Kitaro - The Field - Live in Izumo Taisha (Izumo Grand Shrine) on 8/10/1990

http://itunes.apple.com/us/art....ist/kitaro/id2382005

http://www.domocart.com/domo-store/index.php


Song: The Field

Theme From Silk Road
Caravansary
Cosmic Love
The Field
Hajimari
Sozo
Koi
Orochi
Nageki
Matsuri
Reimei
Nageki


Drums: Casey Scheuerell
Percussion: Ken Park
Keyboards: Brian Becvar
Violin: Charlie Bisharat
Keyboards: Kit Walker
Guitar: Barry Coates
Bass: Steve Bailey

Official Website
http://domomusicgroup.com/kitaro/

日本語オフィシャルウェブサイト
http://www.diaa.net/kitaro/index.php

Tracklist Below:
Spotify:https://open.spotify.com/album..../6wWT1ly3WDO6RXC9B5n
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Following on from Canto Ostinato XL earlier this year, Brilliant Classics is proud to present Canto Ostinato XXL, a recording that brings a new perspective to Simeon ten Holt’s minimalist composition by adding a Romantic organ to the work’s original scoring for four pianos – a combination never before attempted. The result is the most beautiful and harmonious of sounds, one that captures Canto Ostinato’s emotional variety and depth through building on the sweetness and simplicity that inhabit this acclaimed composition, first performed in 1979.
Canto Ostinato is all to do with time: ‘taking your time, passing time, making time,’ as Jeroen van Veen, and one of the performers on the four-disc set, explains; and this is partly effected through the artists’ decision to repeat certain of the composition’s sections (106 in total) ad lib, thus inducing a sort of alienation of the part of the listener (because of the repetition’s posterior relationship to the harmony) and creating a hypnotic effect, a regular feature of minimalist music. Recorded over the course of just one day, this four-hour arrangement slows the tempo down a little, in order to accommodate the magnificent acoustics of the Muziekgebouw Eindhoven. Joining organist Aaart Bergwerff and Brilliant Classics regulars Sandra and Jeroen van Veen, all of whom feature on XL, are the acclaimed piano duo Elizabeth and Marcel Bergmann, both experts in the minimalist genre and who also enjoy separate international careers. Jeroen van Veen chairs the Simeon ten Holt Foundation, dedicated to keeping the wonderful music of this late Dutch composer alive.

Other information:
- Recorded 19 May 2014.

00:00:00 Canto Ostinato: Section 1
00:05:00 Canto Ostinato: Section 5
00:12:10 Canto Ostinato: Section 10
00:32:10 Canto Ostinato: Section 17
00:38:42 Canto Ostinato: Section 20
00:46:46 Canto Ostinato: Section 23
00:58:28 Canto Ostinato: Section 34
01:02:11 Canto Ostinato: Section 37
01:03:23 Canto Ostinato: Section 37
01:08:05 Canto Ostinato: Section 41
01:18:51 Canto Ostinato: Section 56
01:22:35 Canto Ostinato: Section 60
01:31:04 Canto Ostinato: Section 69
01:39:33 Canto Ostinato: Section 74. Cumulation No. 1
01:53:02 Canto Ostinato: Section 83
02:03:33 Canto Ostinato: Section 88
02:07:14 Canto Ostinato: Section 88 A
02:10:54 Canto Ostinato: Section 88 B
02:13:35 Canto Ostinato: Section 88 C
02:33:02 Canto Ostinato: Section 88 A
02:42:15 Canto Ostinato: Section 88 F
02:56:05 Canto Ostinato: Section 88 H
03:02:04 Canto Ostinato: Section 89
03:05:50 Canto Ostinato: Section 91 A
03:07:49 Canto Ostinato: Section 91 A
03:16:25 Canto Ostinato: Section 91 C
03:22:38 Canto Ostinato: Section 91 E
03:38:30 Canto Ostinato: Section 91 I
03:46:18 Canto Ostinato: Section 92
03:51:12 Canto Ostinato: Theme No. 2. Cumulation No. 2
04:02:20 Canto Ostinato: Section 105
04:04:21 Canto Ostinato: Section 106

Artist:
Jeroen van Veen (piano)
Sandra van Veen (piano)
Marcel Bergmann (piano)
Elizabeth Bergmann (piano)
Aart Bergwerff (organ)

With beautiful images ranging describing the lyrics of the song, accompanied by the angelic voice of Enya, just .... Beautiful!
Con imágenes preciosas que van describiendo la letra de la canción, acompañando la voz angelical de Enya, simplemente.... Hermoso!

