There will be times you need to have an object follow another and not everyone has tracking capabilities. I show how to do that using ANY editor by giving myself a tattoo. Read more below and http://bit.ly/SubscribeToBasicFilmmaker

You may not have tracking capabilities, such as those in After Effects or Mocha, and might need a quick solution to a small clip where you need to, for instance, replace a sign or poster on a client video that has a moving image.

In this video, I show a SIMPLE example of how to use any video editor to add an element, photo or video, and have it follow the on-screen movement of another object.

It's quite easy, and I suggest this method for short clips in a pinch, like when the client needs it now (which is usually the case). :)

----------------------------------------------
LINKS:
----------------------------------------------
Keyframe Video: https://youtu.be/J8EdjrZ1zFw
New Course: http://bit.ly/BFUColorCourse
Training: http://bit.ly/BFM-UNIVERSITY
Subscribe: http://bit.ly/SubscribeToBasicFilmmaker

----------------------------------------------
CAMERAS:
----------------------------------------------
Canon 5D:
https://amzn.to/2HA1zQC
https://bhpho.to/2GXbUoz

----------------------------------------------
LENSES:
----------------------------------------------
Canon 50mm:
https://amzn.to/2vgPcq4
https://bhpho.to/2HzkoDE

28mm f/1.8:
https://amzn.to/2L6gwKd
https://bhpho.to/2BovVWQ

50mm f/1.4:
https://amzn.to/2vUmBoD
https://bhpho.to/2nVe6W1

85mm f/1.8:
https://amzn.to/2MWElWB
https://bhpho.to/2BmRiHY

24-70mm f2.8:
https://amzn.to/2MlJw6l
https://bhpho.to/2nLOJ8W

24-105mm f/4.0:
https://amzn.to/2PkAhRC
https://bhpho.to/2N3X2aU

70-200mm f/2.8:
https://amzn.to/2PlNKJ1
https://bhpho.to/2MGJ7Ln

----------------------------------------------
AUDIO:
----------------------------------------------
Rode NTG-3:
https://amzn.to/2GY9cPO
https://bhpho.to/2HxxL75

Deity Mic:
https://amzn.to/2xlgeKW
https://bhpho.to/2OqwGkf

Zoom H6 Recorder:
https://amzn.to/2MjiOdL
https://bhpho.to/2AWDfsB

SR VRM1 Recorder:
https://amzn.to/2KWMQjS
https://bhpho.to/2Hzr8RY

----------------------------------------------
LIGHTING:
----------------------------------------------
Aputure Tri-8 Kit:
https://amzn.to/2HyvE2U
https://bhpho.to/2H0IHJk

----------------------------------------------
EDITING:
----------------------------------------------
Adobe Pemiere Pro:
http://bit.ly/AdobeCCFull

----------------------------------------------
OTHER:
----------------------------------------------
Mavic 2 Pro:
https://amzn.to/2yDkeqM
https://bhpho.to/2QNoGdS

Smooth 4:
https://amzn.to/2xZfw9M
https://bhpho.to/2HBLcDc

Backdrop:
https://amzn.to/2Opnb5m

Color Checker:
http://bit.ly/X-RiteAmazon
http://bit.ly/X-RiteBandH

Teleprompter:
https://amzn.to/2pR4HzB
https://bhpho.to/2QMhvmj

Pro Batteries:
https://amzn.to/2CdhL9L
https://bhpho.to/2A9lfZv

Wall Mount Brackets:
https://amzn.to/2CJu0w4

Captions:
https://www.rev.com/blog/coupo....n/?ref=basicfilmmake

See gear at https://www.kit.com/basicfilmmaker

----------------------------------------------
Training:
----------------------------------------------
https://www.basicfilmmakeruniversity.com

----------------------------------------------
Credits
----------------------------------------------
Outro Kevin Anson: http://bit.ly/EmoticonToolkktKevinAnson
Music by Premium Beat: http://bit.ly/PremiumBeatMusic

----------------------------------------------
Connect with me here:
----------------------------------------------
http://bit.ly/BFM-YOUTUBE
http://bit.ly/BFM-FB
http://bit.ly/BFM-TWITTER
http://bit.ly/BFM-INSTAGRAM
http://bit.ly/BFM-UNIVERSITY


----------------------------------------------
Copyright (c) 2018 Basic Filmmaker
All rights reserved.
----------------------------------------------
Note that some of these links are affiliate links and help keep the channel going. Thanks for your support, as it really helps offset the costs! #basicfilmmaker #filmmaking #videos

BY VIEWER REQUEST, here's the LONG version with some comments on setting lights and white balance for your DSLR or Camcorder and getting it balanced. Short Version? Use your eyes! http://bit.ly/SubscribeToBasicFilmmaker

----------------------------------------------
LINKS MENTIONED:
----------------------------------------------

Aputure Tri-8 Kit:
https://amzn.to/2HyvE2U
https://bhpho.to/2H0IHJk

White Balance Handheld Filter Disc:
https://amzn.to/2SgkJzo

----------------------------------------------
THE CAMERA SIDE:
----------------------------------------------
Canon 5D:
https://amzn.to/2HA1zQC
https://bhpho.to/2GXbUoz

Cheap Camera Remote:
https://amzn.to/2SeO0Lf

Camera Cage:
https://amzn.to/2R8LDZ0

Aputure Monitor:
https://amzn.to/2CZRg97
https://bhpho.to/2JgFJ5E

Pro Batteries:
https://amzn.to/2CdhL9L
https://bhpho.to/2A9lfZv

Tripod (replaced head):
https://amzn.to/2yr8ZSU
https://bhpho.to/2PpdG9E

Replaced Head With:
https://amzn.to/2RaAMOy
https://bhpho.to/2JhjUmd

Alternative Tripod:
https://amzn.to/2qdpttt

Quick Release Plates:
https://amzn.to/2qh7eTX
https://bhpho.to/2PpuNbb

----------------------------------------------
LENSES:
----------------------------------------------
Canon 50mm:
https://amzn.to/2vgPcq4
https://bhpho.to/2HzkoDE

28mm f/1.8:
https://amzn.to/2L6gwKd
https://bhpho.to/2BovVWQ

50mm f/1.4:
https://amzn.to/2vUmBoD
https://bhpho.to/2nVe6W1

85mm f/1.8:
https://amzn.to/2MWElWB
https://bhpho.to/2BmRiHY

24-70mm f2.8:
https://amzn.to/2MlJw6l
https://bhpho.to/2nLOJ8W

24-105mm f/4.0:
https://amzn.to/2PkAhRC
https://bhpho.to/2N3X2aU

70-200mm f/2.8:
https://amzn.to/2PlNKJ1
https://bhpho.to/2MGJ7Ln

----------------------------------------------
AUDIO:
----------------------------------------------
Rode NTG-3:
https://amzn.to/2GY9cPO
https://bhpho.to/2HxxL75

Deity Mic:
https://amzn.to/2xlgeKW
https://bhpho.to/2OqwGkf

Zoom H6 Recorder:
https://amzn.to/2MjiOdL
https://bhpho.to/2AWDfsB

SR VRM1 Recorder:
https://amzn.to/2KWMQjS
https://bhpho.to/2Hzr8RY

SD Card:
https://amzn.to/2CZVv4n
https://bhpho.to/2Pk7q30

Lapel Mic:
https://amzn.to/2R8KGzU
https://bhpho.to/2JkDXAA

Headphones:
https://amzn.to/2CYEZ4E
https://bhpho.to/2Pu1hBr

Sound Blankets:
https://amzn.to/2R9Y7Qa

Colored Acoustic Foam:
https://amzn.to/2R89CrC

----------------------------------------------
LIGHTING:
----------------------------------------------
Aputure Tri-8 Kit:
https://amzn.to/2HyvE2U
https://bhpho.to/2H0IHJk

Aputure L/S 1/2:
https://amzn.to/2Sb8oNn
https://bhpho.to/2JfrNZp

Pulsar Spotlight:
https://amzn.to/2q85wEr

Light Stands:
https://amzn.to/2yuk9GH

Cheap Can Light:
https://amzn.to/2R9XF4q

Wall Mounting Brackets:
https://amzn.to/2CYpzxz

C-Stand:
https://amzn.to/2D0WWzv

Sandbags:
https://amzn.to/2Sdpiew

----------------------------------------------
BACKGROUND:
----------------------------------------------
Fake Brick Tapestry:
https://amzn.to/2RcrzoZ

