I learned this song from attending Novenas with my lovely Hispanic community. Novenas are beautiful traditional gatherings during the first days of December in which the rosary is prayed, and in the Latino tradition, a lot of delicious food is shared. :) I find this song very calming and moving, and I hope you enjoy it as much as I do.

Lyrics // Letras

Madre óyeme, mi plegaria es un grito en la noche
Madre guíame en la noche de mi juventud
Madre sálvame, mil peligros acechan mi vida
Madre lléname, de esperanza, de amor y de fe.
Madre guíame, en las sombras no encuentro el camino
Madre llévame, que a tu lado feliz estaré

La la la la la la la la…

Madre una flor, una flor con espinas que es bella
Madre un amor, un amor que ha empezado a nacer
Madre sonreír, sonreír aunque llore en el alma
Madre construir, caminar aunque vuelva a caer.
Madre solo soy el anhelo y la carne que lucha
Madre tuyo soy, en tus manos me vengo a poner

Pre-order the new album Karl Jenkins: Piano here
https://decca.lnk.to/KJPVD

This new collection brings together the best of Sir Karl Jenkins’ music performed by himself on the piano for the very first time.

Tracklist:

1. Cantilena - from Adiemus
2. Benedictus - from The Armed Man
3. White Water
4. Palladio
5. Hymn - from Adiemus
6. Lullay - from Stella Natalis
7. Laudamus Te - from Gloria
8. Adiemus - from Songs of Sanctuary
9. Agnus Dei - from The Armed Man
10. Quirky Blue
11. Pie Jesu - from Requiem
12. Ave Verum - from Stabat Mater
13. Healing Light - from The Peacemakers
14. I’ll Make Music - from Gloria
15. In Paradisum - from Requiem
16. And The Mother Did Weep - from Stabat Mater
17. The Girl with the Green Eyes
18. Cancion Plateada - from Adiemus Colores
19. Only Heavenly Music - from Stella Natalis
20. Lacrimosa - from Requiem
21. Kyrie - from The Armed Man
22. The Mystics

Aunque mis ojos
No te puedan ver, te puedo sentir
Sé que estás aquí

Aunque mis manos
No puedan tocar, tu rostro Señor
Sé que estás aquí

Mi corazón, puede sentir tu presencia
Tú estás aquí, tú estás aquí
Puedo sentir, tu majestad
Tú estás aquí, tú estás aquí

Mi corazón, puede mirar tu hermosura
Tú estás aquí, tú estás aquí
Puedo sentir, tu gran amor
Tú estás aquí, tú estás aquí
Tú estás aquí, tú estás aquí

A song about Gravity set to the tune of John Mayer's Gravity.

Gravity is working with me
And Gravity, keeps me on the ground

All mass attracts all other mass
a force proportional to mass one and two
and inversely to the distance between them squared

Oh, gravity is working with me
and gravity, makes apples fall to ground

Oh twice the mass has twice the pull
but the force on each is still equal
It keeps the moon and the satellites
going round

Oh twice the mass has twice the pull
but the force on each is still equal
It keeps the moon and the satellites
going round

Oh gravity, the force that makes weight on me
Woah, gravity, now general relativity (how can that be?)

The force between us all is
The force between us all is
The force between us all is
Gravity between us all is
Gravity between us all is
Gravity between gravity between us all is

Looking for astronomy highlights for February 2020? This month is the best time of the year to try to view Mercury, soon after sunset; Mars disappears behind the Moon on Feb. 18; and the bright red star on Orion’s shoulder, Betelgeuse, has been acting weird. (Or has it?)

Additional information about topics covered in this episode of What's Up, along with still images from the video, and the video transcript, are available at https://solarsystem.nasa.gov/w....hats-up-skywatching-


Credit: NASA/JPL-Caltech

Tracklist below.

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If you like the works of Shostakovich, you can also check the following video “Shostakovich: Symphonies 1-6” :
https://www.youtube.com/watch?v=qSLp3iGkoKc

After releasing the highly successful sets of Shostakovich symphonies (the award-winning cycle of Rudolf Barshai) and the string quartets ( highly acclaimed performances of the Rubio Quartet), this set presents the Jazz Suites, Ballet Suites and Film Music.