Athair ar neamh by Enya performed by Swiss new age group Bandari (instrumental)
I love this song in any version

1. Prologue 0:00
2. Space Queen 0:26
3. Seiun (Star Nebula) 5:59
4. Hikari No Sono (Source of Light) 9:27
5. Maboroshi (Illusion) 13:57
6. Cosmic Love 19:29
7. Jiyu Eno Kakehashi (Bridge For Freedom) 24:15
8. Puromesyume (Promethium) 30:40
9. Epilogue 34:58
10.Mahoroba Densetsu (Legend of a Peaceful Place*)(Bonus Track) 42:16

KITARO - MILLENNIA

PRODUCED BY TAKA NANRI
Associate Producer: Moko Nanri

Music from the Japanese Animated Motion Picture "Queen Millennia"

Digitally mastered

Photography: Naoki Fukuda
Art Direction and Design: Jeffrey Kent Ayeroff & Norman Moore

*loosely translated by me

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/Ilpastorfido
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Spotify Playlists:
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Composers: Antonio Vivaldi, Nicolas Chedeville
Artists: Collegium Pro Musica, Stefano Bagliano (solo recorder), Alberto Pisani (cello), Fabiano Martignago (bass recorder), Andrea Coen (harpsichord)

The first thing to say about these six flute sonatas is that they are not by Vivaldi, nor did they ever have anything to do with the Italian composer. They are instead the work of Nicolas de Chédeville (1705-1782), an oboist and musette player, a student of the great French recorder virtuoso Louis Hotteterre who by the age of 25 had acquired a sufficient name for himself to publish his own compositions. He in turn became an esteemed teacher who worked for the royal households.

In 1737 he made a secret agreement with Jean-Noël Marchand for the latter to obtain a privilege to engrave, print and sell a work as Vivaldi's Il pastor fido, op.13, but in a notarial act dated 17 September 1749 Marchand declared that Chédeville was the composer, also revealing that Chédeville had provided the money for the publication and was receiving the emoluments. It is not certain why Chédeville chose to have his own work attributed to Vivaldi and issued under the privilege of Marchand, but perhaps, as Lescat has suggested, he was trying to give the musette, his favourite instrument, the endorsement of a great composer that it had lacked up until then.
But Chédeville, Vivaldi, whoever: what counts is the dancing vitality and simple, beguiling charm of these sonatas, which are played here by an experienced Italian early-music ensemble, whose previous recordings on Brilliant have met with warm critical response.

The Baroque recorder sonatas on this album bear the title “Il pastor fido”, a hugely popular play by Giovanni Guarini, which inspired many composers with its sensuous, pastoral and “romantic” atmosphere. The sonatas were attributed to Antonio Vivaldi (because of the commercial power of his fame) till in 1990 proof was found they have been written by the French composer Nicolas Chédeville, who borrowed material from Vivaldi and other composers, and developed it in the same idiom.
Excellent performances by the Ensemble Pro Musica, elite players from the Italian Early Music scene: Stefano Bagliano (recorder), Andrea Coen (harpsichord and organ).