Backdrop Mounting Unit:
https://amzn.to/2CYFQlS

Portable Green/Blue/White/Gray Screen:
https://amzn.to/2Opnb5m

----------------------------------------------
EDITING:
----------------------------------------------
Adobe Premiere Pro:
http://bit.ly/AdobeCCFull

----------------------------------------------
OTHER:
----------------------------------------------
Mavic 2 Pro:
https://amzn.to/2yDkeqM
https://bhpho.to/2QNoGdS

Smooth 4:
https://amzn.to/2xZfw9M
https://bhpho.to/2HBLcDc

Color Checker:
http://bit.ly/X-RiteAmazon
http://bit.ly/X-RiteBandH

Teleprompter:
https://amzn.to/2pR4HzB
https://bhpho.to/2QMhvmj

Captions:
https://www.rev.com/blog/coupo....n/?ref=basicfilmmake

Blackout Window Shades:
https://amzn.to/2PV8w2h

Clicker for Lights:
https://amzn.to/2R5tNpU

Gaffer Tape:
https://amzn.to/2JbMQMJ

Up and Down Desk:
https://amzn.to/2q7aYap

Worktable:
https://amzn.to/2RfBEl5

Analyzing YouTube Videos:
VidIQ: https://vidiq.com/#_l_gc
TubeBuddy: https://www.tubebuddy.com/thebasicfilmmaker

See gear at https://www.kit.com/basicfilmmaker

----------------------------------------------
Training:
----------------------------------------------
https://www.basicfilmmakeruniversity.com

----------------------------------------------
Credits
----------------------------------------------
Bumper Kevin Anson: http://bit.ly/EmoticonToolkktKevinAnson
Music by Premium Beat: http://bit.ly/PremiumBeatMusic

----------------------------------------------
Connect with me here:
----------------------------------------------
http://bit.ly/BFM-YOUTUBE
http://bit.ly/BFM-FB
http://bit.ly/BFM-TWITTER
http://bit.ly/BFM-INSTAGRAM
http://bit.ly/BFM-UNIVERSITY


----------------------------------------------
Copyright (c) 2018 Basic Filmmaker
All rights reserved.
----------------------------------------------
Note that some of these links are affiliate links and help keep the channel going. Thanks for your support, as it really helps offset the costs! #basicfilmmaker #filmmaking #videos

Here's the exact 72 steps I use to create a YouTube episode: setting up, shooting, editing, rendering, uploading, thumbnail, keywords, description, end screens, cards, playlists, and publishing. Make sure to http://bit.ly/SubscribeToBasicFilmmaker More info in description.

My last video (https://youtu.be/tDZuFd7x9e8) showed my studio setup. This video shows WHY - to save time. These 72 steps are a process I now do without thinking, something you should develop and drill over and over. The Result? You spend more time on the quality of the content instead of wasting time on the process.

----------------------------------------------
THE CAMERA SIDE:
----------------------------------------------
Canon 5D:
https://amzn.to/2HA1zQC
https://bhpho.to/2GXbUoz

Cheap Camera Remote:
https://amzn.to/2SeO0Lf

Camera Cage:
https://amzn.to/2R8LDZ0

Aputure Monitor:
https://amzn.to/2CZRg97
https://bhpho.to/2JgFJ5E

Pro Batteries:
https://amzn.to/2CdhL9L
https://bhpho.to/2A9lfZv

Tripod (replaced head):
https://amzn.to/2yr8ZSU
https://bhpho.to/2PpdG9E

Replaced Head With:
https://amzn.to/2RaAMOy
https://bhpho.to/2JhjUmd

Alternative Tripod:
https://amzn.to/2qdpttt

Quick Release Plates:
https://amzn.to/2qh7eTX
https://bhpho.to/2PpuNbb

----------------------------------------------
LENSES:
----------------------------------------------
Canon 50mm:
https://amzn.to/2vgPcq4
https://bhpho.to/2HzkoDE

28mm f/1.8:
https://amzn.to/2L6gwKd
https://bhpho.to/2BovVWQ

50mm f/1.4:
https://amzn.to/2vUmBoD
https://bhpho.to/2nVe6W1

85mm f/1.8:
https://amzn.to/2MWElWB
https://bhpho.to/2BmRiHY

24-70mm f2.8:
https://amzn.to/2MlJw6l
https://bhpho.to/2nLOJ8W

24-105mm f/4.0:
https://amzn.to/2PkAhRC
https://bhpho.to/2N3X2aU

70-200mm f/2.8:
https://amzn.to/2PlNKJ1
https://bhpho.to/2MGJ7Ln

----------------------------------------------
AUDIO:
----------------------------------------------
Rode NTG-3:
https://amzn.to/2GY9cPO
https://bhpho.to/2HxxL75

Deity Mic:
https://amzn.to/2xlgeKW
https://bhpho.to/2OqwGkf

Zoom H6 Recorder:
https://amzn.to/2MjiOdL
https://bhpho.to/2AWDfsB

SR VRM1 Recorder:
https://amzn.to/2KWMQjS
https://bhpho.to/2Hzr8RY

SD Card:
https://amzn.to/2CZVv4n
https://bhpho.to/2Pk7q30

Lapel Mic:
https://amzn.to/2R8KGzU
https://bhpho.to/2JkDXAA

Headphones:
https://amzn.to/2CYEZ4E
https://bhpho.to/2Pu1hBr

Sound Blankets:
https://amzn.to/2R9Y7Qa

Colored Acoustic Foam:
https://amzn.to/2R89CrC

----------------------------------------------
LIGHTING:
----------------------------------------------
Aputure Tri-8 Kit:
https://amzn.to/2HyvE2U
https://bhpho.to/2H0IHJk

Aputure L/S 1/2:
https://amzn.to/2Sb8oNn
https://bhpho.to/2JfrNZp

Pulsar Spotlight:
https://amzn.to/2q85wEr

Light Stands:
https://amzn.to/2yuk9GH

Cheap Can Light:
https://amzn.to/2R9XF4q

Wall Mounting Brackets:
https://amzn.to/2CYpzxz

C-Stand:
https://amzn.to/2D0WWzv

Sandbags:
https://amzn.to/2Sdpiew

----------------------------------------------
BACKGROUND:
----------------------------------------------
Fake Brick Tapestry:
https://amzn.to/2RcrzoZ

Backdrop Mounting Unit:
https://amzn.to/2CYFQlS

Portable Green/Blue/White/Gray Screen:
https://amzn.to/2Opnb5m

----------------------------------------------
EDITING:
----------------------------------------------
Adobe Premiere Pro:
http://bit.ly/AdobeCCFull

----------------------------------------------
OTHER:
----------------------------------------------
Mavic 2 Pro:
https://amzn.to/2yDkeqM
https://bhpho.to/2QNoGdS

Smooth 4:
https://amzn.to/2xZfw9M
https://bhpho.to/2HBLcDc

Color Checker:
http://bit.ly/X-RiteAmazon
http://bit.ly/X-RiteBandH

Teleprompter:
https://amzn.to/2pR4HzB
https://bhpho.to/2QMhvmj

Captions:
https://www.rev.com/blog/coupo....n/?ref=basicfilmmake

Blackout Window Shades:
https://amzn.to/2PV8w2h

Clicker for Lights:
https://amzn.to/2R5tNpU

Gaffer Tape:
https://amzn.to/2JbMQMJ

Up and Down Desk:
https://amzn.to/2q7aYap

Worktable:
https://amzn.to/2RfBEl5

See gear at https://www.kit.com/basicfilmmaker

----------------------------------------------
Training:
----------------------------------------------
https://www.basicfilmmakeruniversity.com

----------------------------------------------
Credits
----------------------------------------------
Bumper Kevin Anson: http://bit.ly/EmoticonToolkktKevinAnson
Music by Premium Beat: http://bit.ly/PremiumBeatMusic

----------------------------------------------
Connect with me here:
----------------------------------------------
http://bit.ly/BFM-YOUTUBE
http://bit.ly/BFM-FB
http://bit.ly/BFM-TWITTER
http://bit.ly/BFM-INSTAGRAM
http://bit.ly/BFM-UNIVERSITY

