Composers: John Bull, William Inglot, William Tisdale
Artist: Pieter-Jan Belder (harpsichord)

Pieter-Jan Belder continues his superb survey of the Fitzwilliam Virginal Book, an extraordinary manuscript compiled in the late 16th century and held in the Fitzwilliam Museum in Cambridge. In this, the sixth volume, Belder focuses on the compositions of John Bull, one of the main contributors to the collection. Principally an organist and organ-builder, Bull left behind a variety of attractive pieces whose charm is belied by the way he often presented himself as a Doctor in music, which might suggest a rather scientific approach to composition. Nonetheless, his Ut Re Mi Fa Sol La, one of the longest and most challenging pieces in the manuscript and reminiscent of Tallis, is appropriately complex, beginning with two-part writing and adding additional voices as it progresses, while employing numerous tempo changes and cross-rhythms.

In contrast to the prolific Bull, the remainder of the recording features a host of composers who appear only a few times in the manuscript. Other than Orlando Gibbons, one of the most important of all virginalists, the other contributors are less well known, and many have obscure or undocumented lives. The repetition of such forms as the pavan and alman across the set, however, allows the listener to make a number of interesting comparisons.

Pieter-Jan Belder is not only a consummate performer but also a serious scholar of keyboard music from the Elizabethan and Jacobean eras. His research on the Fitzwilliam Virginal Book has led to a highly informed performance practice. Belder specialises in performance on historical instruments, and he has carefully selected three period harpsichords for this recording in order to create the most authentic sound possible. The listener is rewarded with a substantial set that highlights the superb achievements of the composers of this era, laying the foundations of keyboard music for centuries to come.

The 6th and penultimate instalment of one of the most prestigious and ambitious recording projects in Early Music: the complete Fitzwilliam Virginal Book!
The Fitzwilliam Virginal Book is the most famous, extensive and important collection of keyboard music from the English Elizabethan and Jacobean Era. Lodged in the Fitzwilliam Museum in Cambridge it contains more than 300 works for the virginal, by composers such as John, Bull, William Byrd, Thomas Tomkins and many others.
This 6th issue presents the remainder of the works by John Bull in the manuscript, consisting of dance forms like Galliarda, Pavan, Alman and others. The second CD is dedicated to composers who only contributed a few works to the manuscript: Warrock, Galleazzo, Peerson, Parsons, Tisdale, Inglott, Marchant, Oysermayre, Oldfield and Blytheman.
Pieter-Jan Belder, one of the world’s most respected and prolific harpsichordists, received rave reviews for his previous issues in this series: “..a captivating portrait..full of rhythmic drive..he displays a keen sense of rhythm…broad and brilliant gestures…one of the most important recording projects of this decade..”(Musicweb-International).

Another collection of Bach’s chamber music from the ensemble led by Jed Wentz and Michael Borgstede, the Frankfurter Allgemeine Sonntagszeitung’s Middle East correspondent. As on its earlier release on Brilliant Classics, the ensemble has researched the scores, performance techniques and the types of instrument used at the time of composition. That is not to say that the approach they take is a dry academic one. On the contrary, having assimilated all the information available to them, they then take an open-minded view of the score – freely admitting that if they were to play these works tomorrow, they’d more than likely give them a totally different interpretation. This new recording includes the flute sonatas and solos, and the Ricercar from the Musical Offering BWV1079. As no one actually knows what Bach’s intentions were when it came to performance and interpretation, the listener can be assured of fresh and invigorating readings of this fascinating and timeless music.

Composer: Johann Sebastian Bach
Artists: Jed Wentz (transverse flute), Michael Borgstede (harpsichord)

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00:00:00 Sonata in E Minor, BWV 1034: I. Adagio ma non tanto
00:03:05 Sonata in E Minor, BWV 1034: II. Allegro
00:05:36 Sonata in E Minor, BWV 1034: III. Andante
00:08:35 Sonata in E Minor, BWV 1034: IV. Allegro
00:13:38 Sonata in A, BWV 1032: I. vivace
00:16:55 Sonata in A, BWV 1032: II. Largo e dolce
00:19:25 Sonata in A, BWV 1032: III. Allegro
00:23:33 Solo in A Minor, BWV 1013: I. Allemande
00:29:08 Solo in A Minor, BWV 1013: II. Corrente
00:32:50 Solo in A Minor, BWV 1013: III. Sarabande
00:38:15 Solo in A Minor, BWV 1013: IV. Bourrée anglaise
00:41:27 Sonata in E, BWV 1035: I. Adagio ma non tanto
00:43:46 Sonata in E, BWV 1035: II. Allegro
00:46:36 Sonata in E, BWV 1035: III. Siciliana
00:49:09 Sonata in E, BWV 1035: IV. Allegro assai
00:52:04 Sonata in B Minor, BWV 1030: I. Allegro
00:59:23 Sonata in B Minor, BWV 1030: II. Andante
01:02:12 Sonata in B Minor, BWV 1030: III. Largo e dolce
01:03:34 Sonata in B Minor, BWV 1030: IV. Presto
01:07:02 Sonata in G, BWV 1038: I. Largo
01:10:01 Sonata in G, BWV 1038: II. vivace
01:13:17 Sonata in G, BWV 1038: III. Adagio
01:14:52 Sonata in G, BWV 1038: IV. Presto
01:17:24 Sonata in G, BWV 1039: I. Adagio
01:20:19 Sonata in G, BWV 1039: II. Allegro ma non presto
01:21:14 Sonata in G, BWV 1039: III. Adagio
01:23:30 Sonata in G, BWV 1039: IV. Presto
01:24:56 Musikalisches Opfer BWV 1079: Ricercar
01:30:15 Musikalisches Opfer BWV 1079: Canon perpetuus super Thema Regium. Canon dIVersi super Thema Regium
01:31:37 Musikalisches Opfer BWV 1079: Canon 1 a 2
01:33:12 Musikalisches Opfer BWV 1079: in Unisono
01:34:22 Musikalisches Opfer BWV 1079: Per Motum contrarium
01:35:31 Musikalisches Opfer BWV 1079: Per Augmentationem contrario Motu
01:37:04 Musikalisches Opfer BWV 1079: a 2
01:39:22 Musikalisches Opfer BWV 1079: Fuga canonica in Epidiapente
01:41:05 Musikalisches Opfer BWV 1079: Ricercar a 6
01:48:14 Musikalisches Opfer BWV 1079: Canon a 2 Quaerendo invenietis
01:49:40 Musikalisches Opfer BWV 1079: Canon a 4
01:52:17 Sonata Sopr'il Reale: I. Largo
01:57:21 Sonata Sopr'il Reale: II. Allegro
02:01:55 Sonata Sopr'il Reale: III. Andante
02:04:29 Sonata Sopr'il Reale: IV. Allegro
02:07:09 Sonata Sopr'il Reale: Canon perpetuus