00:00:00 Il pastor fido, Op. 13 Sonata No. 1 in C Major: I. Moderato
00:03:00 Il pastor fido, Op. 13 Sonata No. 1 in C Major: II. Allegro, tempo di gavotte
00:04:25 Il pastor fido, Op. 13 Sonata No. 1 in C Major: III. Aria affettuoso
00:07:00 Il pastor fido, Op. 13 Sonata No. 1 in C Major: IV. Allegro
00:09:25 Il pastor fido, Op. 13 Sonata No. 1 in C Major: V. Giga allegro
00:11:32 Il pastor fido, Op. 13 Sonata No. 2 in C Major: I. Preludio, adagio
00:13:51 Il pastor fido, Op. 13 Sonata No. 2 in C Major: II. Allegro assai
00:15:50 Il pastor fido, Op. 13 Sonata No. 2 in C Major: III. Sarabanda, adagio
00:18:00 Il pastor fido, Op. 13 Sonata No. 2 in C Major: IV. Allegro
00:19:54 Il pastor fido, Op. 13 Sonata No. 3 in G Major: I. Preludio, andante
00:22:12 Il pastor fido, Op. 13 Sonata No. 3 in G Major: II. Allegro ma non presto
00:24:54 Il pastor fido, Op. 13 Sonata No. 3 in G Major: III. Sarabanda
00:26:31 Il pastor fido, Op. 13 Sonata No. 3 in G Major: IV. Corrente
00:29:00 Il pastor fido, Op. 13 Sonata No. 3 in G Major: V. Giga, allegro
00:30:13 Il paster fido, Op. 13 Sonata No. 4 in A Major: I. Preludio, largo
00:32:38 Il pastor fido, Op. 13 Sonata No. 4 in A Major: II. Allegro ma non presto
00:35:36 Il pastor fido, Op. 13 Sonata No. 4 in A Major: III. Pastorale
00:39:08 Il pastor fido, Op. 13 Sonata No. 4 in A Major: IV. Allegro
00:41:04 Il pastor fido, Op. 13 Sonata No. 5 in C Major: I. Un poco vivace
00:42:54 Il pastor fido, Op. 13 Sonata No. 5 in C Major: II. Allegro ma non presto
00:45:32 Il pastor fido, Op. 13 Sonata No. 5 in C Major: III. Un poco vivace
00:48:32 Il pastor fido, Op. 13 Sonata No. 5 in C Major: IV. Giga
00:50:36 Il pastor fido, Op. 13 Sonata No. 5 in C Major: V. Adagio
00:51:48 Il pastor fido, Op. 13 Sonata No. 5 in C Major: VI. Minuetto I/II/I
00:52:24 Il pastor fido, Op. 13 Sonata No. 6 in G Minor: I. Vivace
00:55:51 Il pastor fido, Op. 13 Sonata No. 6 in G Minor: II. Fuga da capella
00:57:40 Il pastor fido, Op. 13 Sonata No. 6 in G Minor: III. Largo
00:59:34 Il pastor fido, Op. 13 Sonata No. 6 in G Minor: IV. Allegro ma non presto

On Sundays I will try to post Ambient/Space/Instrumentals in honor of my favorite radio program Hearts of Space...
1981
00:30 Revelation
07:21 Stream Of Being
13:32 Kaleidoscope
18:00 Oasis
24:16 Sun
29:12 Endless Water
33:00 Tree
36:50 Clouds In The Sky

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play):
https://brilliant-classics.lnk.....to/BrahmsViolaSonat

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Spotify Playlists:
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The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
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Composer: Johannes Brahms
Artists: Sara Mingardo alt
Luca Sanzò viola
Maurizio Paciariello piano

About this Album:
Brahms had already declared to his long-suffering publisher Simrock that he was done with the business of composition before producing these, his final pieces of chamber music. He was inspired by the clarinettist Richard Mühlfeld, a player in the court orchestra of Meiningen, where Hans von Bülow conducted the composer’s music including all the symphonies. Mühlfeld’s breath control and superb melodic sensitivity evidently reawakened in the composer the long-breathed melodies which mark out his chamber music throughout his career, but Brahms soon declared that the sonatas could just as well be played on the viola, perhaps with one eye on his royalties from Simrock, but violists have been glad to seize on their ‘own’ Brahms ever since.
Melancholy is perhaps inevitably the major key of both sonatas – Brahms had been drawn to express autumnal loneliness even 40 years before – but they are not gloomy works, and are built with undimmed ingenuity as masterfully organic structures in which the usual contrast of first and second themes is forsaken for the kind of continuous variation which Arnold Schoenberg could justly and admiringly describe as ‘musical prose’.

Tracklist:
00:00:00 Violin Sonata No. 1 in F Minor, Op. 120: I. Allegro appassionato
00:08:32 Violin Sonata No. 1 in F Minor, Op. 120: II. Andante un poco adagio
00:13:20 Violin Sonata No. 1 in F Minor, Op. 120: III. Alegretto grazioso
00:18:11 Violin Sonata No. 1 in F Minor, Op. 120: IV. Vivace
00:23:44 2 Gesänge, Op. 91: I. Gestillte Sehnsucht
00:29:53 2 Gesänge, Op. 91: II. Geistliches Wiegenlied
00:35:25 Violin Sonata No. 2 in E-Flat Major, Op. 120: I. Allegro amabile
00:44:14 Violin Sonata No. 2 in E-Flat Major, Op. 120: II. Allegro appassionato
00:50:13 Violin Sonata No. 2 in E-Flat Major, Op. 120: III. Andante con moto

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Buy this album: http://www.domomusicgroup.com/....kitaro/albums/thinki
Buy at iTunes: http://itunes.apple.com/us/alb....um/fiesta/id15582186