----------------------------------------------
Copyright (c) 2018 Basic Filmmaker
All rights reserved.
----------------------------------------------
Note that some of these links are affiliate links and help keep the channel going. Thanks for your support, as it really helps offset the costs! #basicfilmmaker #filmmaking #videos

I wanted to make a point, which is, using an iPhone, you can shoot your YouTube videos and they can look good. So the iPhone is a little soft? Yeah! Compared to a $3000 camera!!! No excuses - Go make something! Links in the description. ▼

GEAR:
▶ https://kit.com/BasicFilmmaker

TRAINING:
▶ http://bit.ly/BFUniversityEnrollment

DONATIONS:
▶ http://bit.ly/DonationsWelcome

MUSIC:
▶ http://bit.ly/PremiumBeatMusic

PLEASE SHARE:
▶ http://bit.ly/SubscribeToBasicFilmmaker

SOCIAL:
▶ http://bit.ly/BasicFilmmakerFacebook
▶ http://bit.ly/BasicFilmmakerTwitter
▶ http://bit.ly/BasicFilmmakerYouTube
▶ http://bit.ly/BasicFilmmakerWebsite #basicfilmmaker #filmmaking #videos

[Asked which of my videos I like best - it's this one from 2012 - reissuing it in 2019 for those interested.] Most professions subscribe to a set of basic principles. I wanted one for filmmakers and video creators so I created The Code of a Filmmaker. http://bit.ly/SubscribeToBasicFilmmaker

#basicfilmmaker #filmmaking #code

I've been asked so many times which video I've created over the years is my favorite. So I went through the 300+ videos on the channel, and I have to say, It's this one from almost 7 years ago. I hope you enjoy watching it as much as I do.

THE CODE OF A FILMMAKER
-----------------------------------------------
1. I PROMISE TO CREATE THE BEST WORKS I CAN, USING THE TIME, KNOWLEDGE AND TOOLS I HAVE AVAILABLE AND COMPLETE THOSE WORKS TO THE BEST OF MY ABILITY.

2. I PROMISE TO NOT EXPLAIN OR MAKE EXCUSES FOR MY WORK BUT TO IMPROVE MY COMPETENCE BY LEARNING AND PRACTICING MY CRAFT.

3. I PROMISE TO HELP OTHERS WHEN I CAN WITH THOSE THINGS I KNOW AND TO NOT PRETEND I KNOW SOMETHING WHEN I DON'T.

4. I PROMISE TO NOT MAKE LESS OF MY OWN OR ANOTHER'S WORK AND TO NOT DAMAGE ANOTHER FILMMAKER'S REPUTATION OR STATUS.

5. I PROMISE TO GIVE ADVICE TO THOSE WHO ASK FOR IT AND TO KEEP MY ADVICE CONSTRUCTIVE AND HELPFUL.

6. I PROMISE TO IGNORE AND NOT ENGAGE THOSE WHO ARE SUPER-CRITICAL AND IRRATIONAL.

7. I PROMISE TO NOT CONDONE THE THEFT OF ANOTHER'S WORK, AND WILL LEGALLY OBTAIN, LICENSE AND CREDIT ANOTHER'S WORK AS REQUIRED.

8. I PROMISE TO GET THE PROPER RELEASES AND PERMISSIONS I NEED FOR MY WORK AS REQUIRED.

9. I PROMISE TO TREAT THOSE AROUND ME WITH RESPECT, COURTESY, AND UNDERSTANDING, AND TO HELP THEM UNDERSTAND THE FILM MAKING PROCESS AND ITS TERMINOLOGY.

10. I PROMISE TO NOT PERMIT UNAUTHORIZED PHOTOS, SHOTS, SOUND RECORDINGS, OR INFORMATION GIVEN TO ME IN CONFIDENCE, TO BE PASSED ON TO ANYONE FOR ANY REASON.

11. I PROMISE TO NOT CONDONE ANY TYPE OF DISCRIMINATION OF ANY FILMMAKER BECAUSE OF RACE, COLOR, RELIGION, CREED, AGE, SEX, OR NATIONAL ORIGIN.

12. I PROMISE TO RECOGNIZE AND SUPPORT FILMMAKERS, KNOWING THEIR TRUE INTENTIONS ARE TO HAVE THEIR IDEAS BROUGHT INTO BEING, SHARED AND ENJOYED BY OTHERS.

---------------------------------------------
LINKS TO GEAR AND TOOLS
I USE AND RECOMMEND:
---------------------------------------------
Canon 5D:
https://amzn.to/2HA1zQC
https://bhpho.to/2GXbUoz

Aputure Monitor:
https://amzn.to/2CZRg97
https://bhpho.to/2JgFJ5E

Tripod:
https://amzn.to/2ISCeFJ

Quick Release Plates:
https://amzn.to/2qh7eTX
https://bhpho.to/2PpuNbb

Canon 50mm:
https://amzn.to/2vgPcq4
https://bhpho.to/2HzkoDE

28mm f/1.8:
https://amzn.to/2L6gwKd
https://bhpho.to/2BovVWQ

50mm f/1.4:
https://amzn.to/2vUmBoD
https://bhpho.to/2nVe6W1

85mm f/1.8:
https://amzn.to/2MWElWB
https://bhpho.to/2BmRiHY

24-105mm f/4.0:
https://amzn.to/2PkAhRC
https://bhpho.to/2N3X2aU

Rode NTG-3:
https://amzn.to/2GY9cPO
https://bhpho.to/2HxxL75

Deity S-Mic 2:
https://amzn.to/2xlgeKW
https://bhpho.to/2OqwGkf

Zoom H6 Recorder:
https://amzn.to/2MjiOdL
https://bhpho.to/2AWDfsB

SR VRM1 Recorder:
https://amzn.to/2KWMQjS
https://bhpho.to/2Hzr8RY

SD Card:
https://amzn.to/2CZVv4n
https://bhpho.to/2Pk7q30

Headphones:
https://amzn.to/2CYEZ4E
https://bhpho.to/2Pu1hBr

Sound Blankets:
https://amzn.to/2R9Y7Qa

Aputure Tri-8 Kit:
https://amzn.to/2HyvE2U
https://bhpho.to/2H0IHJk

Light Stands:
https://amzn.to/2yuk9GH

Wall Mounting Brackets:
https://amzn.to/2CYpzxz

C-Stand:
https://amzn.to/2D0WWzv

Fake Brick Tapestry:
https://amzn.to/2RcrzoZ

Backdrop Mounting Unit:
https://amzn.to/2CYFQlS

Adobe Premiere Pro:
http://bit.ly/AdobeCCFull

Blackout Window Shades:
https://amzn.to/2PV8w2h

Clicker for Lights:
https://amzn.to/2R5tNpU

Gaffer Tape:
https://amzn.to/2JbMQMJ

Captions:
https://www.rev.com/blog/coupo....n/?ref=basicfilmmake

Analyzing YouTube Videos:
VidIQ: https://vidiq.com/#_l_gc
TubeBuddy: https://www.tubebuddy.com/thebasicfilmmaker

----------------------------------------------
Free and Paid Training:
----------------------------------------------
https://www.basicfilmmakeruniversity.com

----------------------------------------------
Credits
----------------------------------------------
MUSIC AND GRAPHICS
All music and graphics are created or licensed by me. The music "Rush Hour" and "Penance" are available from http://www.footagefirm.com.

----------------------------------------------
Connect with me here:
----------------------------------------------
http://bit.ly/BFM-YOUTUBE
http://bit.ly/BFM-FB
http://bit.ly/BFM-TWITTER
http://bit.ly/BFM-INSTAGRAM
http://bit.ly/BFM-UNIVERSITY

----------------------------------------------
Copyright (c) 2012, 2019 Basic Filmmaker. All rights reserved.
----------------------------------------------
Note that some of these links are affiliate links and help keep the channel going. Thanks for your support, as it really helps offset the costs!