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Composer: Franz Joseph Haydn
Artists: L'Arte dell'Arco, Federico Guglielmo (violin and concert master)

About this Album:
Haydn’s violin concertos are early works dating from the 1760s. The First in C was only discovered in 1909 in the archives of the publishers Breitkopf – 100 years after the composer’s death.

The First and Third concertos (the second is lost) were
composed for the Italian violinist Luigi Tomasini, who,
in 1761 was the concertmaster of the court chapel at
Esterhaza. Doubtless his considerable skills influenced the writing for the solo parts as it both concertos are indebted to the Italian school, with Vivaldian sequences, and in the case of the First concerto, a delicious slow movement.

The Fourth Concerto in G is a very different work in style, and it is doubtful that it was written for Tomasini. More likely (and it is by no means certain that the work is actually Haydn’s – it just has enough ‘finger prints’ to be attributed to him) it was composed
for the leader of the Morzin orchestra. It is the most old-fashioned of the three concertos on this CD, but nonetheless contains some lovely moments, especially the slow movement and the restless finale.

Tracklist:
00:00:00 Violin Concerto in C Hob VIIa: 1: I. Allegro moderato
00:09:37 Violin Concerto in C Hob VIIa: 1: II. Adagio
00:14:43 Violin Concerto in C Hob VIIa: 1: III. Presto
00:19:01 Violin Concerto in G Hob VIIa: 4: I. Allegro moderato
00:27:35 Violin Concerto in G Hob VIIa: 4: II. Adagio
00:33:17 Violin Concerto in G Hob VIIa: 4: III. Allegro
00:36:52 Violin Concerto in A Hob VIIa: 3: I. Moderato
00:47:38 Violin Concerto in A Hob VIIa: 3: II. Adagio
00:53:17 Violin Concerto in A Hob VIIa: 3: III. Allegro

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #ClassicalViolinMusic #Violin #haydn

Tracklist below.

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Robert Schumann, ‘a dreamer, a […] tone poet and writer whose inner voices were those of childhood, of wonder, of love, of turmoil, even of madness’ was renowned for the passion with which he accorded many of his compositions. The works on this disc contain the outpourings of his imagination and soul, particularly in relation to his beloved Clara.

His Fantasiestücke Op.12 were a favourite of Franz Liszt, the title taken from E.T.A. Hoffmann’s Fantasiestücke in Gallots Manier – a collection of writings in the style of the 17th-century French engraver Jacques Callot. Among the pieces are depictions of Schumann regulars such as Eusebius and Florestan, but many reflect Schumann’s long fight to wed the young Clara Wieck. No.5, In der Nacht, likens their plight to that of Hero and Leander. The disc also contains the mysterious and atmospheric Waldszenen Op.82, the playful Kinderszenen Op.18 and Arabeske Op.18

One of Brilliant Classics’ most prolific artists, Hungarian pianist Klára Würtz is enjoying an international career. Having won prizes in Dublin and Milan, she signed to a New York-based management company, leading to performances at Carnegie Hall and other prestigious concert venues throughout the U.S. and Canada. She currently teaches at the Conservatory of Arts in Utrecht.

00:00:00 Fantasiestücke, Op. 12: I. Des Abends
00:03:22 Fantasiestücke, Op. 12: II. Aufschwung
00:06:16 Fantasiestücke, Op. 12: III. Warum?
00:08:47 Fantasiestücke, Op. 12: IV. Grillen
00:12:18 Fantasiestücke, Op. 12: V. In der Nacht
00:16:06 Fantasiestücke, Op. 12: VI. Fabel
00:18:37 Fantasiestücke, Op. 12: VII. Traumes Wirren
00:20:50 Fantasiestücke, Op. 12: VIII. Ende vom Lied
00:25:32 Waldszenen, Op. 82: I. Eintritt
00:27:32 Waldszenen, Op. 82: II. Jäger auf der Lauer
00:28:49 Waldszenen, Op. 82: III. Einsame Blumen
00:30:48 Waldszenen, Op. 82: IV. Verrufene Stelle
00:34:01 Waldszenen, Op. 82: V. Freundliche Landschaft
00:35:07 Waldszenen, Op. 82: VI. Herberge
00:37:06 Waldszenen, Op. 82: VII. Vogel als Prophet
00:39:56 Waldszenen, Op. 82: VIII. Jagdlied
00:42:20 Waldszenen, Op. 82: IX. Abschied
00:45:54 Arabeske, Op. 18
00:52:14 Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen
00:54:00 Kinderszenen, Op. 15: II. Kuriöse Geschichte
00:55:05 Kinderszenen, Op. 15: III. Hasche-Mann
00:55:35 Kinderszenen, Op. 15: IV. Bittendes Kind
00:56:42 Kinderszenen, Op. 15: V. Glückes genug
00:57:45 Kinderszenen, Op. 15: VI. Wichtige Begebenheit
00:58:33 Kinderszenen, Op. 15: VII. Träumerei
01:01:14 Kinderszenen, Op. 15: VIII. Am Kamin
01:02:09 Kinderszenen, Op. 15: IX. Ritter vom Steckenpferd
01:02:43 Kinderszenen, Op. 15: X. Fast zu ernst
01:04:34 Kinderszenen, Op. 15: XI. Fürchtenmachen
01:05:56 Kinderszenen, Op. 15: XII. Kind im Einschlummern
01:08:06 Kinderszenen, Op. 15: XIII. Der Dichter spricht

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This set includes over 7 hours of the most memorable romantic melodies played by some of the world’s finest pianists. The collection contains the most beautiful compositions of great composers including:

Liebestraum - Liszt
Für Elise - Beethoven
Träumerei - Schumann
Nocturne - Chopin
Rosamunde Impromptu - Schubert
Rondo alla Turca - Mozart
Wiegenlied - Brahms
Mondschein Adagio - Beethoven
Raindrop Prelude - Chopin
Clair de lune - Debussy
Hungarian Rhapsody - Liszt
and many others

Tracklist can be found in the comment section!