Artist: Kitaro
Song: Estrella
Album: Thinking of You (43rd Grammy Award Winning album)

43rd GRAMMY WINNING ALBUM (Best New Age Album)

"Thinking of You" is a resplendent expression of the beauty unearthed in nature portrayed musically as only Kitaro can.
Woven within a musical tapestry of song, Kitaro brings you ten astounding compositions rendering light to the environment of which many take for granted. As Kitaro notes, "Living close to this wonderful nature is the discovery of the joy of life everyday".
This Grammy Award winning release has garnered the accolades of die-hard and newcomers alike. As Kitaro remarks, "the 'You' in the titles signifies people close to me, those near and those far away from me. I tried to speak to each one of them through this musical expression."

Song List

01. Estrella
02. Mercury
03. Cosmic Wave
04. Harmony of the Forest
05. Fiesta
06. Thinking of You
07. Spirit of Water
08. Stream
09. Space II
10. Del Mar

Kitaro Official Artist Page
http://www.domomusicgroup.com/kitaro/

喜多郎オフィシャルウェブサイトhttp://www.diaa.net/kitaro/index.php

In early 1984, Tears for Fears began working with a new producer, Jeremy Green, on their new single "Mothers Talk". However, the band were ultimately unhappy with the result. The album "Songs from the Big Chair" was released in February 1985.

Listen to more from Tears For Fears: https://TearsForFears.lnk.to/Essentials
Vote for your favourite 80s hit of all time: https://lnk.to/80BestHits
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Stream a playlist of Tears For Fears’ biggest tracks: https://TearsForFears.lnk.to/BestOf

Experience Tears For Fears on CD & Vinyl LP:
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Follow Tears For Fears
https://www.facebook.com/TearsForFears/
https://twitter.com/tearsforfears
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Music video by Tears For Fears performing Mother's Talk. (C) 1984 Mercury Records Limited

Tracklist below.

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Artist: Ensemble Seicentonovecento, Flavio Colusso (conductor)

Today Mascagni is best remembered for his verismo opera Cavalleria rusticana, a work which firmly belongs in many of the greatest opera houses’ core repertory, but his Messa di Gloria – which predates this composition by a matter of months and from which many of Cavalleria’s themes in fact derive – was also greatly lauded in its day. Mascagni’s interest in church music can be traced back to the days of his gifted adolescence: by the age of 13 he has written a Kyrie; at the age of 16 he refers in a letter to his involvement in composing a Mass (together with his friend Barbini); and during his student days in Milan he composed a motet as well as a great deal of music for the Messa per la festa di Maria SS. del Rosario. First performed in the Apulian town of Cerginola and conducted by the composer himself, a contemporary account of the Messa di Gloria described it as ‘a very powerful and original work, full of beauty, inspired by the requirements of modern taste’. In 1891 Mascagni repeated the peformance to an audience of 6000, as part of the celebrations marking the sixth centenary of Orvieto’s famous cathedral; such was the reception that the magazine Teatro illustrato declared the occasion ‘an event for the art of music in Italy’. Anyone expecting to hear a chorale, a fugue or even a simple fugato anywhere in the piece would have been disappointed, however, and doubts were raised regarding the religious nature of the work.

Instead, as the composer himself wrote, the Messa di Gloria can be described as a ‘prayer. The Mass is a prayer, all love and all passion!’ Here it is performed with aplomb by Ensemble Seicentonovento, an internationally renowned vocal-instrumental group that has recorded widely and appeared with such notable singers as José Carreras and Patrizia Pace. Iorio Zennaro and Pietro Spagnoli contribute well-executed arias to the mix as the respective tenor and bass soloists.

00:00:00 Messa di Gloria: Kyrie (Tenor, Bass, Chorus)
00:05:18 Messa di Gloria: Gloria (Tenor, Bass, Chorus)
00:07:00 Messa di Gloria: Gloria. Laudamus (Tenor, Chorus)
00:11:25 Messa di Gloria: Gloria. Gratias (Bass)
00:16:30 Messa di Gloria: Gloria. Domine Deus (Tenor, Bass)
00:18:48 Messa di Gloria: Gloria. Qui tollis (Tenor)
00:23:11 Messa di Gloria: Gloria. Qui sedes (Bass)
00:27:30 Messa di Gloria: Gloria. Quoniam (Tenor, Bass, Chorus)
00:28:42 Messa di Gloria: Gloria. Cum Sancto Spiritu (Tenor, Bass, Chorus)
00:29:51 Messa di Gloria: Credo (Chorus)
00:31:32 Messa di Gloria: Credo. Et incarnatus (Tenor, Chorus)
00:35:07 Messa di Gloria: Credo. Et resurrexit (Tenor, Bass, Chorus)
00:38:12 Messa di Gloria: Sanctus (Tenor, Chorus)
00:40:21 Messa di Gloria: Sanctus. Elevazione
00:44:08 Messa di Gloria: Sanctus. Benedictus (Bass)
00:47:15 Messa di Gloria: Sanctus. Hosanna (Chorus)
00:47:53 Messa di Gloria: Agnus Dei (Tenor, Bass, Chorus)

