case of axis 3, the energy is so low that there likewise is no way for the object to be rotating other than purely around axis 3 - it would have to gain energy. However, there's no such constraint for axis 2, since the energy is somewhere in between the min and max possible. This, together with the centrifugal effects, means that the components of momentum DO change.