Piano Sonata in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto

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Composer: Beethoven
Artist: Misha Goldstein

Tracklist below.

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If it is true that the end of Romanticism coincided with the invention of electric light, then we can date this to 1880 – the year in which Thomas Alva Edison patented the light bulb. At around this time, a brilliant student at the Paris Conservatoire, Claude Debussy, decided to embark upon a composing career that would soon ‘illuminate’ the history of music.

Debussy’s output is roughly divided into three periods, each of which is represented by one of the three discs in this set. Focusing solely on his works for piano duo, the collection effectively represents a vantage point from which to analyse his stylistic development, since it touches on both Debussy's piano and orchestral writing simultaneously: as well as original keyboard works (Lindaraja is one example, the composer's first work inspired by Spain), there are piano pieces arranged for orchestra, vice-versa compositions (Prélude a l'après-midi d'un faune, for instance) and music that was clearly intended for the orchestra or for specific ensembles (one example is Le triomphe de Bacchus, for which the orchestration was never completed).

Performing these works are two of Italy's most celebrated pianists, Massimiliano Damerini and Marco Rapetti. Their accomplished readings highlight the unique relationship that exists between piano and orchestra – the former can be seen as a monochromatic version of the latter, with the latter essentially describing the former in polychromatic terms – and, at the same time, draw the listener's attention towards an important area of 19th-century music-making: namely piano transcriptions’ vital role in making operatic and symphonic repertoire available to all.

00:00:00 Symphonie: Allegro
00:09:54 Andante cantabile
00:18:27 Diane: Ouverture
00:25:20 Le triomphe de Bacchus: Suite d’Orchestre: I. Divertissement
00:28:59 Le triomphe de Bacchus: Suite d’Orchestre: II. Andante
00:32:29 Le triomphe de Bacchus: Suite d’Orchestre: IV. Marche et Bacchanale: (fragment A)
00:33:39 Le triomphe de Bacchus: Suite d’Orchestre: IV. Marche et Bacchanale: (fragment B)
00:38:17 Intermezzo
00:42:49 Première Suite d’Orchestre: I. Fête
00:48:49 Première Suite d’Orchestre: II. Ballet
00:53:22 Première Suite d’Orchestre: III. Rêve
01:01:47 Première Suite d’Orchestre: IV. Cortège et Bacchanale
01:10:47 Divertissement
01:22:46 L’Enfant prodigue: Scène lyrique, three excerpts: I. Prélude
01:25:21 L’Enfant prodigue: Scène lyrique, three excerpts: II. Cortège - III. Air de danse
01:29:36 Printemps: Suite symphonique: I. Très modéré
01:39:54 Printemps: Suite symphonique: II. Modéré
01:47:45 Petite Suite: I. En bateau
01:51:26 Petite Suite: II. Cortège
01:54:56 Petite Suite: III. Menuet
01:58:16 Petite Suite: IV. Ballet
02:01:38 Marche écossaise sur un Thème populaire: ‘The Earl of Ross March’
02:09:09 Prélude à l’après-midi d’un Faune
02:19:36 Lindaraja
02:25:54 La Mer: Trois Esquisses symphoniques: I. De l’Aube à midi sur la Mer
02:34:40 La Mer: Trois Esquisses symphoniques: II. Jeux de vagues
02:42:17 La Mer: Trois Esquisses symphoniques: III. Dialogue du Vent et de la Mer
02:50:25 Danses: I. Danse sacrée
02:55:23 Danses: II. Danse profane
03:00:33 Six Épigraphes antiques: I. Pour invoquer Pan, dieu du Vent d’été
03:03:00 Six Épigraphes antiques: II. Pour un Tombeau sans Nom
03:06:55 Six Épigraphes antiques: III. Pour que la Nuit soit propice
03:09:18 Six Épigraphes antiques: IV. Pour la Danseuse aux crotales
03:11:53 Six Épigraphes antiques: V. Pour l’Égyptienne
03:15:03 Six Épigraphes antiques: VI. Pour remercier la Pluie au matin
03:17:15 En blanc et noir: I. Avec emportement
03:21:42 En blanc et noir: II. Lent, sombre
03:29:22 En blanc et noir: III. Scherzando

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Composers: Alexander Glazunov, Piotr Ilyich Tchaikovsky, Sergei Prokofiev, Sergei Rachmaninoff
Artists: Alexander Russakovsky (cello), Amber Shay Nicholson (piano)

Bringing together works for cello and piano by some of the greatest composers in Russian music history, the set begins with Rachmaninoff’s Cello Sonata – a landmark piece for the composer and whose highlights include a lyrical opening movement and the furiousness of an apparent snowstorm in the second-movement Scherzo. The Pas d’action from Tchaikovsky’s ballet Sleeping Beauty, which follows, depicts the moment where Prince Désiré, wandering alone in the forest, is approached by the Lilac Fairy who shows him a vision of the beautiful princess Aurora, and this is followed by Glazunov’s Sérénade espagnole – the first of the composer’s ‘Spanish’ works, one which employs a ringing tone reminiscent of a Spanish guitar or lute. Bringing the collection to an end is Prokofiev’s Cello Sonata. This piece, beginning with a distinctly serious tone, metamorphoses into a triumphant carnival-like finale, complete with the festive bells that are so symbolic of Russian music.