Online Purchase/Streaming (Spotify, Itunes store, Google Play, Deezer, Apple Play, Tidal, Amazon): https://brilliant-classics.lnk.to/Spiegelimspiegel


These days Estonian composer Arvo Pärt is mainly associated with his later works. Born in 1935 he wrote ‘avant-garde’ works at first. In the nineteen seventies he increasingly found his inspiration in medieval religious music, both western and eastern European. This first transpired in his Für Alina for piano. It already has the telling low tempo and (two) layers. Pärt further extended his so-called tintinnabuli (i.e. bells) style in small-scale pieces like the different versions of Spiegel im Spiegel and Variationen zur Gesundung von Arinuschka. Although this last piece has ‘classical’ features as well.

00:00:00 Spiegel im Spiegel, for violin & piano
00:10:22 Variationen zur Gesundung von Arinuschka, for piano solo
00:15:58 Für Alina, for piano solo
00:19:29 Spiegel im Spiegel, for viola & piano
00:29:34 Mozart-Adagio, for violin, cello & piano
00:37:20 Spiegel im Spiegel, for cello & piano

Artist:
Benjamin Hudson (viola)
Sebastian Klinger (cello)
Jürgen Kruse (piano)

Download & Streams (Spotify, iTunes, Amazon Music, Deezer, Google Play):
https://brilliant-classics.lnk.....to/AlbinoniOboeC0nc
More information: https://www.brilliantclassics.....com/articles/a/albin
Facebook page: https://www.facebook.com/brilliantclassics/
Spotify Brilliant Classics: https://brilliant-classics.lnk.to/Spotify

Composer: Tomaso Giovanni Albinoni
Artist: Stefan Schilli (oboe), Giovanni Deangeli (oboe), Stuttgart Kammerorchester, Nicol Matt conductor
00:00:00 Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: Allegro non presto
00:03:49 Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: Adagio
00:07:56 Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: Allegro
00:10:48 Concerto in C Major for two Oboes and Strings, Op. 7 No. 2: Allegro
00:12:49 Concerto in C Major for two Oboes and Strings, Op. 7 No. 2: Adagio
00:13:49 Concerto in C Major for two Oboes and Strings, Op. 7 No. 2: Allegro
00:15:40 Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: Allego
00:18:21 Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: Adagio
00:20:00 Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: Allegro
00:22:15 Concerto à 5 in C Major for two Oboes and Strings, Op. 9 No. 9: Allegro
00:26:15 Concerto à 5 in C Major for two Oboes and Strings, Op. 9 No. 9: Adagio
00:28:45 Concerto à 5 in C Major for two Oboes and Strings: Allegro, Op. 9 No. 9
00:32:14 Concerto in D Major for two Oboes and Strings, Op. 7 No. 8: No Tempo Indication
00:34:32 Concerto in D Major for two Oboes and Strings, Op. 7 No. 8: Largo
00:36:30 Concerto in D Major for two Oboes and Strings, Op. 7 No. 8: Allegro
00:38:16 Concerto à 5 in C Major for Oboe and Strings, Op. 9 No. 5: Allegro
00:41:36 Concerto à 5 in C Major for Oboe and Strings, Op. 9 No. 5: Adagio
00:43:32 Concerto à 5 in C Major for Oboe and Strings, Op. 9 No. 5: Allegro
00:46:42 Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: Allegro
00:49:29 Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: Adagio
00:51:31 Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: Allegro
00:53:45 Concerto in F Major for two Oboes and Strings, Op. 9 No. 3: Allegro
00:58:15 Concerto in F Major for two Oboes and Strings, Op. 9 No. 3: Adagio
01:00:29 Concerto in F Major for two Oboes and Strings, Op. 9 No. 3: Allegro

Tracklist below.

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This disc brings together a rich selection of lute works by composers who were all in some way connected to Vienna, the capital of the vast Habsburg monarchy. It shows that also before the Viennese school of Haydn/Mozart/Beethoven Vienna was a cultural melting pot, and a hotspot of musical activity and development.
Composers featured are Muffat, Gaultier, Bittner, Bartolotti, Lauffensteiner, Bertelli, Kohaut and Gluck.
Lutenist Bernard Hoffstötter, a native of Vienna, is a specialist in the Baroque era, and has recorded to great critical acclaim on the quality labels Atma and Querstand.
Contains extensive notes on the music and the performer in English and German.
Recorded in France in 2014.

00:00:00 Passacaglia in A Major
00:07:06 Tombeau
00:11:42 Dernière courente de Gautier
00:14:29 Folies d’Espagne
00:19:06 Gigue de Angelis de Rome
00:20:45 Allemande
00:25:42 Courante
00:28:13 Gigue
00:29:29 Sarabande grave
00:33:00 Suite in F Major: I. Allemande
00:36:34 Suite in F Major: II. Courante
00:38:56 Suite in F Major: III. Menuet
00:39:56 Suite in F Major: IV. Sarabande
00:42:53 Suite in F Major: V. Gigue
00:44:26 Menuet
00:48:01 Sonata a liuto solo in D Major: I. Adagio
00:51:39 Sonata a liuto solo in D Major: II. Allegro
00:56:54 Sonata a liuto solo in D Major: III. Menuet & Trio
01:01:42 Passacaglia

Artist:
Bernhard Hofstötter lute

Arvo Pärt: Variationen zur Gesundung von Arinuschka.

Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the student-era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch cellist Douw Fonda – that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.

Composer: Johann Sebastian Bach
Artists: Andrius Puskunigis (oboe and oboe d’amore), Simona Venslovaite (violin), St. Christopher Chamber Orchestra. Donatas Katkus (conductor)

Tracklist below.

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We can’t be sure that Bach wrote any concertos specifically for the oboe aside from the C minor concerto BWV1060 – in which it’s partnered by the violin in an exercise of pathos out of all proportion to the modest dimensions of the work itself. The other concertos here come down to us as harpsichord concertos, in which guise they do not sit entirely happily, and it seems more than likely that Bach, as both unhappy Kapellmeister of the Thomaskirche in Leipzig and far more content in his role supplying music, musicians and concerts to Zimmermann’s coffee house in the city, would have been glad to take advantage of the soloistic potential of a resident oboist to craft these Italianate concertos that exploit both the instrument’s origins in pastoral idiom (notably BWV1053, in the ‘pastoral’ key of F major, and its gently swaying siciliano middle movement in 6/8), as well as more urbane and learned counterpoint of which he was undisputed master among his peers.

Andrius Puskingis is a Lithuanian oboist, now resident in France, who returns to his home city to play and direct these spirited and intimate performances. At present he is the principal oboist with the Heidelburg Symphony Orchestra, who have made an acclaimed series of Haydn symphony recordings with their music director Thomas Fey, and something of Fey’s restless spirit of adventure can also be traced in these fine new recordings.

00:00:00 Oboe Concerto in F Major, BWV 1053: I. Allegro
00:07:15 Oboe Concerto in F Major, BWV 1053: II. Siciliano
00:12:09 Oboe Concerto in F Major, BWV 1053: III. Allegro
00:18:02 Concerto for Oboe d’amore in A Major, BWV 1055: I. Allegro
00:22:15 Concerto for Oboe d’amore in A Major, BWV 1055: II. Larghetto
00:26:18 Concerto for Oboe d’amore in A Major, BWV 1055: III. Allegro ma non tanto
00:30:52 Oboe Concerto in G Minor, BWV 1056: I. Allegro
00:34:07 Oboe Concerto in G Minor, BWV 1056: II. Largo
00:36:29Oboe Concerto in G Minor, BWV 1056: III. Presto
00:39:55 Concerto for Oboe d’amore in G Major: I. Bass aria (Arr. BWV 100)
00:43:19 Concerto for Oboe d’amore in G Major: II. Alto aria (Arr. BWV 170)
00:49:35 Concerto for Oboe d’amore in G Major: III. Bass aria (Arr. BWV 30)
00:53:52 Concerto for Oboe and Violin in C Minor, BWV 1060: I. Allegro
00:58:16 Concerto for Oboe and Violin in C Minor, BWV 1060: II. Adagio
01:02:19 Concerto for Oboe and Violin in C Minor, BWV 1060: III. Allegro

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When approaching music as popular and as deservedly loved as Chopin’s waltzes, a musician must have something special to say for a new recording to make its mark. According to Fou T’Song – no mean Chopin pianist himself – Alessandro Deljavan is ‘one of the most interesting pianists I have heard in my life’. Excerpts on YouTube from his success at the 2013 Van Cliburn Competition in Fort Worth confirm the truth and promise of Fou T’Song’s acclamation.