Shostakovich lived a live full of tension and controverses in the Stalin era. As a modernist he was reprimanded and threatened to be banned. As a sign of good behaviour, he wrote music for mass audiences, in a popular style. But Shostakovich being Shostakovich, he managed to suggest under the surface of the sometimes nearly vulgar music his unique sense of bitter irony and revolt.

The Jazz suites enjoy a huge popularity. The 'Second Waltz' from the first Suite gained world reputation through the arrangement of Andre Rieu. The film music for the Gadfly is famous for its Romance, which was used in a popular television series.

Excellent, idiomatic performances by the Ukrainian Orchestra under Theodore Kuchar.

00:00:00 Suite for Variety Orchestra No. 1, (Jazz Suite No. 2): March
00:03:09 Suite for Variety Orchestra No. 1, (Jazz Suite No. 2): Dance No. 1
00:06:10 Suite for Variety Orchestra No. 1, (Jazz Suite No. 2): Dance No. 2
00:09:54 Suite for Variety Orchestra No. 1, (Jazz Suite No. 2): Little Polka
00:12:33 Suite for Variety Orchestra No. 1, (Jazz Suite No. 2): Lyric Waltz
00:15:16 Suite for Variety Orchestra No. 1, (Jazz Suite No. 2): Waltz No. 1
00:18:42 Suite for Variety Orchestra No. 1, (Jazz Suite No. 2): Waltz No. 2
00:22:20 Suite for Variety Orchestra No. 1, (Jazz Suite No. 2): Finale
00:24:44 Overture on Russian and Kirghiz Themes, Op. 115
00:34:13 Jazz Suite No. 1: Waltz
00:36:38 Jazz Suite No. 1: Polka
00:38:21 Jazz Suite No. 1: Foxtrot
00:42:16 Novorossijsk Chimes
00:44:57 Festive Overture, Op. 96
00:50:43 The Bolt, Ballet Suite, Op. 27a: Overture
00:56:22 The Bolt, Ballet Suite, Op. 27a: Polka
00:59:04 The Bolt, Ballet Suite, Op. 27a: Variation
01:00:55 The Bolt, Ballet Suite, Op. 27a: Tango
01:06:05 The Bolt, Ballet Suite, Op. 27a: Intermezzo
01:10:00 The Bolt, Ballet Suite, Op. 27a: Finale
01:13:30 The Limpid Stream, Ballet Suite, Op. 39a: Waltz
01:15:57 The Limpid Stream, Ballet Suite, Op. 39a: Russian Lubok
01:18:31 The Limpid Stream, Ballet Suite, Op. 39a: Galop
01:20:33 The Limpid Stream, Ballet Suite, Op. 39a: Adagio
01:27:57 The Limpid Stream, Ballet Suite, Op. 39a: Pizzicato
01:29:28 The Golden Age, Ballet Suite, Op. 22a: Overture
01:33:18 The Golden Age, Ballet Suite, Op. 22a: Adagio
01:42:04 The Golden Age, Ballet Suite, Op. 22a: Polka
01:44:19 The Golden Age, Ballet Suite, Op. 22a: Dance
01:46:29 Hamlet Suite: Prelude
01:48:51 Hamlet Suite: The Ball at the Palace
01:52:36 Hamlet Suite: The Ghost
01:54:02 Hamlet Suite: In the Garden
01:57:11 Hamlet Suite: Hamlet & Ophelia
02:01:07 Hamlet Suite: Arrival of the Actors
02:03:22 Hamlet Suite: Poisoning Scene
02:10:52 Hamlet Suite: Duel and Death of Hamlet
02:14:56 Gadfly, Suite, Op. 97a: Overture
02:17:56 Gadfly, Suite, Op. 97a: Contradance
02:20:27 Gadfly, Suite, Op. 97a: Folk Feast
02:23:08 Gadfly, Suite, Op. 97a: Interlude
02:25:58 Gadfly, Suite, Op. 97a: Waltz "Barrel Organ"
02:27:55 Gadfly, Suite Op. 97a: Galop
02:29:54 Gadfly, Suite Op. 97a: Introduction
02:36:02 Gadfly, Suite, Op. 97a: Romance
02:42:31 Gadfly, Suite, Op. 97a: Intermezzo
02:48:09 Gadfly, Suite, Op. 97a: Nocturne
02:52:06 Gadfly, Suite, Op. 97a: Scene
02:55:31 Gadfly, Suite, Op. 97a: Finale