Cellist Alexander Russakovsky enjoys an international reputation as a performer and teacher. He has given masterclasses as far afield as Latin America and Taiwan, and in recent years has won first prize at the Angela and Maurice M. Clairmont Competition in Tel Aviv and the Performing Arts Foundation Competition in Santa Barbara. Pianist Amber Shay Nicholson won the 2001 Rachmaninoff Concerto No.3 competition at the Eastman School of Music; she is also a former member of the piano faculty of the University of Southern Mississippi.

00:00:00 Cello Sonata in G Minor, Op. 19: I. Lento – Allegro moderato
00:12:29 Cello Sonata in G Minor, Op. 19: II. Allegro scherzando
00:19:22 Cello Sonata in G Minor, Op. 19: III. Andante
00:25:07 Cello Sonata in G Minor, Op. 19: IV. Allegro mosso
00:36:16 Sleeping Beauty, Op. 66, Act 2: No. 15, Pas d’action. Andante cantabile (Arr .Albert Kleineke)
00:40:40 Pieces for Cello and Orchestra, Op.20: II. Sérénade Espagnole
00:43:30 Cello Sonata in C Major, Op. 119: I. Andante grave
00:55:12 Cello Sonata in C Major, Op. 119: II. Moderato
01:00:11 Cello Sonata in C Major, Op. 119: III. Allegro ma non troppo

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Composer & Artist: Various

About this Album:
A selection of beautifull classical pieces, traditional Christmas music and beautiful Christmas carols to help you get in the holiday spirit! Enjoy

Tracklist:
00:00:00 Once in royals David’s city
00:04:41 Christmas Oratorio, BWV 248, PT1 ; I. Chorus. Jauchzet. Frohlocket!(Chorus)
00:12:42 Messiah, HWV 56, Pt 1:IV., And the glory of the lord shall be revealed
00:15:34 Messiah. HWV 56, Pt 1: XII. For unto us a child is born
00:19:38 Messiah. HWV 56, Pt 1: XVII. Glory to god in the highest
00:21:31 Rejoice and be Merry
00:23:01 Christmas Oratorio, bwv 248, Pt. 3: XIII. Chorus, da capo. Herrscher des himmels
00:25:24 Messiah, HWV 56, Pt 2: XXVI. All we like sheep have gone Astray
00:29:08 Messiah, HWV 56, Pt 3: LIII. Worthy is the Lamb…Amen
00:35:57 Ding Dong , Merrily on high
00:38:05 Christmas oratorio, BWV 248, Pt. 4: I Chorus. Fallt mit danken, Fallt mit loben (Chorus)
00:43:44 What sweeter music
00:48:03 Christmas Oratorio, BWV 248, Pt. 5: I. Chorus. Ehre sei dir, Gott, gesungen (Chorus)
00:55:04 O Little Town of Bethlehem
00:58:44 A Spotless Rose
01:03:01 King Jesus Hath a Garden
01:06:09 The Lamb
01:11:37 Bogoróditse Dyévo
01:12:16 Infant Holy, Infant Lowly
01:15:42 Dazu ist erschienen der Sohn Gottes, BWV 40 for the Second Day of Christmas: I. Coro. Dazu
01:21:06 Nun komm der Heiden Heiland, BWV 62 for the First Sunday of Advent: I. Coro. Nun Komm, der Heiden Heilan
01:24:36 Gelobet Seist Du, Jesu Christ, BWV 91: VI. Choral (Coro). Das hat er alles uns getan
01:28:35 Preise, Jerusalem, den Herrn, BWV 119: I. Coro. Preise, Jerusalem, den Herrn
01:30:11 Ich freue mich in dir, BWV 133: I. Coro. Ich freue mich in dir
01:31:59 While Shepherds Watched
01:34:41 Quittez, Pasteurs
01:37:52 In Dulci Jubilo
01:41:30 The First Nowell
01:45:54 Coventry Carol

#Christmasmusic #Choralmusic #Choral #Classical #Classicalmusic #Christmas

Tracklist below.

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This new recording contains Elgar’s complete original works for organ, as well as several arrangements of his famous showpieces, the first Pomp & Circumstance March, the Imperial March and Nimrod from the Enigma Variations, an iconic piece of English ceremony. The original organ works consist of the grand Organ Sonata and the Vespers Voluntaries, a touching expression of Elgar’s Roman Catholic faith. The Organ Sonata by Elgar is relatively well-known, not least thanks to its orchestration by Gordon Jacob, but the only other work he originally composed for organ is the Cantique Op.3 No.1, which moves solidly forward in the Victorian tradition without suggesting the personal voice and unpredictable drama that would come to characterise Elgar’s style.

00:00:00 Imperial March, Op. 32
00:04:42 Cantique in C Major, Op. 3
00:08:27 Sonata in G Major, Op. 28: I. Allegro maestoso
00:17:27 Sonata in G Major, Op. 28: II. Allegretto
00:21:49 Sonata in G Major, Op. 28: III. Andante espressivo
00:28:00 Sonata in G Major, Op. 28: IV. Presto (comodo)
00:34:48 Variations on an Original Theme “Enigma”, Op. 36
00:39:08 11 Vesper Voluntaries, Op. 14: Introduction
00:40:34 11 Vesper Voluntaries, Op. 14: I. Andante
00:41:58 11 Vesper Voluntaries, Op. 14: II. Allegro 11
00:43:49 11 Vesper Voluntaries, Op. 14: III. Andantino
00:46:09 11 Vesper Voluntaries, Op. 14: IV. Allegretto piacevole. Intermezzo – Adagio, come prima
00:48:25 11 Vesper Voluntaries, Op. 14: V. Poco lento
00:50:03 11 Vesper Voluntaries, Op. 14: VI. Moderato
00:52:03 11 Vesper Voluntaries, Op. 14: VII. Allegretto pensoso
00:54:13 11 Vesper Voluntaries, Op. 14: VIII. Poco allegro. Coda – Adagio, come prima
00:59:17 Pomp and Circumstance March, Op. 39

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Composer: Luigi Boccherini
Artists: La Magnifica Communità, Enrico Casazza (violin and concert master)

A much-underrated composer, Luigi Boccherini (1743-1805) was one of the leading composers of the late 18th century, a friend and colleague of both Haydn and Mozart, and a formidable cello virtuoso. His reputation was such that he was nicknamed ‘Mrs Haydn’ – not in a pejorative sense, the appellation was due to his music sounding Haydnesque, but with a sensual, feminine grace rather than the Sturm und Drang of his Austrian friend’s music.