Among recent and forthcoming recordings in his extensive discography are discs of diverse repertoire drawn from solo and chamber music including the piano quintet of Taneyev; Grieg’s violin Sonatas, Bach’s keyboard toccatas, cello sonatas by Martucci, and a Schumann recital. But the apparently simplicity of Chopin’s waltzes is no less a test of musical and technical mastery than many of these more recondite delights. The 17 waltzes are not gathered into one or two collections like the Etudes, but were composed throughout Chopin’s all-too-brief career. For many the best-known and yet also most sublime a distillation of the waltz-form is Op.64 No.1, known as the ‘Minute’ on account of its brevity. Op.69 No.1 breathes no less spirited an evocation of remembered youth, and yet with the shadow behind its harmonies of regret and melancholy which unforgettably tinge the Nocturnes. There is a waltz for every mood, and Deljavan’s interpretations will receive wide critical attention.
Chopin’s waltzes are written for the Parisian salon, for a sophisticated audience of artists and aristocracy. Though more “light hearted” than most of his other compositions they bear the unmistakable genius of Chopin: refined and exquisite pianism, brilliance and melancholy, sorrow and joy go hand in hand.
Italian Alessandro Deljavan is one of the most remarkable pianists of his generation. “His playing is full of intensive power and contagious artistry” (Dmitri Bashkirov), “he is one of the most interesting pianists I’ve heard in my life” (Fou Ts’Ong), “he is one of the most major talents of his age” (John Perry), “Jaw-dropping virtuosity and heart-stopping eloquence” (Dallas Morning News).

Composer:
Frédéric Chopin
Artist:
Alessandro Deljavan (piano)

00:00:00 “Grande valse brillante” in E-Flat Major, Op. 18
00:06:23 Waltzes, Op. 34: I. Vivace in E-Flat Major
00:12:18 Waltzes, Op. 34: II. Lento in A Minor
00:18:21 Waltzes, Op. 34: III. Vivace in F Major
00:20:54 Waltz in A-Flat Major, Op. 42
00:25:00 Waltzes, Op. 64: I. Minute Waltz in D-Flat Major
00:26:55 Waltzes in C-Sharp Minor Op.64 No.2
00:30:29 Waltz in A-Flat Major, Op. 64 No. 3
00:33:32 Waltz in A-Flat Major, Op. 69 No. 1
00:35:51 Waltz in B Minor, Op. 69 No. 2
00:38:09 Waltzes, Op. 70: I. Waltz in G-Flat Major
00:40:24 Waltzes, Op. 70: II. Waltz in F Minor
00:41:47 Waltzes, Op. 70: III. Waltz in D-Flat Major
00:44:44 Waltz in A-Flat Major, KKIVa No. 13
00:46:51 Waltz in E Major, KKIVa No. 12
00:49:57 Waltz in E Minor, KKIVa No. 15
00:52:11 Waltz in A Minor, KKIVa No. 11
00:54:26 Sostenuto “Waltz” in E-Flat Major, KKIVa No. 10
00:56:01 Waltz in E-Flat Major, KKIVa No. 14

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Composer & Artist:
Composer: Miguel Llobet
Artist: Giulio Tampalini (guitar)

About this Album:
This new recording presents the complete guitar works of Llobet, who himself was a virtuoso on his instrument, as shown in the complex and innovative writing. Barcelona-born Miguel Llobet once played for the Spanish royal family in the early 20th century. Credited with beginning the notion of a touring classical guitarist, Llobet travelled throughout Europe and beyond, briefly settling in both Paris and Buenos Aires. He later returned to Barcelona, unable to distance himself from his birthplace despite the grip of the civil war in which the city found itself.

This collection brings together Llobet’s complete works for guitar, beginning with Leonesa and his popular arrangements of 13 Catalan folk songs. These arrangements, each of a varying character, wring a different emotion from the guitar, from the sprightly L’Hereu Riera and lilting El Noi de la Mare to the flourishes of Cançó de Lladre and the mournful El Testament d’Amelia. The Variations on a Theme of Sor, based on Fernando Sor’s B minor study, contrast a haunting melody with complex articulation. Also featured on the disc are Llobet’s 5 Preludes, the Argentinian Folk Songs, Etudes, the witty and bright Scherzo-Waltz, and the composer’s debut composition Romance, among others.

Tracklist:
00:00:00 Leonesa
00:01:54 Popular Catalan Songs: Cançó de Lladre
00:09:14 Popular Catalan Songs: El Testament d’Amelia
00:10:51 Popular Catalan Songs: Lo Fill del Rei
00:12:04 Popular Catalan Songs: La Pastoreta
00:18:27 Popular Catalan Songs: La Nit de Nadal
00:36:42 Variations on a Theme of Sor: Variation IV
00:37:19 Variations on a Theme of Sor: Variation V
00:37:48 Variations on a Theme of Sor: Variation VI
00:38:19 Variations on a Theme of Sor: Intermezzo
00:39:15 Variations on a Theme of Sor: Variation VII
00:46:31 Prelude in A
00:48:21 Prelude in D (à Maria Luisa Anido)
00:48:35 Original prelude
00:55:48 Etude-Caprice
00:57:32 Etude in E
00:59:18 Respuesta

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Composer: Johann Sebastian Bach
Artist: Luigi Attademo (guitar)

J.S. Bach composed no original works for guitar, and although several compositions for lute have been attributed to him, his interest in this expressive instrument appears to have been rather limited, possibly because his mastery and knowledge of it was less extensive than of other instruments, such as the violin and keyboard.

However, the 20th century still witnessed an increasing interest in the possibility of performing Bach’s music on the guitar. It was in the late 1920s that Andrés Segovia recorded the Courante of the 3rd Cello Suite, and he followed this with the Chaconne from the Partita No.2 for solo violin, later recording the entire work. Julian Bream and Narciso Yepes also made recordings on the guitar of Bach’s music, but it was John Williams who eventually recorded the complete works for lute.

These discs focus particularly on Bach’s Suites for lute – including BWV996, now attributed to his pupil J.L. Krebs. Also included is the complete Partita No.2 for solo violin.

To ensure that questions of interpretation were considered thoroughly, these recordings were made following extensive study of 18th century performance practice, as well as secondary sources that discuss how Bach’s music was originally played.

00:00:00 Suite, BWV 996 in E Minor: I. Preludio: Passaggio – Presto
00:02:57 Suite, BWV 996 in E Minor: II. Allemande
00:06:47 Suite, BWV 996 in E Minor: III. Courante
00:09:19 Suite, BWV 996 in E Minor: IV. Sarabande
00:13:31 Suite, BWV 996 in E Minor: V. Bourée
00:14:42 Suite, BWV 996 in E Minor: VI. Giga
00:17:32 Suite, BWV 1006 in E: I. Präludium
00:21:40 Suite, BWV 1006 in E: II. Loure
00:25:10 Suite, BWV 1006 in E: III. Gavotte en Rondeaux
00:28:12 Suite, BWV 1006 in E: IV. Menuett I
00:29:28 Suite, BWV 1006 in E: V. Menuett II
00:31:38 Suite, BWV 1006 in E: VI. Bourée
00:33:12 Suite, BWV 1006 in E: VII. Gigue
00:35:07 Partita, BWV 1004 in D Minor: I. Allemanda
00:42:10 Partita, BWV 1004 in D Minor: II. Corrente
00:44:58 Partita, BWV 1004 in D Minor: III. Sarabanda
00:49:14 Partita, BWV 1004 in D Minor: IV. Giga
00:53:46 Partita, BWV 1004 in D Minor: V. Ciaccona
01:08:07 Suite, BWV 995 in A Minor: I. Prelude
01:13:26 Suite, BWV 995 in A Minor: II. Allemande
01:20:10 Suite, BWV 995 in A Minor: III. Courante
01:22:43 Suite, BWV 995 in A Minor: IV. Sarabande
01:26:46 Suite, BWV 995 in A Minor: V. Gavotte I
01:28:54 Suite, BWV 995 in A Minor: VI. Gavotte II en Rondeaux
01:31:14 Suite, BWV 995 in A Minor: VII. Gigue
01:33:22 Suite, BWV 997 in A Minor: I. Prelude
01:36:46 Suite, BWV 997 in A Minor: II. Fuga
01:44:51 Suite, BWV 997 in A Minor: III. Sarabande
01:50:04 Suite, BWV 997 in A Minor: IV. Giga
01:52:57 Suite, BWV 997 in A Minor: V. Double
01:55:48 Suite, BWV 998 in D: I. Prelude
01:58:34 Suite, BWV 998 in D: II. Fuga
02:03:50 Suite, BWV 998 in D: III. Allegro
02:07:23 Prelude for lute, BWV 999 in D Minor
02:09:05 Fugue, BWV 1000 in A Minor