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Composer: Luigi Boccherini
Artist: Eros Roselli (guitar), La Magnifica Comunità, Enrico Casazza (violin and concert master)

The 9 guitar quintets by Luigi Boccherini are probably arrangements of other pieces he wrote. Some were originally for piano quintet, some are combinations of pieces for other instruments. Nevertheless they sound very original, have a definite Spanish feel to them and make very enjoyable listening.

Of course two movements have become famous by themselves. There is the Fandango, the final movement of the fourth quintet with an unmistakable obviously Spanish rhythm. And the ninth quintet has the highly entertaining 'La ritirata di Madrid', depicting Madrid at night. Luciano Berio liked it so much that he made an arrangement of it.

A recording by La Magnifica Communitá. This ensemble has recorded Boccherini’s other quintets as well. They are here joined by guitarist Eros Roselli.

00:00:00 Quintetto I in D Minor, G. 445: Allegro moderato
00:08:01 Quintetto I in D Minor, G. 445: Cantabile
00:12:35 Quintetto I in D Minor, G. 445: Minuetto
00:17:14 Quintetto I in D Minor, G. 445: Allegro assai
00:22:40 Quintetto III in B-Flat Major, G. 447: Allegro moderato
00:28:17 Quintetto III in B-Flat Major, G. 447: Tempo di Minuetto
00:33:18 Quintetto III in B-Flat Major, G. 447: Adagio
00:38:23 Quintetto III in B-Flat Major, G. 447: Allegro
00:44:47 Quintetto V in D Major, G.449: Andantino pausato
00:50:18 Quintetto V in D Major, G.449: Minuetto (Allegro)
00:53:29 Quintetto V in D Major, G.449: Allegro giusto
00:56:31 Quintetto V in D Major, G.449: Andantino pausato con variazioni
01:04:27 Quintetto VI in G Major, G. 450: Allegro con vivacità
01:08:49 Quintetto VI in G Major, G. 450: Andantino lento
01:12:01 Quintetto VI in G Major, G. 450: Tempo di Minuetto
01:16:15 Quintetto VI in G Major, G. 450: Allegretto
01:20:03 Quintetto IV in D Major, G. 448, "Fandango": Pastorale
01:24:29 Quintetto IV in D Major, G. 448, "Fandango": Allegro maestoso
01:31:08 Quintetto IV in D Major, G. 448, "Fandango": Grave assai
01:32:40 Quintetto IV in D Major, G. 448, "Fandango": Fandango
01:38:23 Quintetto II in E Major, G. 446: Maestoso assai
01:46:44 Quintetto II in E Major, G. 446: Adagio
01:48:48 Quintetto II in E Major, G. 446: Allegretto
01:51:53 Quintetto II in E Major, G. 446: Polacca. Tempo di Minuetto
01:57:48 Quintetto in C Major, G. 453, "La Ritirata di Madrid": Allegro maestoso assai
02:08:47 Quintetto in C Major, G. 453, "La Ritirata di Madrid": Andantino
02:15:01 Quintetto in C Major, G. 453, "La Ritirata di Madrid": Allegretto
02:21:10 Quintetto in C Major, G. 453, "La Ritirata di Madrid": Maestoso e lento (La Ritirata di Madrid)