Although his cello concerti and some of his symphonies remain in the repertoire, it is his chamber music that his reputation today rests, especially the quintets. Boccherini championed this genre, and it was his example that inspired Mozart to compose his quintets.

This release contains the string quintets Op. 10 - Op. 13. Great performances by La Magnifica Communità, lead by violinist Enrico Casazza

The tracklist can be found in the comments section below!

This sublime compilation will take listeners on a journey through 3 hours of the most beautiful classical music ever written.

A compilation with some of the best classical music for studying, work, concentration, sleep and relaxation.

Included are works by J.S Bach, Handel, Mozart, Vivaldi, Albinoni, Marcello, Pachelbel, Beethoven, Chopin, Bizet, Debussy, Elgar, Liszt, Mascagni, Massenet, Saint-Saëns, Satie, Schubert, Schumann, Shostakovich, Straiss, Tchaikovsky, Brahms, Orff, Piazolla, Rachmaninoff, Ravel and Tárrega.

Tracklist can be Found down Below!

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Composer & Artist:
Composers: Angelo Morigi, Christian Petzold, Giuseppe Colombi, Pedro Lopes Nogueira
Artist: Valerio Losito (viola)

About this Album:
Famed for its distinctive sound, the viola d’amore – literally meaning ‘viola of love’ – is one of the more unusual members of the string family, an instrument that appeared towards the end of the 17th century and which owes its silvery, angelic tones to the symbiotic vibrations between its two sets of strings, one gut- and one wire-based.

This release celebrates the d’amore’s versatility of sound by bringing together some of its finest Baroque repertoire. Beginning with the Ave Maris Stella, an ancient hymn dedicated to the Mother of God, the compilation takes the listener on an absorbing journey that combines the famous with the not so widely known; from Petzold’s illustrious two partitas – which are considered to be on the same level of importance for the d’amore as Bach’s partitas and sonatas are for the violin – to Morigi’s Capriccio and Menuetto, the compilation also touches on various anonymous works, including the delightful Partita in D. Dance movements abound, reflecting the Baroque period’s predilection for all things French.

Tracklist:
00:00:00 Ave Maris Stella
00:01:11 Suite in D minor: I. Aria
00:01:50 Suite in D minor: II. Courante
00:02:23 Suite in D minor: III. Gigue
00:03:06 Suite in D minor: IV. Sarabande
00:04:35 Scordatura in G
00:05:47 Scordatura (Ciacona)
00:09:00 Capriccio and Minuet in A: I. Capriccio
00:10:54 Capriccio and Minuet in A: II. Minuetto
00:12:17 Partita in D: I. Aria
00:14:08 Partita in D: II. Gigue
00:15:50 Partita in D: III. Menuet
00:17:34 Partita in D: IV. Gavotte
00:18:33 Partita in D: V. Rigaudon
00:20:19 Partita in D: VI. Menuet I & II
00:22:01 Scordatura in A
00:23:05 Nitida stella
00:24:11 Partita in F: I. Gavotte
00:25:28 Partita in F: II. Gigue
00:26:58 Partita in F: III. Bourrée
00:28:47 Partita in F: IV. Air
00:30:33 Partita in F: V. Courante
00:32:03 Partita in F: VI. Sarabande
00:33:44 Partita in F: VII. Menuet I & II
00:36:36 Gaita de folle
00:40:08 Partita in A: I. Introduction
00:41:04 Partita in A: II. Allemande
00:42:38 Partita in A: III. Courante
00:44:00 Partita in A: VI. Sarabande
00:46:28 Partita in A:. Menuet
00:48:33 Partita in A: VI. Gigue
00:50:10 Partita in A: VII. Aria
00:55:02 Partita in A: VIII. Gavotte
00:55:42 Partita in A: IX. Bourrée
00:57:22 Partita in A: X. Rondeau
00:58:56 Partita in A: XI. Menuet
00:59:54 Scordatura in E minor

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A TOP 40 of the most popular classical melodies. The very best tracks of the moment. Also great for Relaxation music, work or studying.

00:00:00 Vivaldi - Violin Concerto in E Major, RV 269, "Spring": I. Allegro
00:03:30 Camille Saint-Saëns - The Carnival of the Animals: XIII. The Swan
00:06:27 Mozart - Sonata No. 11 in A Major, K. 331: III. Rondo alla turca
00:09:55 Chopin - Waltzes, Op. 64: No. 1, Waltz in D-Flat Major "Minute Waltz"
00:11:37 Mozart - Eine kleine Nachtmusik, K. 525: I. Allegro

00:16:52 Gabriel Fauré - Sicilienne, Op. 78
00:20:16 Claude Debussy - Childrens Corner, L. 113: No. 6, Golliwog's Cake-walk
00:22:57 Franz liszt - Liebestraum, S. 541: No. 3, Oh Lieb, so lang du lieben kannst
00:27:29 Johannes Brahms - 16 Waltzes, Op. 39: No. 15, Waltz in A-Flat Major "Lullaby"
00:29:06 Beethoven - Piano Sonata No. 8 in C Minor, Op. 13, "Pathetique": I. Adagio cantabile

00:33:48 Robert Schumann - Kinderszenen, Op. 15: No. 7, Traumerei in F Major
00:36:56 Mozart - Piano Concerto No. 23 in A Major, K. 488: II. Adagio
00:43:12 Nicolló Paganini - Cantabile e Valser, Op. 19: I. Cantabile quasi adagio
00:46:40 Franz liszt - Consolations, S. 172: III. Lento placido in D-Flat Major
00:49:43 Charles-valentin Alkan - 6 French Songs, Op. 65: No. 6, Barcarolle

