Manuaga, Nicaragua. www.hnaglenda.org

SEGMENTO DE LA CANCION EL PUEBLO QUE LE AMA CON LA PARTICIPACION ESPECIAL DE LOS NIÑOS

2010/10/24
会場：愛・地球博記念公園大芝生広場。
ステージプログラムのフィナーレとして実施した喜多郎「千人太鼓」。愛知県出身の世界的アーティストである喜多郎氏の指揮により、デニス・バンクス、太鼓奏者と千人の一般参加者が一体となって太鼓を打ち鳴らし、「地球のリズム、宇宙からのメッセージ」を表現。

Kitaro and Dennis Banks Performed with 1000 Drummers in Nagoya, Japan on October 24th.

The 10th Conference of the Parties to the Convention on Biological Diversity (COP 10) was held in Nagoya, Aichi Prefecture in October 2010.

The COP 10 Festival: Biodiversity EXPO in Moricoro Park, provides various activities to encourage people to experience and realize the importance of biodiversity.

Kitaro will continue to perform "1000 drummer " event in the future.


Official Artist Page
http://www.domomusicgroup.com/kitaro/

オフィシャルウェブサイト
http://www.diaa.net/kitaro/index.php

No Blue Thing is Ray Lynch's fourth studio album, released on August 15, 1989. It peaked at #1 on Billboard's ''Top New Age Albums'' chart as well as #197 on Billboard's ''Top 200 Albums''. The album also peaked at #16 on Gavin Report.

Keith Tuber of Orange Coast praised the album, commentating that Ray Lynch ''has a way with melodies, combining classical, acoustic and synthesized pop elements.'' JA of Keyboard noted that the some of the album is ''more of the same'' from Deep Breakfast; JA wrote that the ''DX patches have a little more bit[e] this time, but the trick of running staccato patterns through a delay line in triplet rhythm hadn't changed'' and that the album, like his previous works, lack percussion instruments. JA concluded that the listeners may or may not like the album. Robert Carlberg of Electronic Musician compared the album to Reed Maidenberg's Unexpected Beauty, praising the album for its combination of electronic and acoustic instruments but criticizing it for having an overreliance of arpeggiations as well as its use of ''plodding'' time signatures and for its ''warm, fuzzy'' instrumentation. Carlberg concluded that the album's flaws ''rob [both Lynch and Maidenberg] of whatever vitality classical training would bring.'' John Diliberto of Jazziz Magazine criticized the album, calling it formulaic and concluded that the album ''breaks no new ground''. Gavin Report wrote that each track on the album is worthy of the listener's attention, especially ''The True Spirit of Mom & Dad'', which was described as the ''climactic final track'' of the album.

Provided to YouTube by Believe SAS

Athair Ar Neamh · Abigail Cassidy

Celtic Christmas (Tribute to Enya)

℗ Beat Boutique

Released on: 2014-10-28

Music Publisher: D.R
Composer: Enya

Auto-generated by YouTube.

Clouds beneath your knees tribute to Ray Lynch

Kitaro - The Field - Live in Izumo Taisha (Izumo Grand Shrine) on 8/10/1990

http://itunes.apple.com/us/art....ist/kitaro/id2382005

http://www.domocart.com/domo-store/index.php


Song: The Field

Theme From Silk Road
Caravansary
Cosmic Love
The Field
Hajimari
Sozo
Koi
Orochi
Nageki
Matsuri
Reimei
Nageki


Drums: Casey Scheuerell
Percussion: Ken Park
Keyboards: Brian Becvar
Violin: Charlie Bisharat
Keyboards: Kit Walker
Guitar: Barry Coates
Bass: Steve Bailey

Official Website
http://domomusicgroup.com/kitaro/

日本語オフィシャルウェブサイト
http://www.diaa.net/kitaro/index.php

On Sundays I will try to post Ambient/Space/Instrumentals in honor of my favorite radio program Hearts of Space...
1981
00:30 Revelation
07:21 Stream Of Being
13:32 Kaleidoscope
18:00 Oasis
24:16 Sun
29:12 Endless Water
33:00 Tree
36:50 Clouds In The Sky

Athair Ar Neamh combined with beautiful pictures by Kagaya

1. Prologue 0:00
2. Space Queen 0:26
3. Seiun (Star Nebula) 5:59
4. Hikari No Sono (Source of Light) 9:27
5. Maboroshi (Illusion) 13:57
6. Cosmic Love 19:29
7. Jiyu Eno Kakehashi (Bridge For Freedom) 24:15
8. Puromesyume (Promethium) 30:40
9. Epilogue 34:58
10.Mahoroba Densetsu (Legend of a Peaceful Place*)(Bonus Track) 42:16