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00:00:00 Concerto in C for recorder, oboe, two violins & continuo, RV 87: I. Adagio – Allegro
00:03:13 Concerto in C for recorder, oboe, two violins & continuo, RV 87: II. Adagio
00:04:57 Concerto in C for recorder, oboe, two violins & continuo, RV 87: III. Allegro
00:07:29 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 107: I. Allegro
00:09:53 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 107: II. Largo
00:12:48 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 107: III. Allegro
00:15:30 Concerto in D ‘La pastorella’ for recorder, oboe, violin, bassoon & continuo, RV 95: I. Allegro
00:19:05 Concerto in D ‘La pastorella’ for recorder, oboe, violin, bassoon & continuo, RV 95: II. Largo
00:21:15 Concerto in D ‘La pastorella’ for recorder, oboe, violin, bassoon & continuo, RV 95: III. Allegro
00:24:09 Concerto in D for recorder, oboe, violin, bassoon & continuo, RV 94: I. Allegro
00:27:31 Concerto in D for recorder, oboe, violin, bassoon & continuo, RV 94: II. Largo
00:29:44 Concerto in D for recorder, oboe, violin, bassoon & continuo, RV 94: III. Allegro
00:33:18 Concerto in F for recorder, oboe, violin, bassoon & continuo, RV 99: I. Allegro
00:37:14 Concerto in F for recorder, oboe, violin, bassoon & continuo, RV 99: II. Largo
00:39:02 Concerto in F for recorder, oboe, violin, bassoon & continuo, RV 99: III. Allegro
00:41:28 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 105: I. Allegro
00:44:25 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 105: II. Largo
00:46:14 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 105: III. Allegro
00:49:48 Concerto in F for recorder, violin, bassoon & continuo, RV 100: I. Allegro
00:52:20 Concerto in F for recorder, violin, bassoon & continuo, RV 100: II. Largo
00:54:34 Concerto in F for recorder, violin, bassoon & continuo, RV 100: III. Allegro
00:57:14 Sonata in A Minor for recorder, bassoon & continuo, RV 86: I. Largo
01:00:06 Sonata in A Minor for recorder, bassoon & continuo, RV 86: II. Allegro
01:02:38 Sonata in A Minor for recorder, bassoon & continuo, RV 86: III. Largo cantabile
01:04:41 Sonata in A Minor for recorder, bassoon & continuo, RV 86: IV. Allegro molto
01:06:48 Concerto in G Minor for recorder, violin, bassoon & continuo, RV 106: I. Allegro
01:09:58 Concerto in G Minor for recorder, violin, bassoon & continuo, RV 106: II. Largo
01:12:19 Concerto in G Minor for recorder, violin, bassoon & continuo, RV 106: III. Allegro
01:14:40 Concerto in C for oboe, violin, cello & continuo, RV 801: I. Largo
01:16:42 Concerto in C for oboe, violin, cello & continuo, RV 801: II. Allegro
01:19:05 Concerto in C for oboe, violin, cello & continuo, RV 801: III. Largo
01:20:36 Concerto in C for oboe, violin, cello & continuo, RV 801: IV. Allegro
01:23:06 Concerto in D Minor for recorder, violin, bassoon & continuo, RV 96: I. Allegro
01:25:25 Concerto in D Minor for recorder, violin, bassoon & continuo, RV 96: II. Largo
01:27:50 Concerto in D Minor for recorder, violin, bassoon & continuo, RV 96: III. Allegro
01:30:14 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 103: I. Allegro ma cantabile
01:34:43 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 103: II. Largo
01:37:23 Concerto in G Minor for recorder, oboe, violin, bassoon & continuo, RV 103: III. Allegro non molto
01:39:20 Concerto in A Minor for recorder, two violins & continuo, RV 108: I. Allegro
01:42:10 Concerto in A Minor for recorder, two violins & continuo, RV 108: II. Adagio
01:43:52 Concerto in A Minor for recorder, two violins & continuo, RV 108: III. Allegro
01:46:25 Concerto in D for recorder, violin & continuo, RV 84: I. Allegro
01:49:17 Concerto in D for recorder, violin & continuo, RV 84: II. Andante cantabile
01:51:02 Concerto in D for recorder, violin & continuo, RV 84: III. Allegro
01:53:32 Concerto in D for recorder, violin, cello & continuo, RV 91: I. Allegro
01:56:11 Concerto in D for recorder, violin, cello & continuo, RV 91: II. Largo
02:58:07 Concerto in D for recorder, violin, cello & continuo, RV 91: III. Allegro non molto
02:00:31 Sonata in C Minor for violin, cello & continuo, RV 83: I. Allegro
02:02:52 Sonata in C Minor for violin, cello & continuo, RV 83: II. Adagio
02:05:28 Sonata in C Minor for violin, cello & continuo, RV 83: III. Allegro
02:07:53 Concerto in D for recorder, violin, cello & continuo, RV 92: I. Allegro
02:11:38 Concerto in D for recorder, violin, cello & continuo, RV 92: II. Adagio
02:14:33 Concerto in D for recorder, violin, cello & continuo, RV 92: III. Allegro