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00:00:00 Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
-Edvard Hagerup Grieg- Royal Philharmonic Orchestra, Rigby John
00:04:12 Symphony No. 6 in D Major, Hob. I:6: I. Adagio – Allegro
-Franz Joseph Haydn- Austro-Hungarian Haydn Orchestra, Fischer Adam
00:09:54 Violin Concerto Op. 8 No. 1 in E Major, RV. 269 “La primavera”: I. Allegro
- Antonio Vivald - Casazza Enrico, La Magnifica Comunità
00:13:21 Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Without tempo indication
- Johann Sebastian Bach - Musica Amphion, Belder Pieter-Jan
00:18:09 Suite No. 1 in F Major, HWV 348: I. Ouverture. Largo – Allegro
- Georg Frideric Handel - Concerto Köln, Steck Anton
00:21:33 Arabeske, Op. 18
- Robert Schumann - Würtz Klára
00:27:58 Liebestraum – Notturno for Piano No. 3 in A-Flat Major
- Franz Liszt - Würtz Klára
00:32:21 The Swan (Carnival of the Animals)
- Camille Saint-Saëns - Warenberg Wladislaw, Crombach Sara
00:35:24 Pavane in F-Sharp Minor, Op. 50
- Gabriel Fauré - Royal Philharmonic Orchestra, Hughes Owain Arwel
00:41:52 The Valkyrie, WWV 86B, Pt. 3: The Ride of the Valkyries
- Richard Wagner - Royal Philharmonic Orchestra, Ellis Philip
00:47:02 Sleeping Beauty, Act 1: No. 6, Waltz
- Piotr Ilyich Tchaikovsky - Royal Philharmonic Orchestra, Rigby John
00:51:34 Pizzicato Polka in C Major
- Johann Strauss Sr. - Royal Philharmonic Orchestra, Rigby John
00:54:23 Nocturnes, Op. 9: No. 1, Nocturne in B-Flat Minor
- Frédéric Chopin - Winkel Pieter van
00:59:48 Four Impromptus, D. 935: No. 3, Impromtu in B-Flat Major "Rosamunde"
- Franz Schubert - Winkel Pieter van
01:11:42 Lieder ohne Worte, Op. 30: No. 6, Allegretto in F-Sharp Minor "Venetian Gondola Song"
- Felix Mendelssohn - Winkel Pieter van
01:14:47 Piano Sonata No. 8 in C Minor, Op. 13 "Pathetique": I. Adagio cantabile
- Ludwig van Beethoven - Winkel Pieter van
01:19:31 Berceuse in D-Flat Major, Op. 57
- Frédéric Chopin - Bär Alwin
01:24:35 Eine kleine Nachtmusik, K. 525: I. Allegro
- Wolfgang Amadeus Mozart - Kammerorchester Mannheim, Heyerick Florian
01:29:51 Piano Concerto No. 23 in A Major, K. 488: II. Adagio
- Wolfgang Amadeus Mozart - Han Derek, Philharmonia Orchestra, Freeman Paul
01:36:07 Jesu, meine Freude, BWV 227
- Johann Sebastian Bach - Holland Boys Choir, Leusink Pieter Jan

Who doesn't like the Mazurkas of Chopin? And what is better to have them complete, in one long video? A full album, with all the mazurkas of the legendary composer!

Tracklist below.

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Artist: Rem Urasin (piano)

00:00:00 Mazurka in G Major, KKIIa No. 2
00:01:13 Mazurka in B-Flat Major, KKIIa No. 3
00:02:50 Mazurka in A Minor, Op. 68 No. 2
00:06:12 Mazurka in C Major, Op. 68 No. 1
00:07:36 Mazurka in F Major, Op. 68 No. 3
00:09:55 Mazurkas, Op. 6: I. M.M. in F-Sharp Minor
00:12:02 Mazurkas, Op. 6: II. Sotto voce in C-Sharp Minor
00:14:13 Mazurkas, Op. 6: III. Vivace in E Major
00:16:11 Mazurkas, Op. 6: IV. Presto ma non troppo in E-Flat Minor
00:17:07 Mazurkas, Op. 7: I. Vivace in B-Flat Major
00:18:42 Mazurkas, Op. 7: II. Vivo, ma non troppo in A Minor
00:21:19 Mazurkas, Op. 7: III. Mazurka in F Minor
00:23:45 Mazurkas, Op. 7: IV. Presto in A-Flat Major
00:24:48 Mazurkas, Op. 7: V. Vivo in C Major
00:25:41 Mazurka in B-Flat Major, KKIVb No. 1
00:26:51 Mazurka in D Major, KKIVb No. 2
00:28:43 Mazurkas, Op. 17: I. Vivo e risoluto in B-Flat Major
00:30:45 Mazurkas, Op. 17: II. Lento, ma non troppo in E Minor
00:33:07 Mazurkas, Op. 17: III. Legato assai in A-Flat Major
00:37:03 Mazurkas, Op. 17: IV. Lento, ma non troppo in A Minor
00:42:49 Mazurka in C Major, B.82
00:44:45 Mazurka in A-Flat Major, B.85
00:46:55 Mazurkas, Op. 24: I. Lento in G Minor
00:50:19 Mazurkas, Op. 24: II. Allegro non troppo in C Major
00:52:57 Mazurkas, Op. 24: III. Moderato con anima in A-Flat Major
00:55:19 Mazurkas, Op. 24: IV. Moderato in B-Flat Minor
01:01:14 Mazurkas, Op. 67: III. Sllegretto in C Major
01:03:08 Mazurkas, Op. 67: I. Vivace in G Major
01:04:24 Mazurkas, Op. 30: I. Allegretto non tanto in C Minor
01:06:09 Mazurkas, Op. 30: II. Vivace in B Minor
01:07:36 Mazurkas, Op. 30: III. Allegro non troppo in D-Flat Major
01:10:45 Mazurkas, Op. 30: IV. Allegretto in C-Sharp Minor
01:14:28 Mazurka in A Minor, KKIIb No. 5
01:17:56 Mazurkas, Op. 33: I. Mesto in G-Sharp Minor
01:19:52 Mazurkas, Op. 33: II. Vivace in D Major
01:22:31 Mazurkas, Op. 33: III. Semplice in C Major
01:24:21 Mazurkas, Op. 33: IV. Mesto in B Minor
01:30:55 Mazurkas, Op. 41: I. Maestoso in C-Sharp Minor
01:34:39 Mazurkas, Op. 41: II. Andantino in E Minor
01:37:27 Mazurkas, Op. 41: III. Animato in B Major
01:38:43 Mazurkas, Op. 41: IV. Allegretto in A-Flat Major
01:41:09 Mazurka in A Minor, KKIIb No. 4
01:45:25 Mazurkas, Op. 50: I. Vivace in G Major
01:47:51 Mazurkas, Op. 50: II. Allegretto in A-Flat Major
01:51:04 Mazurkas, Op. 50: III. Moderato in C-Sharp Minor
01:56:51 Mazurkas, Op. 56: I. Allegro non tanto in B Major
02:01:32 Mazurkas, Op. 56: II. Vivace in C Major
02:03:13 Mazurkas, Op. 56: III. Moderato in C Minor
02:09:57 Mazurkas, Op. 59: I. Moderato in A Minor
02:13:51 Mazurkas, Op. 59: II. Allegretto in A-Flat Major
02:16:54 Mazurkas, Op. 59: III. Vivace in F-Sharp Minor
02:20:32 Mazurkas, Op. 63: I. Vivace in B Major
02:23:05 Mazurkas, Op. 63: II. Lento in F Minor
02:25:05 Mazurkas, Op. 63: III. Allegretto in C-Sharp Minor
02:27:30 Mazurkas, Op. 67: IV. Moderato animato in A Minor
02:30:06 Mazurkas, Op. 67: II. Cantabile in G Minor
02:31:53 Mazurkas, Op. 68: No. 4 in F Minor

Tracklist below.