KITARO - MILLENNIA

PRODUCED BY TAKA NANRI
Associate Producer: Moko Nanri

Music from the Japanese Animated Motion Picture "Queen Millennia"

Digitally mastered

Photography: Naoki Fukuda
Art Direction and Design: Jeffrey Kent Ayeroff & Norman Moore

*loosely translated by me

Listen to more from Tears For Fears: https://TearsForFears.lnk.to/Essentials
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Music video by Tears For Fears performing Mother's Talk. (C) 1984 Mercury Records Limited

music: KITARO - Lady of Dreams
http://www.domomusicgroup.com/kitaro/
Video edited by Andreea Petcu
http://www.youtube.com/Newoceanflower2008
http://www.andreeapetcu.com
Feel free to share! Thank you for your comments and likes!

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/TelemannTafelmus
More Information: https://www.brilliantclassics.....com/articles/t/telem
Brilliant Classics Facebook: https://www.facebook.com/brilliantclassics
Brilliant Classics Spotify: https://open.spotify.com/user/....brilliantclassics?si

Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.....to/BestOfBachPlayli
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.....to/BeautifulClassic
Classical music for dinnertime: https://brilliant-classics.lnk.....to/ClassicalMusicfo

Composer: Georg Philipp Telemann
Artists: Wilbert Hazelzet transverse (flute), Rémy Baudet (violin), Jaaap ter Linden (cello), Musica Amphion, Pieter-Jan Belder (harpsichord and concert master)

About this Album: It isn’t often that one finds a complete recording of Telemann’s Tafelmusik, and what a performance this is! The best “early music” musicians of The Netherlands came together and had obviously a good time: Flautists Wilbert Hazelzet and Kate Clark, violinist Rémy Baudet (concertmaster Orchestra of the 18th Century, lead by Frans Brüggen), cellists Richte van der Meer and Jaap ter Linden, under the inspiring direction of harpsichordist Pieter-Jan Belder.

Tafelmusik consists of three “Productions” in various ensembles, from solo to orchestral. It was written for performance during ceremonious dinners, explaining the “diverting” character of the music, which is by no means shallow or lightweight, but full of catching melodies and brilliant instrumental virtuosity, a proof of Telemann’s genius. Enjoy your meal, with this appetizing piece of music!

Tracklist:
00:00:00 Musique de Table, Production I, I. Ouverture - Suite in E Minor for two flutes, strings & b.c.
00:29:16 Musique de Table, Production I, II. Quatuor in G Major for flute, oboe, violin & b.c.
00:43:27 Musique de Table, Production I, III. Concerto in A Major for flute, violin, violoncello, strings & b.c.
01:09:46 Musique de Table, Production I, IV. Trio in E-Flat Major for two violins & b.c.
01:23:19 Musique de Table, Production I, V. Solo in B Minor for flute & b.c.
01:34:27 Musique de Table, Production I, VI. Conclusion in E Minor for two flutes, strings & b.c.

01:39:26 Musique de Table, Production II, I. Ouverture-Suite in D Major for oboe, trumpet, strings & b.c.
02:18:08 Musique de Table, Production II, I. Quatuor in D Minor for recorder, two flutes & b.c.
02:35:32 Musique de Table, Production II, III. Trio in E Minor for flute, oboe & b.c.
02:50:22 Musique de Table, Production II, IV. Solo in A Major for violin & b.c.
03:03:20 Musique de Table, Production II, V. Conclusion in D Major for oboe, trumpet, strings & b.c.

03:09:55 Musique de Table, Production III, I. Ouverture-Suite in B-Flat Major for 2 oboes, bassoon, strings & b.c.
03:33:43 Musique de Table, Production III, II. Quatuor in E Minor for flute, violin, violoncello & b.c.
03:42:29 Musique de Table, Production III, III. Concerto in E-Flat Major for two horns, strings & b.c.
03:57:04 Musique de Table, Production III, III. Trio in D Major for 2 fluets & b.c.
04:05:50 Musique de Table, Production III, VI. Solo in G Minor for oboe & b.c.
04:16:57 Musique de Table, Production III, IX. Conclusions in B-Flat Major for two oboes, bassoon, strings & b.c.