Testimonio de conversión De Ateo y Budista a Diacono Católico gracias a Santa Teresa de Jesús

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Male crickets play tunes non-stop to woo a mate or keep enemies away. But they're not playing their song with the body part you're thinking.

Please join our community on Patreon! https://www.patreon.com/deeplook
SUBSCRIBE to Deep Look! http://goo.gl/8NwXqt

DEEP LOOK is a ultra-HD (4K) short video series created by KQED San Francisco and presented by PBS Digital Studios. See the unseen at the very edge of our visible world. Explore big scientific mysteries by going incredibly small.

---

Ask most people about crickets and you’ll probably hear that they’re all pretty much the same: just little insects that jump and chirp.

But there are actually dozens of different species of field crickets in the U.S. And because they look so similar, the most common way scientists tell them apart is by the sounds they make.

“When I hear an evening chorus, all I hear are the different species,” said David Weissman, a research associate in entomology at the California Academy of Sciences in San Francisco.

Weissman has spent the last 45 years working to identify all the species of field crickets west of the Mississippi River. In December, he published his findings in the journal Zootaxa, identifying 35 species of field crickets in the western states, including 17 new species. California alone hosts 12 species. But many closely resemble the others. So even for one of the nation’s top experts, telling them apart isn’t a simple task.

“It turns out song is a good way to differentiate,” Weissman said.

--- How do crickets chirp?

On the underside of male crickets’ wings there’s a vein that sticks up covered in tiny microscopic teeth, all in a row. It’s called the file. There's a hard edge on the lower wing called the scraper.

When he rubs his wings together - the scraper on the bottom wing grates across all those little teeth on the top wing. It’s like running your thumb down the teeth of a comb. This process of making sound is called stridulation.

--- How do crickets hear?
Crickets have tiny ears, called tympana on each of their two front legs. They use them to listen for danger and to hear each other calling.

--- Why do crickets chirp?
Crickets have several different types of songs that serve different purposes. The familiar repetitive chirping song is a mating call that male crickets produce to attract females that search for potential mates.

If a female makes physical contact with a male he will typically switch to a second higher-pitched, quieter courtship song.

If instead a male cricket comes in contact with another adult male he will let out an angry-sounding rivalry call to tell his competitor to back off.

---+ Read the entire article on KQED Science:

https://ww2.kqed.org/science/2....020/01/14/crickets-c

---+ For more information:

Professor Fernando Montealegre-Z’s bioacoustics lab
http://bioacousticssensorybiology.weebly.com/

David Weissman’s article cataloging field crickets in the U.S.
https://www.biotaxa.org/Zootax....a/article/view/zoota

---+ Shoutout!

?Congratulations ?to the following fans on our YouTube community tab for correctly identifying the name and function of the kidney bean-shaped structure on the cricket’s tibia - the tympanum, or tympanal organ:

sjhall2009
Damian Porter
LittleDreamerRem
Red Segui
Ba Ri

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---+ About KQED

KQED, an NPR and PBS affiliate in San Francisco, CA, serves Northern California and beyond with a public-supported alternative to commercial TV, Radio and web media.

Funding for Deep Look is provided in part by PBS Digital Studios. Deep Look is a project of KQED Science, which is also supported by the National Science Foundation, the S. D. Bechtel, Jr. Foundation, the Dirk and Charlene Kabcenell Foundation, the Vadasz Family Foundation, the Fuhs Family Foundation, Campaign 21 and the members of KQED.