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Some of Boccherini’s cello concertos are popular. But a complete set of all 12 is hard to find.This release has them all with cellist Enrico Bronzi as the soloist. He plays together with the Italian ensemble Accademia i Filarmonici di Verona which he conducts as well.
Some of the musicians in this ensemble also work as principals of the main Italian orchestras like the one of La Scala, others are chamber musicians or teachers.
Boccherini had a great affinity with the cello. Each of the 12 concertos is a musical gem, well-suited for the instrument, delightfully light-hearted. The Italian performers provide a sunny listening experience.
Other information:
- The first complete set of Boccherini’s cello concertos released in a long time.

Composer:
Luigi Boccherini

Artist:
Enrico Bronzi cello
Accademia I Filarmonici Di Verona

00:00:00 Concerto for Cello and Strings in D No. 2, G. 479: Allegro
00:06:57 Concerto for Cello and Strings in D No. 2, G. 479: Adagio
00:11:38 Concerto for Cello and Strings in D No. 2, G. 479: Allegro assai
00:16:13 Concerto for Cello and Strings in G No. 3, G. 480: Allegro
00:22:59 Concerto for Cello and Strings in G No. 3, G. 480: Adagio
00:27:02 Concerto for Cello and Strings in G No. 3, G. 480: Allegro
00:32:12 Concerto for Cello, 2 Horns and Strings in C No. 1, G. 477: Allegro
00:37:22 Concerto for Cello, 2 Horns and Strings in C No. 1, G. 477: Largo
00:41:01 Concerto for Cello, 2 Horns and Strings in C No. 1, G. 477: Allegro
00:45:37 Concerto for Cello, 2 Horns and Strings in B-Flat No. 9, G. 482: Allegro moderato
00:53:28 Concerto for Cello, 2 Horns and Strings in B-Flat No. 9, G. 482: Andantino grazioso
00:59:28 Concerto for Cello, 2 Horns and Strings in B-Flat No. 9, G. 482: Rondò Allegro
01:04:47 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 12: I – Maestoso
01:10:46 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 12: II – Largo
01:15:35 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 12: III – Allegro
01:19:41 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 8, G. 478: I - Allegro con spirito
01:26:18 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 8, G. 478: II – Larghetto
01:33:31 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 8, G. 478: III Rondò-Rondò II-Comodo assai
01:42:51 Concerto for Cello, 2 Oboes, 2 Horns and Strings in A No. 6, G. 475: I – AllegroV
01:47:06 Concerto for Cello, 2 Oboes, 2 Horns and Strings in A No. 6, G. 475: II – Adagio
01:51:09 Concerto for Cello, 2 Oboes, 2 Horns and Strings in A No. 6, G. 475: III - Rondò – Allegro
01:55:10 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 10, G. 483: I - Allegro moderato
02:02:44 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 10, G. 483: II - Andante Lentarello
02:08:23 Concerto for Cello, 2 Oboes, 2 Horns and Strings in D No. 10, G. 483: III - Allegro e con moto
02:15:05 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 5, G. 474: I – Allegro
02:15:05 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 5, G. 474: II – Largo
02:22:53 Concerto for Cello, 2 Oboes, 2 Horns and Strings in E-Flat No. 5, G. 474: III - Allegro (Rondò)
02:29:18 Concerto for Cello, 2 Trumpets, 2 Oboes and Strings in C No. 11, G. 573: I – Maestoso
02:39:14 Concerto for Cello, 2 Trumpets, 2 Oboes and Strings in C No. 11, G. 573: II - Largo cantabile
02:43:33 Concerto for Cello, 2 Trumpets, 2 Oboes and Strings in C No. 11, G. 573: III - Allegro comodo
02:49:03 Concerto for Cello, 2 Flutes and Strings in C No. 7, G. 476: I – Allegro
02:55:57 Concerto for Cello, 2 Flutes and Strings in C No. 7, G. 476: II - Largo
03:01:11 Concerto for Cello, 2 Flutes and Strings in C No. 7, G. 476: III – Allegro
03:05:15 Concerto for Cello, 2 Horns and Strings in C No. 4, G. 481: I - Allegro moderato
03:12:11 Concerto for Cello, 2 Horns and Strings in C No. 4, G. 481: II – Adagio
03:17:37 Concerto for Cello, 2 Horns and Strings in C No. 4, G. 481: III - Allegretto

This set is, despite its misleading early opus number, very much the work of the mature Vivaldi, now 40 years of age and a leading light of the vibrant Venetian musical scene, producing at an astonishing rate not only concertos for the adroit pupils of the Ospedale della Pietà where he was a much-loved music master, but also entertainments of varying scale for more public events and audiences. These sonatas are but for two or three performers, or even four: a moot point for musicologists. L’Arte dell’Arco follow modern scholarly practice in assigning the ‘accompaniment’ to the virtuoso solo instrument to a continuo group of cello, keyboard and plucked instruments, though they take care to offer instrumental colours as variegated as possible by alternating between harpsichord and chamber organ, and theorbo and Baroque guitar, as the character of the musintal craftsmanship, continually appears to demand or request it. The sonatas were written with publication in mind, not in Venice but Amsterdam, then the home of instrumental music publishing, and they take their place within his carefully constructed 12 opus collections as a sophisticated set of sonatas displaying all the different characters of the Italian Baroque school of instrumental craftsmanship, continually enlivened by Vivaldi’s unique brand of melodic genius.

Tracklist below.

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The latest in Brilliant Classics’ selection of Vivaldi releases, this vivid and inventive collection can be considered the first true example of the genre later to be connected so strongly with the ‘Prete Rosso’: the violin concerto.

Tracklist:
00:00:00 Violin Concerto No. 1 in B-Flat Major, RV 383a: I. Allegro
00:02:56 Violin Concerto No. 1 in B-Flat Major, RV 383a: II. Largo e cantabile
00:06:00 Violin Concerto No. 1 in B-Flat Major, RV 383a: III. Allegro
00:08:07 Violin Concerto No. 11 in D Major, RV 204: I. Allegro
00:11:01 Violin Concerto No. 11 in D Major, RV 204: II. Largo
00:12:37 Violin Concerto No. 11 in D Major, RV 204: III. Allegro assai
00:14:28 Violin Concerto No. 9 in F Major, RV 284: I. Allegro
00:17:05 Violin Concerto No. 9 in F Major, RV 284: II. Largo
00:19:11 Violin Concerto No. 9 in F Major, RV 284: III. Allegro
00:21:22 Violin Concerto No. 4 in A Minor, RV 357: I. Allegro
00:24:14 Violin Concerto No. 4 in A Minor, RV 357: II. Grave e sempre piano
00:26:30 Violin Concerto No. 4 in A Minor, RV 357: III. Allegro
00:29:09 Violin Concerto No. 7 in C Major, RV 185: I. Largo
00:31:24 Violin Concerto No. 7 in C Major, RV 185: II. Allegro
00:33:22 Violin Concerto No. 7 in C Major, RV 185: III. Largo
00:35:00 Violin Concerto No. 7 in C Major, RV 185: IV. Allegro
00:37:00 Violin Concerto No. 2 in E Minor, RV 279: I. Allegro
00:41:08 Violin Concerto No. 2 in E Minor, RV 279: II. Largo
00:43:20 Violin Concerto No. 2 in E Minor, RV 279: III. Allegro
00:46:22 Violin Concerto No. 12 in G Major, RV 298: I. Spiritoso e non presto
00:48:51 Violin Concerto No. 12 in G Major, RV 298: II. Largo
00:52:06 Violin Concerto No. 12 in G Major, RV 298: III. Allegro
00:55:32 Violin Concerto No. 8 in D Minor, RV 249: I. Allegro
00:58:06 Violin Concerto No. 8 in D Minor, RV 249: II. Adagio – Presto – Adagio
00:59:29 Violin Concerto No. 8 in D Minor, RV 249: III. Allegro
01:02:52 Violin Concerto No. 5 in A Major, RV 347: I. Allegro
01:06:16 Violin Concerto No. 5 in A Major, RV 347: II. Largo
01:08:24 Violin Concerto No. 5 in A Major, RV 347: III. Allegro
01:11:36 Violin Concerto No. 10 in C Minor, RV 196: I. Spiritoso
01:14:26 Violin Concerto No. 10 in C Minor, RV 196: II. Adagio
01:16:34 Violin Concerto No. 10 in C Minor, RV 196: III. Allegro
01:19:26 Violin Concerto No. 6 in G Minor, RV 316a: I. Allegro
01:21:55 Violin Concerto No. 6 in G Minor, RV 316a: II. Largo
01:24:47 Violin Concerto No. 6 in G Minor, RV 316a: III. Allegro
01:28:21 Violin Concerto No. 3 in G Major, RV 301: I. Allegro
01:31:06 Violin Concerto No. 3 in G Major, RV 301: II. Largo
01:33:37 Violin Concerto No. 3 in G Major, RV 301: III. Allegro