FULL TRACKLIST IN THE COMMENT SECTION!
#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Telemann #Violin #ViolinMusic

Buy this album: http://www.domomusicgroup.com/....kitaro/albums/thinki
Buy at iTunes: http://itunes.apple.com/us/alb....um/fiesta/id15582186

Artist: Kitaro
Song: Estrella
Album: Thinking of You (43rd Grammy Award Winning album)

43rd GRAMMY WINNING ALBUM (Best New Age Album)

"Thinking of You" is a resplendent expression of the beauty unearthed in nature portrayed musically as only Kitaro can.
Woven within a musical tapestry of song, Kitaro brings you ten astounding compositions rendering light to the environment of which many take for granted. As Kitaro notes, "Living close to this wonderful nature is the discovery of the joy of life everyday".
This Grammy Award winning release has garnered the accolades of die-hard and newcomers alike. As Kitaro remarks, "the 'You' in the titles signifies people close to me, those near and those far away from me. I tried to speak to each one of them through this musical expression."

Song List

01. Estrella
02. Mercury
03. Cosmic Wave
04. Harmony of the Forest
05. Fiesta
06. Thinking of You
07. Spirit of Water
08. Stream
09. Space II
10. Del Mar

Kitaro Official Artist Page
http://www.domomusicgroup.com/kitaro/

喜多郎オフィシャルウェブサイトhttp://www.diaa.net/kitaro/index.php

Artist: Kitaro
Song: Solar System Trapeze
Album: Cirque Ingenieux

Kitaro Official Artist Page
http://www.domomusicgroup.com/kitaro/

iTunes
http://itunes.apple.com/us/alb....um/solar-system-trap

MP3
http://www.payloadz.com/go?id=1122345

CD
http://www.domocart.com/domo-store/index.php?main_page=product_info&cPath=2_10&products_id=6

Song List

01. Cirque Ingenieux
02. Sarah's World
03. Solar System Trapeze
04. The Tailor
05. Costume Shop
06. Wall of Masks
07. Contortionists
08. Winter Waltz
09. The Wizard
10. Galina
11. Underworld
a. Parade Of Riches
b. Court Performers
c. Palace Dance
12. Strength
13. The Escape
14. The Bottom Of The Sky
15. Double Lira/Finale

Tracklist Below:
Spotify:https://open.spotify.com/album..../6wWT1ly3WDO6RXC9B5n
Physical Sale: http://brilliantclassics.com/a....rticles/t/ten-holt-c
iTunes: https://itunes.apple.com/album..../ten-holt-canto-osti

Following on from Canto Ostinato XL earlier this year, Brilliant Classics is proud to present Canto Ostinato XXL, a recording that brings a new perspective to Simeon ten Holt’s minimalist composition by adding a Romantic organ to the work’s original scoring for four pianos – a combination never before attempted. The result is the most beautiful and harmonious of sounds, one that captures Canto Ostinato’s emotional variety and depth through building on the sweetness and simplicity that inhabit this acclaimed composition, first performed in 1979.
Canto Ostinato is all to do with time: ‘taking your time, passing time, making time,’ as Jeroen van Veen, and one of the performers on the four-disc set, explains; and this is partly effected through the artists’ decision to repeat certain of the composition’s sections (106 in total) ad lib, thus inducing a sort of alienation of the part of the listener (because of the repetition’s posterior relationship to the harmony) and creating a hypnotic effect, a regular feature of minimalist music. Recorded over the course of just one day, this four-hour arrangement slows the tempo down a little, in order to accommodate the magnificent acoustics of the Muziekgebouw Eindhoven. Joining organist Aaart Bergwerff and Brilliant Classics regulars Sandra and Jeroen van Veen, all of whom feature on XL, are the acclaimed piano duo Elizabeth and Marcel Bergmann, both experts in the minimalist genre and who also enjoy separate international careers. Jeroen van Veen chairs the Simeon ten Holt Foundation, dedicated to keeping the wonderful music of this late Dutch composer alive.

Other information:
- Recorded 19 May 2014.

00:00:00 Canto Ostinato: Section 1
00:05:00 Canto Ostinato: Section 5
00:12:10 Canto Ostinato: Section 10
00:32:10 Canto Ostinato: Section 17
00:38:42 Canto Ostinato: Section 20
00:46:46 Canto Ostinato: Section 23
00:58:28 Canto Ostinato: Section 34
01:02:11 Canto Ostinato: Section 37
01:03:23 Canto Ostinato: Section 37
01:08:05 Canto Ostinato: Section 41
01:18:51 Canto Ostinato: Section 56
01:22:35 Canto Ostinato: Section 60
01:31:04 Canto Ostinato: Section 69
01:39:33 Canto Ostinato: Section 74. Cumulation No. 1
01:53:02 Canto Ostinato: Section 83
02:03:33 Canto Ostinato: Section 88
02:07:14 Canto Ostinato: Section 88 A
02:10:54 Canto Ostinato: Section 88 B
02:13:35 Canto Ostinato: Section 88 C
02:33:02 Canto Ostinato: Section 88 A
02:42:15 Canto Ostinato: Section 88 F
02:56:05 Canto Ostinato: Section 88 H
03:02:04 Canto Ostinato: Section 89
03:05:50 Canto Ostinato: Section 91 A
03:07:49 Canto Ostinato: Section 91 A
03:16:25 Canto Ostinato: Section 91 C
03:22:38 Canto Ostinato: Section 91 E
03:38:30 Canto Ostinato: Section 91 I
03:46:18 Canto Ostinato: Section 92
03:51:12 Canto Ostinato: Theme No. 2. Cumulation No. 2
04:02:20 Canto Ostinato: Section 105
04:04:21 Canto Ostinato: Section 106