00:53:25 J.S. Bach - Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante
00:56:58 Beethoven - Bagatelle in A Minor, WoO 59 "Für Elise"
00:59:48 Edvard Grieg - Lyric Pieces, Op. 43: No. 6, To Spring
01:02:15 Telemann - Ouverture-Suite in E Minor, TWV 55: No. 6, Air. Un peu vivement
01:06:38 Gabriel Fauré - Berceuse, Op. 16

01:10:04 Vivaldi - Flute Concerto No. 3 in D Major, RV 428 "Il gardellino": I. Allegro
01:14:06 Mussorgsky - Pictures at an Exhibition: Promenade II, No. 2, The Old Castle
01:19:11 Beethoven - Piano Sonata in C-Sharp Major, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
01:24:49 Claude Debussy - Suite Bergamasque, L. 75: III. Clair de Lune
01:29:44 Erik Satie - 3 Gymnopédies: No. 1, Lent et douloureux in D Major

01:33:23 Mozart - Piano Concerto in C Major, K. 467: II. Andante "Elvira Madigan"
01:40:13 Franz liszt - 2 Concert-Studies, S. 145: No. 1, Waldesrauschen. Vivace
01:44:17 Tchaikovsky - The Seasons, Op. 37a: No. 10, October. Autumn Song in D Minor. Andante doloroso e molto cantabile
01:47:41 Anatoly Lyadov - 2 Morceaux, Op. 9: No. 1, Valse
01:50:43 Felix Mendessohn - Lieder ohne Worte, Op. 19b: No. 6, Venetian Gondola Song. Andante sostenuto

01:52:14 Claude Debussy - 2 Arabesques, L. 66: No. 1, Première Arabesque in E Major
01:56:22 Chopin - Nocturnes, Op. 9: No. 2, Nocturne in E-Flat Major
02:00:40 Edvard Grieg - Lyric Pieces, Op. 54: No. 3, March of the Dwarfs
02:03:32 Gabriel Fauré - Requiem, Op. 48: XII. In Paradisum
02:06:45 J.S. Bach - Jesu, meine Freude, BWV 227
02:09:45 Erik Satie - Gnossiennes: No. 5, Moderato
02:12:31 Tchaikovsky - The Seasons, Op. 37a: No. 3, March. Song of the Lark in G Minor. Andantino espressivo
02:14:12 Johannes Brahms - Symphony No. 3, Op. 90: III. Poco allegretto in C Minor
02:20:12 Franz Schubert - 6 Moments musicaux, D. 780: No. 3, Allegro moderato
02:22:16 Chopin - Preludes, Op. 28: No. 15, Prelude in D-Flat Major "Raindrop"

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Here perhaps is the very heart of Bach; a very palpable demonstration of his heritage and impact. Bach revered his forebears, while at the same time wishing to renew their legacy – both that of his own, already notable Bach family and of their musical contemporaries – and leave a mark on posterity. His endless inventiveness in taking the old hymn tunes devised in the generations before him, and clothing them in rich and strange harmonies, each one tailored to the specific text and mood of its content, creates a box of small wonders.

Composer:
Johann Sebastian Bach

Artist:
Chamber Choir of Europe
Nicol Matt (conductor)

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This an issue of series consisting of 14 3CD-sets with selected highlights taken from our Mozart complete edition, intented for those who prefer to buy more selectively.
This release contains the following works: K. 311, K. 330, K. 331, K. 332, K. 333, K. 457, K. 533, K. 533, K. 545, K. 570, K. 576.

Composer: Wolfgang Amadeus Mozart
Artist: Klara Würtz (piano)

Tracklist;
00:00:00 Piano Sonata No. 9 in D Major, KV.311: Allegro con spirito
00:04:28 Piano Sonata No. 9 in D Major, KV.311: Andante con espressione
00:09:19 Piano Sonata No. 9 in D Major, KV.311: Rondeau, allegro
00:15:25 Piano Sonata No. 10 in C Major, KV.330: Allegro moderato
00:22:06 Piano Sonata No. 10 in C Major, KV.330: Andante cantabile
00:28:40 Piano Sonata No. 10 in C Major, KV.330: Allegretto
00:34:22 Piano Sonata No. 11 in C Major, KV.331: Andante grazioso
00:47:16 Piano Sonata No. 11 in C Major, KV.331: Menuetto
00:53:11 Piano Sonata No. 11 in C Major, KV.331: AllaTurca, allegretto
00:56:37 Piano Sonata No. 12 in F Major, KV.332: Allegro
01:03:11 Piano Sonata No. 12 in F Major, KV.332: Adagio
01:07:54 Piano Sonata No. 12 in F Major, KV.332: Allegro assai
01:14:44 Piano Sonata No. 13 in B-Flat Major, KV.333: Allegro
01:22:07 Piano Sonata No. 13 in B-Flat Major, KV.333: Andante cantabile
01:27:40 Piano Sonata No. 13 in B-Flat Major, KV.333: Allegretto grazioso
01:34:17 Piano Sonata No. 14 in C Minor, KV.457: Allegro molto
01:39:46 Piano Sonata No. 14 in C Minor, KV.457: Adagio
01:47:29 Piano Sonata No. 14 in C Minor, KV.457: Allegro assai
01:51:49 Piano Sonata No. 15 in F Major, KV.533: Allegro
01:59:26 Piano Sonata No. 15 in F Major, KV.533: Andante
02:06:01 Piano Sonata No. 15 in F Major, KV.533: Rondeau, allegretto
02:12:29 Piano Sonata No. 16 in C Major, KV.545: Allegro
02:15:49 Piano Sonata No. 16 in C Major, KV.545: Andante
02:20:00 Piano Sonata No. 16 in C Major, KV.545: Rondo
02:21:45 Piano Sonata No. 17 in B-Flat Major, KV.570: Allegro
02:27:29 Piano Sonata No. 17 in B-Flat Major, KV.570: Adagio
02:34:55 Piano Sonata No. 17 in B-Flat Major, KV.570: Allegretto
02:38:25 Piano Sonata No. 18 in D Major, KV.576: Allegro
02:43:37 Piano Sonata No. 18 in D Major, KV.576: Adagio
02:49:10 Piano Sonata No. 18 in D Major, KV.576: Allegretto

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Composer: Heitor Villa-Lobos
Artists: Jenny Abel (violin), Roberto Szidon (piano)

Heitor Villa-Lobos composed prolifically in every genre, but his chamber music has not received the attention of his richly scored, opulent accomplishments in the fields of orchestral and vocal music, as well as the cello-saturated Bachianas Brasilieras. These three sonatas were written between 1912 and 1920 and are full of entirely characteristic, colourful melodic vocabulary, structured as extended rhapsodies.