Antes de decir que no existe el Purgatorio mira este vídeo y saca tus conclusiones

#purgatorio
#elpurgatorioesreal
#elpurgatorioexiste
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Epic Unease de Kevin MacLeod está sujeta a una licencia de Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/)
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A lone elephant is hunted by an aggressive pack of lions - will it be able to escape in time?

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Taken from 'Planet Earth':
In this harrowing clip from the award-winning BBC Planet Earth series, Sir David Attenborough explores the danger elephants face when sharing a water hole with desperate, starving lions.

Welcome to BBC EARTH! The world is an amazing place full of stories, beauty and natural wonder. Here you'll find 50 years worth of astounding, entertaining, thought-provoking and educational natural history content. Dramatic, rare, and exclusive, nature doesn't get more exciting than this.

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In order to survive in the wild, these two vervet monkeys must learn to socialise with their own kind.
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Nature's Miracle Orphans:
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As we learn more about electricity, we have to talk about fields. Electric fields may seem complicated, but they're really fascinating and a crucial part of physics. In this episode of Crash Course Physics, Shini chats about capacitors, conductors, electric field lines, and how objects with net charge generate electric fields.

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Welcome to the Official Bananas in Pyjamas Channel.
On this channel you will find classic and animated full episodes.

Morgan's Cafe - When the ever-helpful Bananas accidentally ruin a cafe's grand opening, they must find a way to make amends.

The Birthdays - The Bananas decide that a birthday party should be held every day in Cuddlestown - whether it's anyone's real birthday or not!

Amy's Package - The Bananas have to deliver a package to Amy. But as they carefully carry it to her house, they trip over and the package flies into the air and hits the ground with a bang. Oh no! Have they broken what's inside the package? They give the package a shake and hear something rattle about inside. Oh yes, they have broken it! The Bananas don't want to tell Amy about this. They decide to quickly go home and repair whatever it is that's inside the package. But will the Bananas be able to do it before Amy finds out what's happened?

The Dragon - Everyone in Cuddlestown is getting ready to celebrate Chinese New Year. But when Amy goes down to the lake to hang up some lanterns for their parade, she is alarmed to see a dragon appear through the mist. She quickly runs back to town to warn everyone but is upset to find that no one believes her. The Bananas feel sorry for Amy. They don’t really believe in dragons either but they don't like to see their friend upset. They decide there’s only one thing to do. They'll try to find out just what sort of dragon Amy really saw.

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Your favourite clips and compilations and much more! Tune in every week and see the antics of B1, B2 and their many friends.

From Episode 7 - The Billy Cart Race

B1, B2 and their adorable friends the Teddies and the ever mischievous Rat in a Hat romp their way through the magical world of Cuddletown. There are new friends to meet too; Topsy the kangaroo, Charlie the inventive monkey and Bernard the wise old dog.

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Atención señoras y señores, damas y caballeros, el Capitán Topa y la tripulación del Junior Express, los quieren invitar a vivir una aventura divirtiéndose en familia.
Junto a tus niños podrás disfrutar de divertidos juegos a lo largo del recorrido hacia las coloridas estaciones. En el trayecto podrán interactuar con la tripulación y formar parte de ella, mientras arman rompecabezas, pintan, ayudan a Arnoldo en la cocina, completan el álbum de figuritas, ensayan canciones y eligen el próximo destino desde la cabina de control.
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Angelo Giuseppe Roncalli nació en Lombardía (Italia) el 25 de noviembre de 1881. Fue el cuarto

hijo de un total de catorce hermanos del matrimonio formado por Giovanni Battista Roncalli y

Marianna Giulia Mazzolla quienes trabajaban como agricultores.

El ambiente religioso de su familia y la vida parroquial bajo la guía del Padre Francesco Rebuzzini,

le proporcionaron a Angelo una sólida formación cristiana.