Artist:
Jeroen van Veen (piano)
Sandra van Veen (piano)
Marcel Bergmann (piano)
Elizabeth Bergmann (piano)
Aart Bergwerff (organ)

The story of sloths is one of astounding ecological variability, with some foraging in the seas, others living underground, and others still hiding from predators in towering cliffs. So why are their only living relatives in the trees?

Thanks to Ceri Thomas for allowing us to use few sloth reconstructions! Check out more of Ceri's paleoart at http://alphynix.tumblr.com and http://nixillustration.com

And thanks as always to Franz Anthony and everyone at http://252mya.com for their great paleoart.

Produced in collaboration with PBS Digital Studios: http://youtube.com/pbsdigitalstudios

Super special thanks to the following Patreon patrons for helping make Eons possible:

Katie Fichtner, Aldo Espinosa Zúñiga, Anthony Callaghan, Esmeralda Rupp-Spangle, Gregory Donovan, Ehit Dinesh Agarwal, الخليفي سلطان, Gabriel Cortez, Marcus Lejon, Anel Salas, Robert Arévalo, Robert Hill, Kelby Reid, Todd Dittman, Betsy Radley, PS, Colin Sylvester, Philip Slingerland, John Vanek, Jose Garcia, Noah offitzer, Eric Vonk, Tony Wamsley, Henrik Peteri, Jonathan Wright, Jon Monteiro, James Bording, Brad Nicholls, Miles Chaston, Michael McClellan, Jeff Graham, Maria Humphrey, Nathan Paskett, Connor Jensen, Sapjes, Daisuke Goto, Hubert Rady, Yuntao Zhou, Gregory Kintz, Tyson Cleary, Chandler Bass, Maly Lor, Joao Ascensao, Tsee Lee, Sarah Fritts, Ruben Winter, Ron Harvey Jr, Jacob Gerke, Alex Yan

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References:
https://link.springer.com/arti....cle/10.1007/s10722-0
https://www.tandfonline.com/do....i/abs/10.1080/004382
http://www.pnas.org/content/102/33/11763
https://www.cambridge.org/core..../journals/journal-of
https://www.jstor.org/stable/2400207
https://onlinelibrary.wiley.co....m/doi/abs/10.1111/j.
https://www.tandfonline.com/do....i/abs/10.1080/104209
https://palaeo-electronica.org..../2009_3/189/index.ht
https://link.springer.com/arti....cle/10.1007/s10914-0
https://eurekamag.com/research..../020/408/020408865.p
https://www.tandfonline.com/doi/abs/10.1671/2429b
https://link.springer.com/arti....cle/10.1007/s10914-0
https://link.springer.com/arti....cle/10.1007/s10914-0
https://link.springer.com/arti....cle/10.1007/s10914-0
https://www.ncbi.nlm.nih.gov/p....mc/articles/PMC39732
http://www.bioone.org/doi/abs/....10.1671/0272-4634(20
https://academic.oup.com/zooli....nnean/article/140/2/
https://link.springer.com/arti....cle/10.1007/s10914-0
https://www.ncbi.nlm.nih.gov/pubmed/25861559
https://peerj.com/articles/5600/
https://www.tandfonline.com/do....i/abs/10.1671/0272-4
https://www.researchgate.net/p....ublication/233548931

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Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/Ilpastorfido
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Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
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Composers: Antonio Vivaldi, Nicolas Chedeville
Artists: Collegium Pro Musica, Stefano Bagliano (solo recorder), Alberto Pisani (cello), Fabiano Martignago (bass recorder), Andrea Coen (harpsichord)

The first thing to say about these six flute sonatas is that they are not by Vivaldi, nor did they ever have anything to do with the Italian composer. They are instead the work of Nicolas de Chédeville (1705-1782), an oboist and musette player, a student of the great French recorder virtuoso Louis Hotteterre who by the age of 25 had acquired a sufficient name for himself to publish his own compositions. He in turn became an esteemed teacher who worked for the royal households.