00:00:00 Fantasy-Sonata No. 1, Op. 27 "Désespérance"
00:10:09 Fantasy-Sonata No. 2, Op. 49: I. Allegro non troppo
00:15:46 Fantasy-Sonata No. 2, Op. 49: II. Largo – Moderato
00:25:45 Fantasy-Sonata No. 2, Op. 49: III. Rondo. Allegro final
00:32:39 Violin Sonata No. 3: I. Adagio non troppo
00:44:16 Violin Sonata No. 3: II. Allegro vivace scherzando
00:48:55 Violin Sonata No. 3: III. Molto animato e final

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Composers: Alessandro Longo, Felix Mendelssohn, Robert Schumann
Artists: Massimo Data (bassoon), Piero Barbareschi (piano)

The chamber literature for bassoon is not as rich and varied as the instrument deserves. Despite its widely recognised beauty of timbre and expressive potentialities, used and celebrated in solos from many significant orchestral and operatic compositions, a fitting chamber literature in the 19th and 20th centuries, especially in duo with the piano, is conspicuously absent. The pieces recorded on this CD are an attempt to demonstrate how this repertoire may be expanded and built upon, both by using original compositions for bassoon and piano and by transcribing significant pieces by Romantic and 20th-century authors originally intended for other expressive instruments.

The pieces themselves range from atmospheric 19th-century compositions such as Schumann’s Drei Romanzen Op.98, in which the bassoon takes on a distinctly vocal quality, to beautiful and at times melancholic 20th-century pieces, including Piazzolla’s Oblivion, in which the flexibility of the instrument’s timbre truly comes to the fore. Bridging these two groups is the ‘title track’ by Rachmaninoff, the implications of whose name are certainly done justice in this set, for the bassoon truly ‘finds its own voice’ here.

Bassoonist Massimo Data has played as principal bassoonist for several orchestras in Italy and beyond, and has given masterclasses across the world. He is accompanied by pianist Piero Barbareschi, who collaborates on chamber music duos with a wide variety of instrumentalists and plays a broad repertoire of music ranging from the 17th century to the present day.

The Bassoon, the bass member of the woodwind family, is a surprisingly versatile, agile, and expressive instrument. Its expression ranges from the joyful and even comic, sonorous, melancholic to the mournful. Regretfully classical composers wrote little of substance for the solo bassoon, therefore this new recording presents a selection of delightful arrangements of classical evergreens: Schumann’s Fantasiestücke Op. 73 (itself written for clarinet or cello), a Mendelssohn Lied ohne Worte, Rachmaninoff’s Vocalise, an original piece by Gabriel Pierné, a heartbreaking Pavane by Ravel, and two raucous Piazzolla tangos.

00:00:00 Lied ohne Worte in E Major, Op. 19 No. 1
00:03:48 Fantasiestücke, Op. 73: I. Zart und mit Ausdruck
00:06:58 Fantasiestücke, Op. 73: II. Lebhaft, leicht
00:10:57 Fantasiestücke, Op. 73: III. Rasch und mit Feuer
00:15:29 Suite for Bassoon and Piano: I. Andante con variazioni
00:20:08 Suite for Bassoon and Piano: II. Romanza
00:25:06 Suite for Bassoon and Piano: III. Vivace
00:28:41 14 Romances, Op. 34: No. 14, Vocalise
00:34:25 Drei Romanzen, Op. 98: I. Nicht schnell
00:37:42 Drei Romanzen, Op. 98: II. Einfach, innig
00:41:39 Drei Romanzen, Op. 98: III. Nicht schnell
00:45:45 Enrico IV: Oblivion
00:48:45 Solo de concert, Op. 35
00:54:42 Pavane pour une infante défunte in G Major, M. 19
00:59:03 Libertango

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The virtuosic, gloriously indulgent music of Pietro Antonio Locatelli has long been passed over in favour of later composers, such as the master of flamboyant showiness Niccolò Paganini (whose 24 Caprices were inspired by these works). Eighty years before Paganini, however, came these capricci (or capriccios), long soloistic passages for solo violin that were originally written as cadences within movements of violin concertos. But Locatelli’s knack for this style proved so popular that the works easily stand alone; indeed, some of the capriccios are so long that they actually exceed the length of the movement they originate from! Locatelli would write out the beginning of the capriccio, leaving the player to improvise the final cadenza, and Igor Ruhadze has followed that pattern here, improvising cadences to bridge between all 24 capriccios and as the final tuttis of the concerto movements to which they belong. Even Locatelli’s notated section still leaves plenty of room for interpretation; he would simply write the notes in a block chord, leaving the player to pick this apart in whatever style he wished. The writing is rapid, technically demanding and stratospherically high, making huge demands on the performer and providing a treat for the listener in search of a compelling alternative to Paganini.

Igor Ruhadze is a highly experienced performer of Locatelli’s works. In 2015 Brilliant Classics released a 21CD set of the composer’s ensemble music, featuring Mr. Ruhadze and his aptly-named ensemble Violini Capricciosi. A separately-released volume from the Edition, that of the Trio Sonatas, received a very favourable review from Gramophone magazine, which described the ensemble as ‘fine advocates’ of Locatelli’s music, and praised the ‘brilliantly and at times breathtakingly performed’ works.


Other information:
Recorded in The Netherlands in 2013.
Contains notes on the works.
Contains a biography of the artist.