This selection gives you a beautiful impression of the J.S. Bach - Complete Edition’s second volume. For the complete second volume (18 hours) and Complete Boxset, please check the following links:

Physical purchase:
http://brilliantclassics.com/a....rticles/j/js-bach-co

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play):
Vol. 1: https://brilliant-classics.lnk.to/bachvol1
Vol. 2: https://brilliant-classics.lnk.to/Bachvol2
Vol. 3: https://brilliant-classics.lnk.to/Bachvol3
Vol. 4: https://brilliant-classics.lnk.to/Bachvol4
Vol. 5: https://brilliant-classics.lnk.to/Bachvol5
Vol. 6: https://brilliant-classics.lnk.to/Bachvol6
Vol. 7: https://brilliant-classics.lnk.to/Bachvol7
Vol. 8: https://brilliant-classics.lnk.to/Bachvol8
Vol. 9: https://brilliant-classics.lnk.to/Bachvol9
Vol. 10: https://brilliant-classics.lnk.to/Bachvol10

The full tracklist can be found in the comments section below!

Johann Sebastian Bach’s stature as a composer of extraordinary talent and widespread influence is so firmly established in Western culture that it is difficult to believe that only 150 years ago his works lay in veritable obscurity, unknown to all but a small group of scholars. It is largely thanks to ohn, who essentially effected a revival of the composer’s music through his rediscovery and promulgation of the St Matthew Passion, besides other pieces, that his works are today regarded as pinnacles of music expression. That they are among the most performed and widely attended is in no doubt; in Holland alone, thousands of singers and musicians are involved in dozens of performances of the St Matthew Passion in Holy Week, with hundreds of thousands listening in churches and concert halls, or gathered around the radio, to what has been described as ‘the Gospel according to Bach’.

The collection Contains 142 CDs (112 hours) representing the entirety of Johann Sebastian Bach’s oeuvre in historically informed performances. This includes all 200 sacred cantatas recorded for Brilliant Classics on period instruments and sung by the Holland Boys Choir.

Pequeños robots activados por campos magnéticos podrán usarse en futuros procedimientos biomédicos.
SUSCRÍBETE ahora para ver todos nuestros videos: http://bit.ly/Suscribirse_Veritasium_en_español

Muchas gracias a:
Dr. Eric Diller, Profesor Asistente de Ingeniería Mecánica en la Universidad de Toronto
http://microrobotics.mie.utoronto.ca

Investigaciones referidas en este video:

T. Xu, J. Zhang, M. Salehizadeh, O. Onaizah y E. Diller, robots flexibles a escala milimétrica con magnetización tridimensional programable y movimientos. Science Robotics 4, eaav4494 (2019).
https://robotics.sciencemag.or....g/content/4/29/eaav4

H. Xie, M. Sun, X. Fan, Z. Lin, W. Chen, L. Wang, L. Dong y Q. He, Enjambre de microrobots magnéticos reconfigurables: transformación multimodo, locomoción y manipulación. Science Robotics 4, eaav8006 (2019).
https://robotics.sciencemag.or....g/content/4/28/eaav8

G. Hwang, A. J. Paula, E. E. Hunter, Y. Liu, A. Babeer, B. Karabucak, K Stebe, V. Kumar, E. Steager y H. Koo, robots catalíticos antimicrobianos para la erradicación del biofilm. Science Robotics 4, eeaw2388 (2019).
https://robotics.sciencemag.or....g/content/4/29/eaaw2

Música de Kevin MacLeod http://incompetech.com "Marty Gots a Plan" "March of the Spoons"
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Servicios de doblaje: Unilingo
Traductora: Paula Salomone
Voz de doblaje: Pato Lago, Diego Rivas,
Ingeniero de sonido: Gastón Adriel Álvarez
Edición y post-producción de video: Juan Caille Tornquist
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#veritasiumenespañol

