Often asked question: What is this keyframe thing and how do I use it?

No matter what you have in your editor - your video, a picture, a title, anything, you can add movement and make your video more interesting using keyframes.

REACH THE BASIC FILMMAKER:
Email: thebasicfilmmaker@gmail.com
Blog: http://www.thebasicfilmmaker.com
Facebook: http://www.facebook.com/TheBasicFilmmaker
Twitter: http://www.twitter.com/basicfilmmaker
YouTube: http://www.youtube.com/thebasicfilmmaker
Vimeo: https://vimeo.com/channels/thebasicfilmmaker

ABOUT THE BASIC FILMMAKER:
I post videos, short films, DIY build projects you've never seen before, After Effects tutorials, and cover cameras, gear, sliders, makeup, DSLRs, cranes, jibs, dolly's, stabilizers, shoulder rigs, rail systems, green screen tutorials, and answer any question you ask about filming.

ETHICS STATEMENT (these seem to be all the rage, so here's mine):
Any product I review is because I want to, because I like it, because I think it would be useful to someone, and is something I would use and buy. I am not paid by anyone for doing product reviews. In other words, no one owns me, and I cannot be bought.

GEAR USED.
Canon DSLRs and lenses. Rode mics and Zoom recorders. Edited in Premier Pro CC.

MUSIC, FOOTAGE AND GRAPHICS LEGAL:
Some music licensed from Footage Firm. All music, footage and graphics are either created or licensed by me. Don't steal! It kills your brains! :)

BUY STUFF HERE: If you use these links it throws a few pennies my way, and costs you absolutely nothing. I know you're a filmmaker, so you buy stuff. We all do! :)

AMAZON YOURSELF HERE:
http://tinyurl.com/ntxn4y8

ADORAMA GEAR HERE:
http://adorama.evyy.net/c/72663/37879/1036

TRAINING HERE:
7 DAYS UNLIMITED FREE ACCESS:
Lynda.com training: http://tinyurl.com/l32tfwz

RENT GEAR HERE:
Borrow Lenses: http://www.borrowlenses.com/?blpid=bfmborrowlenses

GET FOOTAGE AND SOUND HERE:
http://videoblocks.evyy.net/c/69880/72779/1928

GET 50% OFF VIMEO
Vimeo: http://www.jdoqocy.com/click-7168208-11319345

GET GRAPHICS HERE:
http://GraphicStock.evyy.net/c/69880/91712/2238

THANKS.
To YouTube and Vimeo for giving filmmakers a home and to Andrew Kramer, Freddie Wong, Film Riot, The Frugal Filmmaker, Knoptop, Indy Mogul and Corridor Digital for trail blazing.

#keyword #keyword #keyword #keyword #basicfilmmaker #filmmaking #videos

Another in my series of stuff you should have. Battery grips are well known to many filmmakers and photographers, not so much to people new to this. Check them out - they make life good! http://bit.ly/SubscribeToBasicFilmmaker

#camera #battery #grip

----------------------------------------------
LINKS:
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Here are some lower cost grips. I can only say the Canon one works well for 5 years. Make sure to read the reviews and recommendations for your camera, and that the one you are looking at fits your camera.

Canon Original 5D (one I own): https://amzn.to/2GOCGlN

Canon 70/80D: https://amzn.to/2EhHtL7
Canon T2/3/4/5i: https://amzn.to/2GUgSFJ
Sony: https://amzn.to/2EgUPag
Nikon: https://amzn.to/2SVz08q
Panasonic: https://amzn.to/2X9i7GA

----------------------------------------------
THE CAMERA SIDE:
----------------------------------------------
Canon 5D:
https://amzn.to/2HA1zQC
https://bhpho.to/2GXbUoz