In 1737 he made a secret agreement with Jean-Noël Marchand for the latter to obtain a privilege to engrave, print and sell a work as Vivaldi's Il pastor fido, op.13, but in a notarial act dated 17 September 1749 Marchand declared that Chédeville was the composer, also revealing that Chédeville had provided the money for the publication and was receiving the emoluments. It is not certain why Chédeville chose to have his own work attributed to Vivaldi and issued under the privilege of Marchand, but perhaps, as Lescat has suggested, he was trying to give the musette, his favourite instrument, the endorsement of a great composer that it had lacked up until then.
But Chédeville, Vivaldi, whoever: what counts is the dancing vitality and simple, beguiling charm of these sonatas, which are played here by an experienced Italian early-music ensemble, whose previous recordings on Brilliant have met with warm critical response.

The Baroque recorder sonatas on this album bear the title “Il pastor fido”, a hugely popular play by Giovanni Guarini, which inspired many composers with its sensuous, pastoral and “romantic” atmosphere. The sonatas were attributed to Antonio Vivaldi (because of the commercial power of his fame) till in 1990 proof was found they have been written by the French composer Nicolas Chédeville, who borrowed material from Vivaldi and other composers, and developed it in the same idiom.
Excellent performances by the Ensemble Pro Musica, elite players from the Italian Early Music scene: Stefano Bagliano (recorder), Andrea Coen (harpsichord and organ).

00:00:00 Il pastor fido, Op. 13 Sonata No. 1 in C Major: I. Moderato
00:03:00 Il pastor fido, Op. 13 Sonata No. 1 in C Major: II. Allegro, tempo di gavotte
00:04:25 Il pastor fido, Op. 13 Sonata No. 1 in C Major: III. Aria affettuoso
00:07:00 Il pastor fido, Op. 13 Sonata No. 1 in C Major: IV. Allegro
00:09:25 Il pastor fido, Op. 13 Sonata No. 1 in C Major: V. Giga allegro
00:11:32 Il pastor fido, Op. 13 Sonata No. 2 in C Major: I. Preludio, adagio
00:13:51 Il pastor fido, Op. 13 Sonata No. 2 in C Major: II. Allegro assai
00:15:50 Il pastor fido, Op. 13 Sonata No. 2 in C Major: III. Sarabanda, adagio
00:18:00 Il pastor fido, Op. 13 Sonata No. 2 in C Major: IV. Allegro
00:19:54 Il pastor fido, Op. 13 Sonata No. 3 in G Major: I. Preludio, andante
00:22:12 Il pastor fido, Op. 13 Sonata No. 3 in G Major: II. Allegro ma non presto
00:24:54 Il pastor fido, Op. 13 Sonata No. 3 in G Major: III. Sarabanda
00:26:31 Il pastor fido, Op. 13 Sonata No. 3 in G Major: IV. Corrente
00:29:00 Il pastor fido, Op. 13 Sonata No. 3 in G Major: V. Giga, allegro
00:30:13 Il paster fido, Op. 13 Sonata No. 4 in A Major: I. Preludio, largo
00:32:38 Il pastor fido, Op. 13 Sonata No. 4 in A Major: II. Allegro ma non presto
00:35:36 Il pastor fido, Op. 13 Sonata No. 4 in A Major: III. Pastorale
00:39:08 Il pastor fido, Op. 13 Sonata No. 4 in A Major: IV. Allegro
00:41:04 Il pastor fido, Op. 13 Sonata No. 5 in C Major: I. Un poco vivace
00:42:54 Il pastor fido, Op. 13 Sonata No. 5 in C Major: II. Allegro ma non presto
00:45:32 Il pastor fido, Op. 13 Sonata No. 5 in C Major: III. Un poco vivace
00:48:32 Il pastor fido, Op. 13 Sonata No. 5 in C Major: IV. Giga
00:50:36 Il pastor fido, Op. 13 Sonata No. 5 in C Major: V. Adagio
00:51:48 Il pastor fido, Op. 13 Sonata No. 5 in C Major: VI. Minuetto I/II/I
00:52:24 Il pastor fido, Op. 13 Sonata No. 6 in G Minor: I. Vivace
00:55:51 Il pastor fido, Op. 13 Sonata No. 6 in G Minor: II. Fuga da capella
00:57:40 Il pastor fido, Op. 13 Sonata No. 6 in G Minor: III. Largo
00:59:34 Il pastor fido, Op. 13 Sonata No. 6 in G Minor: IV. Allegro ma non presto