Composer Pietro Antonio Locatelli
Artist Igor Ruhadze violin

 
Tracklist:
00:00:00 24 capriccios for Solo Violin: I. Capriccio No. 1 in D Major
00:03:30 24 capriccios for Solo Violin: II. Capriccio No. 2 in D Major
00:08:36 24 capriccios for Solo Violin: III. Capriccio No. 3 in C Minor
00:12:16 24 capriccios for Solo Violin: IV. Capriccio No. 4 in C Minor
00:17:26 24 capriccios for Solo Violin: V. Capriccio No. 5 in F Major
00:21:12 24 capriccios for Solo Violin: VI. Capriccio No. 6 in F Major
00:24:48 24 capriccios for Solo Violin: VII. Capriccio No. 7 in E Major
00:28:14 24 capriccios for Solo Violin: VIII. Capriccio No. 8 in E Major
00:32:02 24 capriccios for Solo Violin: IX. Capriccio No. 9 in C Major
00:36:16 24 capriccios for Solo Violin: X. Capriccio No. 10 in C Major
00:40:30 24 capriccios for Solo Violin: XI. Capriccio No. 11 in G Minor
00:44:39 24 capriccios for Solo Violin: XII. Capriccio No. 12 in G Minor
00:48:05 24 capriccios for Solo Violin: XIII. Capriccio No. 13 in B-Flat Major
00:51:28 24 capriccios for Solo Violin: XIV. Capriccio No. 14 in B-Flat Major
00:54:54 24 capriccios for Solo Violin: XV. Capriccio No. 15 in E Minor
00:57:42 24 capriccios for Solo Violin: XVI. Capriccio No. 16 in E Minor
01:02:23 24 capriccios for Solo Violin: XVII. Capriccio No. 17 in G Major
01:06:03 24 capriccios for Solo Violin: XVIII. Capriccio No. 18 in G Major
01:10:03 24 capriccios for Solo Violin: XIX. Capriccio No. 19 in F Major
01:13:01 24 capriccios for Solo Violin: XX. Capriccio No. 20 in F Major
01:15:45 24 capriccios for Solo Violin: XXI. Capriccio No. 21 in A Major
01:19:00 24 capriccios for Solo Violin: XXII. Capriccio No. 22 in A Major
01:22:11 24 capriccios for Solo Violin: XXIII. Capriccio No. 23 in D Major “Il labirinto armonico”
01:25:49 24 capriccios for Solo Violin: XXIV. Capriccio No. 24 in D Major “Il labirinto armonico”
01:31:31 Capriccio from Concerto in A Major
01:32:50 Capriccio “prova dell’intonazione” (from Sonata Op. 6 No. 12)

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00:00:00 Adagio in G Minor – Albinoni (Consort of London, Robert Hayden Clark)
00:06:38 V. Pie Jesu – Maurice Duruflé (The Choir of Leeds Catrhedral, Skipton Building Society Camerata)
00:09:36 Miserere – Gregorio Allegri (Choir of Clare College, Cambridge, Timothy Brown)
00:22:14 VII. In paradisum – Gabriel Fauré (Holland Boys Choir, Piet Jan Leusink)
00:25:29 Ave verum corpus in D Major, K. 618 – Mozart (Choir of St john’s College, Christopher Robinson)
00:29:02 V. Panis Angelicus – César Franck (Choir of St john’s College, Christopher Robinson)
00:32:32 I. Stabat Mater Dolorosa – Pergolesi (Cambridge Ensemble, Timothy Brown, Angharad Jones)
00:36:19 Bist du bei mir, BVW 508 – J.S. Bach (Johannette Zomer, Pieter-Jan Belder)
00:39:00 Spiegel im Spiegel (1978) – Arvo Pärt (Jeroen van Veen)
00:48:10 I. Introitus. Requiem aeternam – Mozart (Chamber Choir Of Europe, Kammerorchester Pforzheim)
00:52:58 I. Aria. Ich habe genug – J.S. Bach ( Netherlands Bach Collegium, Pieter Jan Leusink)
01:00:43 VII. Communio. Lux aeterna – Mozart (Chamber Choir Of Europe, Kammerorchester Pforzheim)
01:06:24 “I Know That My Redeemer Liveth” – Handel (Choir of Kings College, Cambridge,)
01:12:14 Spem in alium nunquam habui à 40 – Thomas Tallis (Chappelle du Roi, Alistair Dixon)
01:22:15 No. 49 Aria. “Aus Liebe will mein Heiland sterben” – J.S. Bach (Brandenburg Consort, Stephen Cleobury)
01:26:57 II. Adagio. Sehr feierlich (ed. Nowak) – Anton Bruckner (Rundfunk- SinfonieOrchester Berlin)
01:42:40 I. Canon – Johann Pachelbell (Consort of London, Robert Hayden Clark)
01:47:23 Adagio for Strings in B-Flat Minor – Robert Barber (Royal Philharmonic Orchestra, Philip Ellis)
01:55:09 II. Air – J.S. Bach (Ludwig Güttler, Berliner Symphonie)
01:59:27 Act III, Scene Two: “Thy Hand, Belinda…When I Am Laid in Earth (Dido)” – Henry Purcell (Musica ad Rhenum, Jed Wentz, Nicola Wemyss)
02:00:04 IV. Wie lieblich sind deine Wohnungen – Johannes Brahms (Rundfunkchor Berlin)
02:05:56 III. Marche funèbre. Lento – Chopin (Wolfram Schmitt-Leonardy)
02:14:49 X. Chorale, Jesu bleibet meine Freude – J.S. Bach (Holland Boys Choir)
02:18:00 Dance of the Blessed Spirits – Christoph Gluck (Orchestra De Chambre De Wallonie)
02:25:04 Denn er hat seine Engeln befohlen, MWV B 53 – Felix Mendelssohn (Choir of St. John’s College)
02:28:02 IV. Adagietto – Gustav Mahler (Junge Deutsche Philharmonie, Rudolph Barshai)
02:36:18 In the Midst of Life – Henry Purcell (Choir of CLAIRE College , Cambridge Timothy Brown)
02:39:59 Pavana pour un infante defunte, M. 19 – Maurice Ravel (Michaelangelo Carbonara)
02:46:23 In Paradisum - (Traditional, Schola Cantorum Karolus Magnus, Stan Hollaardt)
02:52:06 No. 4, Im Abendrot – Richard Strauss( Radio Filharmonisch Orkest Holland, Edo de Waart)