Ingresó en el seminario de Bérgamo en 1892. En 1896 fue admitido en la Orden Franciscana Seglar

haciendo su profesión en 1897. El 10 de agosto de 1904 fue ordenado sacerdote en la Basílica de

Santa María de Monte Santo. En 1905, fue nombrado secretario del Obispo de Bérgamo y en el

año siguiente fue el encargado de la enseñanza de Historia y Patrología en el Seminario.

Durante la Primera Guerra Mundial, ejerció primero como sargento médico y más tarde como

capellán militar. En 1921, fue llamado desde Roma por el Papa Benedicto XV para ocupar el cargo

de Presidente para Italia del Consejo Central de la Obra Pontificia de la Propagación de la Fe.

El Papa Pío XI lo designó Arzobispo de Areopoli y fue enviado oficial para Bulgaria el 3 de marzo de

1925. En Bulgaria, realizó su labor apostólica visitando las comunidades católicas y estableciendo

relaciones de respeto y estima con otras comunidades cristianas, en especial de la Iglesia

Ortodoxa.

En 1934 fue designado Arzobispo de Mesembria y en 1935 fue nombrado delegado apostólico

para Turquía Su intervención para socorrer a miles de judíos de la persecución nazi mientras servía

como Delegado Apostólico del Vaticano en Turquía durante la Segunda Guerra Mundial fue crucial.

El 23 de diciembre de 1944, el Papa Pío XII lo nombró nuncio apostólico de Francia. Gracias a su

cortesía, su sencillez, su buen humor y su amabilidad pudo resolver los problemas y conquistar el

corazón de los franceses y de todo el Cuerpo Diplomático.

El 12 de enero de 1953 el papa Pío XII lo crea Cardenal, siendo designado como Patriarca de

Venecia.

Durante esta época solía navegar por los canales de la ciudad sin la vestimenta de cardenal y

detenerse para hablar con los más pobres quienes le contaban sus problemas.

El 28 de octubre de 1958, contando con casi 77 años, Roncalli fue elegido Papa ante la sorpresa de

todo el mundo. Ni los cardenales ni el resto de la Iglesia esperaban que el temperamento alegre, la

calidez y la generosidad del Papa Juan XXIII cautivaran los afectos del mundo.

Fue el primero desde 1870 que ejerció su ministerio de obispo de Roma visitando personalmente

las parroquias de su diócesis. Al cabo de dos meses de haber sido elegido, dio ejemplo de obras de

misericordia: por Navidad visitó los niños enfermos de los hospitales Espíritu Santo y Niño Jesús; al

día siguiente fue a visitar los prisioneros de la cárcel Regina Coeli.

En 1959, en la Basílica de San Pablo Extramuros y ante la sorpresa de todo el mundo anunció el

Concilio Vaticano II.

El 2 de diciembre de 1960 se reunió en el Vaticano durante una hora con el arzobispo de

Canterbury, Geoffrey Francis Fisher. Era la primera vez en más de 400 años, desde la excomunión

de Isabel I, que la máxima autoridad de la Iglesia de Inglaterra se reunía con el papa. Durante su

Pontificado nombró 37 nuevos cardenales, entre los cuales por primera vez un tanzano, un

japonés, un filipino, un venezolano, un uruguayo y un mexicano.

Su magisterio social en las encíclicas Mater et Magistra y Pacem in terris fue profundamente

apreciado. En ambas pastorales se insiste sobre los derechos y deberes derivados de la dignidad

del hombre como criatura de Dios.

El 11 de octubre de 1962 el Papa Roncalli abrió el Concilio Vaticano II en San Pedro. Desde la

apertura del Concilio, el papa Juan XXIII enfatizó la naturaleza pastoral de sus objetivos: no se

trataba de definir nuevas verdades ni condenar errores, sino que era necesario renovar la Iglesia

para hacerla capaz de transmitir el Evangelio en los nuevos tiempos.

El 23 de mayo de 1963 se anunció públicamente que el Papa estaba enfermo de cáncer. Falleció

en Roma el 3 de junio de 1963. Fue beatificado por el Beato Juan Pablo II en el año 2000.

Los dos pontífices serán canonizados en una misma celebración, el 27 de abril de 2014.

Convento de clausura rebosa de vocaciones en España