Celsius nunca ideó, ni utilizó, la escala que ahora lleva su nombre.
SUSCRÍBETE ahora para ver todos nuestros videos:
http://bit.ly/Suscribirse_Veritasium_en_español

Un agradecimiento especial a Michael Stevens de Vsauce http://youtube.com/vsauce1

Más información sobre Celsius y escalas de temperatura: http://wke.lt/w/s/2I6Nu

Referencias para este video:

Una historia del termómetro y sus usos en meteorología por W. E. Knowles Middleton

El cero absoluto y la conquista del frío por Tom Shachtman

La ciencia de la medición, un estudio histórico por Herbert Arthur Klein

Lehrbuch der Chemie por Jöns Jakob Berzelius

Un agradecimiento especial al Museo de la Universidad de Uppsala
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Servicios de doblaje: Unilingo
Traductora: Paula Salomone
Voz de doblaje: Pato Lago, Diego Rivas,
Ingeniero de sonido: Gastón Adriel Álvarez
Edición y post-producción de video: Juan Caille Tornquist
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#veritasiumenespañol

Es un poco confuso, pero si promediamos las oscilaciones, creo que el resultado es bastante claro. Espero que disfruten de la explicación de este asombroso fenómeno.

Nuevamente, muchas gracias al Profesor Emérito Rod Cross, a Helen Georgiou, Alex Yeung y Chris Stewart, Tom Gordon, al departamento de Ingeniería Mecánica de la Universidad de Sydney, a Duncan y compañía, a Ralph y la Facultad de Física.
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Servicios de doblaje: unilingo

Music video by Tears For Fears performing Woman In Chains. (C) 1989 Mercury Records Limited

Einstein's classic thought experiment involves sitting on a train travelling at the speed of light. If you hold a mirror in front of your face, will you see your reflection in a mirror? How could light from your face reach the mirror if the mirror is travelling away from you? But it would be a pretty spooky train if you couldn't see your reflection so Einstein felt this solution wasn't realistic. On the other hand if you could see your reflection, it would mean light was travelling at the speed of light inside the train. But that meant the same light observed from outside the train would be going twice the speed of light. This again seems inconsistent. So Einstein resolved that you must see your reflection but that light must travel at the same speed inside and outside the train. The only way this is possible is if space and time are perceived differently by observers inside and outside the train.

Artist: Kitaro
Song: Solar System Trapeze
Album: Cirque Ingenieux

Kitaro Official Artist Page
http://www.domomusicgroup.com/kitaro/

iTunes
http://itunes.apple.com/us/alb....um/solar-system-trap

MP3
http://www.payloadz.com/go?id=1122345

CD
http://www.domocart.com/domo-store/index.php?main_page=product_info&cPath=2_10&products_id=6

Song List

01. Cirque Ingenieux
02. Sarah's World
03. Solar System Trapeze
04. The Tailor
05. Costume Shop
06. Wall of Masks
07. Contortionists
08. Winter Waltz
09. The Wizard
10. Galina
11. Underworld
a. Parade Of Riches
b. Court Performers
c. Palace Dance
12. Strength
13. The Escape
14. The Bottom Of The Sky
15. Double Lira/Finale

Buy the DVD - The Kitaro Quintessential: http://www.domomusicgroup.com/....kitaro/albums/quinte
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Kitaro Official Artist Page
http://www.domomusicgroup.com/kitaro/

喜多郎オフィシャルウェブサイト
http://www.diaa.net/kitaro/index.php


Revolutionary composer Kitaro is renowned for his ability to embody the spirituality of nature and humanity through his music, often using non-traditional instruments and extremely theatrical performance styles.  As a winner of Best New Age Album at the 43rd Annual Grammy Awards (for "Thinking of You"), Kitaro continues to inspire and create music that captures the vital, earthy, as well as ethereal aspects of existence.  Pioneer Entertainment is proud to present Best of Kitaro - the culmination of his most celebrated and bewitching performances: Kojiki: A Story in Concert, An Enchanted Evening, Light of the Spirit, and Tamayura.

Song List

01.  Opening Credits
02.  Kokoro
03.  Silk Road
04.  Magma
05.  Matsuri
06.  The Field
07.  Heaven & Earth
08.  Koi
09. Caravansary
10. Fire
11. Mercury
12. Cosmic Love
13. Dance Of The Sarasvati
14. End Credits

Approximate Running Time: 123 Minutes