Artist:
Federico Guglielmo (violin)
L'Arte dell'Arco

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Composers: Ludwig van Beethoven
Artists: Shoko Sugitani (piano), Berliner Symphoniker, Gerard Oskamp (conductor)

This release presents both of Ludwig van Beethoven’s most often performed piano concertos. Enjoyable performances by Shoko Sugitani with the Berliner Symphoniker.


00:00:00 Piano Concerto No. 3 in C Minor, Op. 37: Allegro con brio
00:17:05 Piano Concerto No. 3 in C Minor, Op. 37: Largo
00:27:38 Piano Concerto No. 3 in C Minor, Op. 37: Rondo, allegro
00:36:44 Piano Concerto No. 5 in E-Flat Major, Op. 73, “Emperor Concerto”: Allegro
00:56:51 Piano Concerto No. 5 in E-Flat Major, Op. 73, “Emperor Concerto”: Adagio un poco mosso
01:05:33 Piano Concerto No. 5 in E-Flat Major, Op. 73, “Emperor Concerto”: Rondo, allegro ma non troppo

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This comprehensive release is a celebration of the astonishing presence of the guitar in Russia at the beginning of the 19th century. Just the sheer number of composers featured on this 7CD album exemplifies how popular the instrument was. Though many of these composers have now fallen into obscurity, their works live on – discovered by renowned guitarist Oleg Timofeyev, an expert on the music of this time. Mr Timofeyev is known for reviving the seven-string Russian guitar, and it is on this instrument that he performs these works, many of which have never been recorded before.

Artists: Oleg Timofeyev (Russian seven-string guitar), John Schneiderman (Russian seven-string guitar ), Dan Caraway (Russian seven-string guitar ), Anne Harley (soprano ), Etienne Abelin (classical violin), Kenneth Slowik (fortepiano)

00:00:00 (Andrey Sychra) The Poor Branch
00:05:04 (Andrey Sychra) In the Valley
00:12:35 (Andrey Sychra) Troïka
00:17:22 (Andrey Sychra) In the Garden
00:21:30 (Andrey Sychra) Four Études: Étude No. 1
00:30:10 (Andrey Sychra) Four Études: Étude No. 2
00:35:08 (Andrey Sychra) Four Études: Étude No. 3
00:41:10 (Andrey Sychra) Four Études: Étude No. 4
00:48:02 (Andrey Sychra) Variations on Weber’s Last Thought
00:56:13 (Andrey Sychra) Rondo à la Savoyard
01:00:57 (Semion Aksionov) Kamarinskaia
01:05:48 (Semion Aksionov) In the Valley
01:11:06 (Semion Aksionov) Exercise in A Minor
01:12:27 (Semion Aksionov) Feel Bad
01:16:25 (Semion Aksionov) Pour biendans ma chaumière
01:20:07 (Semion Aksionov) How Did I Upset You?
01:24:16 (Semion Aksionov) Akh vy seni
01:28:38 (Semion Aksionov) Mozart Variations
01:33:29 (Mikhail Vysotsky) March
01:37:45 (Mikhail Vysotsky) Stop Singing, oh Nature’s Friend
01:41:00 (Mikhail Vysotsky) Love Pear
01:45:39 (Alexander Vetrov) You Won’t Believe
01:53:08 (Alexander Vetrov) Étude in D Major
01:56:26 (Alexander Vetrov) Étude in G Major
01:59:24 (Alexander Vetrov) Étude in A Minor
02:02:31 (Alexander Vetrov) Rondoletto
02:05:42 (Ignaz von Held)Rondo
02:07:29 (Ignaz von Held)Polonaise de Mars
02:11:48 (Joseph Kamensky) Sonata for Violin and Seven-string Guitar: I. Allegro moderato
02:19:13 (Joseph Kamensky) Sonata for Violin and Seven-string Guitar: II. Polish Song with Variations
02:24:51 (Ludwig Sychra) Fantasia
02:31:03 (Vladimir Lvov) Sonata: I. Allegro moderato
02:39:17 (Vladimir Lvov) Sonata: II. Rondo. Allegretto
02:44:18 (Anon.) D’un mensonge
02:45:52(Anon.) On dit que sans espérance
02:47:37 (Anon.) À ma Clémence
02:49:47 (Andrey Sychra) Polonaise
02:52:15 (Ferdinando Antonolini) Perduta l’arbitra
02:55:24 (Domenico Cimarosa) Se m’abandoni
02:58:32 (A. Svientitsky) Variations
03:02:47 (A. Svientitsky) Kozak – Air russe
03:05:09 (Mikhail Vysotsky) Fantasia
03:07:31 (Mikhail Vysotsky) Not a Peacock
03:12:42 (Mikhail Vysotsky) Troïka
03:16:43 (Mikhail Vysotsky) I Loved Rose
03:20:38 (Mikhail Vysotsky) Don’t Be Surprised
03:23:00 (Mikhail Vysotsky) Fantasia on the Themes from Cramer’s Études
03:26:24 (Mikhail Vysotsky) Remember, My Friend
03:31:31 (Mikhail Vysotsky) Bach’s Fugue
03:35:36 (Mikhail Vysotsky) Cossack
03:41:03 (Mikhail Vysotsky) Rondo
03:44:18 (Mikhail Vysotsky) Go Home, Dear Cow
03:51:15 (Mikhail Vysotsky) Ukrainian Song
03:53:18 (Mikhail Vysotsky) Ogiński’s Polonaise
03:57:31 (Mikhail Vysotsky) Ah, Mother, I Have a Headache
04:01:53 (Mikhail Vysotsky) Vanyusha
04:04:15 (Andrey Sychra) Polonaise
04:12:07 (Mikhail Ivanovich Glinka) Polonaise
04:16:11 (Mikhail Ivanovich Glinka) Kamarinskaia
04:23:21 (Mikhail Ivanovich Glinka) Potpourri from Life for the Tsar
04:33:50 (Michał Kleofas Ogiński) Polonaise in A Major
04:37:09 (Michał Kleofas Ogiński) Polonaise in F Minor
04:43:18 (Andrey Sychra) Variations on Two Songs
04:59:15 (Pierre Rode) Polonaise
05:05:03 (Nikolai Alexandrov) My Heart
05:07:12 (Nikolai Alexandrov) Graziella
05:09:32 (Nikolai Alexandrov) It is Hard for Me
05:11:19 (Nikolai Alexandrov) Gallop
05:14:25 (Nikolai Alexandrov) Scherzo
05:18:40 (Nikolai Alexandrov) L’Illusion perdue
05:20:08 (Nikolai Alexandrov) An Orphan’s Song
05:21:33 (Nikolai Alexandrov) Ballad
05:23:31 (Nikolai Alexandrov) Prayer
05:26:01 (Nikolai Alexandrov) Melody
05:27:53 (Fiodor Zimmerman) Capriccio in B Minor
05:30:28 (Fiodor Zimmerman) Capriccio in G Major
05:33:01 (Fiodor Zimmerman) Tyrolian Waltz
05:34:18 (Fiodor Zimmerman) Waltz
05:35:30 (Fiodor Zimmerman) Two Marches: No. 1
05:37:07 (Fiodor Zimmerman) Two Marches: No. 2

(Full tracklist can be found in the comment section!)

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