Cheap Camera Remote:
https://amzn.to/2SeO0Lf

Camera Cage:
https://amzn.to/2R8LDZ0

Aputure Monitor:
https://amzn.to/2CZRg97
https://bhpho.to/2JgFJ5E

Pro Batteries:
https://amzn.to/2CdhL9L
https://bhpho.to/2A9lfZv

Tripod (replaced head):
https://amzn.to/2yr8ZSU
https://bhpho.to/2PpdG9E

Replaced Head With:
https://amzn.to/2RaAMOy
https://bhpho.to/2JhjUmd

Alternative Tripod:
https://amzn.to/2qdpttt

Quick Release Plates:
https://amzn.to/2qh7eTX
https://bhpho.to/2PpuNbb

----------------------------------------------
LENSES:
----------------------------------------------
Canon 50mm:
https://amzn.to/2vgPcq4
https://bhpho.to/2HzkoDE

28mm f/1.8:
https://amzn.to/2L6gwKd
https://bhpho.to/2BovVWQ

50mm f/1.4:
https://amzn.to/2vUmBoD
https://bhpho.to/2nVe6W1

85mm f/1.8:
https://amzn.to/2MWElWB
https://bhpho.to/2BmRiHY

24-70mm f2.8:
https://amzn.to/2MlJw6l
https://bhpho.to/2nLOJ8W

24-105mm f/4.0:
https://amzn.to/2PkAhRC
https://bhpho.to/2N3X2aU

70-200mm f/2.8:
https://amzn.to/2PlNKJ1
https://bhpho.to/2MGJ7Ln

----------------------------------------------
AUDIO:
----------------------------------------------
Rode NTG-3:
https://amzn.to/2GY9cPO
https://bhpho.to/2HxxL75

Deity Mic:
https://amzn.to/2xlgeKW
https://bhpho.to/2OqwGkf

Zoom H6 Recorder:
https://amzn.to/2MjiOdL
https://bhpho.to/2AWDfsB

SR VRM1 Recorder:
https://amzn.to/2KWMQjS
https://bhpho.to/2Hzr8RY

SD Card:
https://amzn.to/2CZVv4n
https://bhpho.to/2Pk7q30

Lapel Mic:
https://amzn.to/2R8KGzU
https://bhpho.to/2JkDXAA

Headphones:
https://amzn.to/2CYEZ4E
https://bhpho.to/2Pu1hBr

Sound Blankets:
https://amzn.to/2R9Y7Qa

Colored Acoustic Foam:
https://amzn.to/2R89CrC

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LIGHTING:
----------------------------------------------
Aputure Tri-8 Kit:
https://amzn.to/2HyvE2U
https://bhpho.to/2H0IHJk

Aputure L/S 1/2:
https://amzn.to/2Sb8oNn
https://bhpho.to/2JfrNZp

Pulsar Spotlight:
https://amzn.to/2q85wEr

Light Stands:
https://amzn.to/2yuk9GH

Cheap Can Light:
https://amzn.to/2R9XF4q

Wall Mounting Brackets:
https://amzn.to/2CYpzxz

C-Stand:
https://amzn.to/2D0WWzv

Sandbags:
https://amzn.to/2Sdpiew

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BACKGROUND:
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Fake Brick Tapestry:
https://amzn.to/2RcrzoZ

Backdrop Mounting Unit:
https://amzn.to/2CYFQlS

Portable Green/Blue/White/Gray Screen:
https://amzn.to/2Opnb5m

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EDITING:
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Adobe Premiere Pro:
http://bit.ly/AdobeCCFull

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OTHER:
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Captions:
https://www.rev.com/blog/coupo....n/?ref=basicfilmmake

Blackout Window Shades:
https://amzn.to/2PV8w2h

Clicker for Lights:
https://amzn.to/2R5tNpU

Gaffer Tape:
https://amzn.to/2JbMQMJ

Up and Down Desk:
https://amzn.to/2q7aYap

Worktable:
https://amzn.to/2RfBEl5

Analyzing YouTube Videos:
VidIQ: https://vidiq.com/#_l_gc
TubeBuddy: https://www.tubebuddy.com/thebasicfilmmaker

See gear at https://www.kit.com/basicfilmmaker

----------------------------------------------
Training:
----------------------------------------------
https://www.basicfilmmakeruniversity.com

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Credits
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Music by Premium Beat: http://bit.ly/PremiumBeatMusic

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Connect with me here:
----------------------------------------------
http://bit.ly/BFM-YOUTUBE
http://bit.ly/BFM-FB
http://bit.ly/BFM-TWITTER
http://bit.ly/BFM-INSTAGRAM
http://bit.ly/BFM-UNIVERSITY


----------------------------------------------
Copyright (c) 2019 Basic Filmmaker
All rights reserved.
----------------------------------------------
Note that some of these links are affiliate links and help keep the channel going. Thanks for your support, as it really helps offset the costs!

Here's how I edit my sound in Adobe Audition. I also show you two videos submitted to my Konova Gear Contest. Funny stuff!

Rode NTG-3: http://tinyurl.com/lsnvvgs
Rode NTG-2: http://tinyurl.com/ku5ydgt
Zoom H4n: http://tinyurl.com/nz7au7b

REACH THE BASIC FILMMAKER:
Email: thebasicfilmmaker@gmail.com
Blog: http://www.thebasicfilmmaker.com
Facebook: http://www.facebook.com/TheBasicFilmmaker
Twitter: http://www.twitter.com/basicfilmmaker
YouTube: http://www.youtube.com/thebasicfilmmaker
Vimeo: https://vimeo.com/channels/thebasicfilmmaker

ABOUT THE BASIC FILMMAKER:
I post videos, short films, DIY build projects you've never seen before, After Effects tutorials, and cover cameras, gear, sliders, makeup, DSLRs, cranes, jibs, dolly's, stabilizers, shoulder rigs, rail systems, green screen tutorials, and answering any question you ask about filming.

GEAR USED.
Canon DSLRs and lenses. Rode mics and Zoom recorders. Edited in Premier Pro CC.

MUSIC, FOOTAGE AND GRAPHICS LEGAL:
Music licensed from Footage Firm. All music, footage and graphics are either created or licensed by me. Don't steal! It kills your brains! :)

BUY STUFF HERE: If you use these links it throws a few pennies my way and helps me, and costs you absolutely nothing. I know you're a filmmaker, so you buy stuff. We all do! :)

AMAZON YOURSELF HERE:
http://tinyurl.com/ntxn4y8

ADORAMA GEAR HERE:
http://adorama.evyy.net/c/72663/37879/1036

TRAINING HERE:
7 DAYS UNLIMITED FREE ACCESS:
Lynda.com training: http://tinyurl.com/l32tfwz

RENT GEAR HERE:
Borrow Lenses: http://www.borrowlenses.com/?blpid=bfmborrowlenses

GET FOOTAGE AND SOUND HERE:
http://videoblocks.evyy.net/c/69880/72779/1928

GET 50% OFF VIMEO
Vimeo: http://www.jdoqocy.com/click-7168208-11319345

GET GRAPHICS HERE:
http://GraphicStock.evyy.net/c/69880/91712/2238

THANKS.
To YouTube and Vimeo for giving filmmakers a home and to Andrew Kramer, Freddie Wong, Film Riot, The Frugal Filmmaker, Knoptop, Indy Mogul and Corridor Digital for trail blazing.

#sound #audition #adobe #konova #contest #basicfilmmaker #filmmaking #videos

I was confronted with massive font changes for over 2,000 graphic text elements in Premiere Pro, and found a spectacular solution that I hope you can also use in your editing travels!

What I shoot/edit episodes with:
---------------------------------------------
Amazon:

Canon 5D: https://amzn.to/2HA1zQC
Canon 50mm: https://amzn.to/2vgPcq4
Rode NTG-3: https://amzn.to/2GY9cPO
Saramonic XLR Recorder: https://amzn.to/2MXQ7zX
Aputure Tri-8 Kit: https://amzn.to/2HyvE2U
http://bit.ly/AdobeCCFull

B&H:

Canon 5D: https://bhpho.to/2GXbUoz
Canon 50mm: https://bhpho.to/2HzkoDE
Rode NTG-3: https://bhpho.to/2HxxL75
Saramonic XLR Recorder: https://bhpho.to/2Hzr8RY
Aputure Tri-8 Kit: https://bhpho.to/2H0IHJk
http://bit.ly/AdobeCCFull

More gear at https://www.kit.com/basicfilmmaker

Filmmaker Training:
------------------------------
https://www.basicfilmmakeruniversity.com

Credits
-----------
Outro by Kevin Anson: http://bit.ly/EmoticonToolkktKevinAnson
Music by Premium Beat: http://bit.ly/PremiumBeatMusic

Connect with me here:
------------------------------------
http://bit.ly/BFM-YOUTUBE
http://bit.ly/BFM-FB
http://bit.ly/BFM-TWITTER
http://bit.ly/BFM-INSTAGRAM
http://bit.ly/BFM-UNIVERSITY


Copyright (c) 2018 Basic Filmmaker
All rights reserved.
----------------------------------------------------------
Note that some of these links are affiliate links and help keep the channel going. Thanks for your support, as it really helps offset the costs! #basicfilmmaker #filmmaking #videos

Online Purchase/Streaming (Spotify, Itunes store, Google Play, Deezer, Apple Play, Tidal, Amazon): https://brilliant-classics.lnk.to/Top50Violin

Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.....to/BestOfBachPlayli
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.....to/BeautifulClassic
Classical music for dinnertime: https://brilliant-classics.lnk.....to/ClassicalMusicfo

Artists:
Mela Tenenbaum (violin)
Gil Sharon (violin)
Matthieu Arama (violin)
Aurélien Pontier (piano)
Richard Kapp (piano)
Anton Nel (piano)
Idith Zvi (piano)

Tracklist:
00:00:00 Mazurka in A Minor, Op. 67 No. 4 (Chopin)
00:03:01 Song Without Words, Op. 2 No. 3 (Tchaikovsky)
00:06:20 Divertimento, K. 334: Menuet (Mozart)
00:10:29 Hungarian Dance No. 6, WoO 1 (Brahms)
00:13:42 Hungarian Dance No. 1, WoO 1 (Brahms)
00:16:40 Romance in A Major, Op. 94 No. 2 (Schumann)
00:22:02 Morceaux, Op. 10: No. 2, Humoresque in G Major. Menuet (Bocherini)
00:25:34 Les millions D'Arlequin: Serenade (Drigo)
00:30:10 Sonata in A Major (Paganini)
00:35:04 Träumerei, Op. 21 (Drdla)
00:37:45 Das Lied der Geige, Op. 2 (Schebek)
00:40:56 Immer oder nimmer Walzer, Op. 156 (Waldteufel)
00:50:22 Schön Rosmarin (Kreisler)
00:52:10 Espana, Op. 165 No. 2: Tango (Albeniz)
00:54:45 Russian Romance (Chernyetsky)
00:57:36 Guitarre, Op. 45 No. 2 (Moszkowski)
01:01:14 Menuet (Attr. Porpora) (Porpora / Kreisler)
01:05:20 Allegretto grazioso (Porpora / Bonelli)
01:07:25 Le triomphe de la République: Tambourin (Arr. Burmester) (Gossec (Francois))
01:08:42 Salut d'amour, Op. 12 (Elgar)
01:11:16 3 Pieces, Op. 11: Mazurka in F-Sharp Minor (Chopin)
01:14:07 Poème for Violin and Piano, Op. 41 No. 4 (Arr. Weniger) (Fibich (Zdenek))
01:16:01 5 Gedichte, WWV 91: V. Träume (Wagner)
01:19:38 Valse scherzo (Tchaikovsky)
01:21:30 Song Without Words, Op. 60: I. Andante espressivo “May Breezes” (Arr. Kreisler) (Mendelssohn)
01:24:12 Myrthen, Op. 25: I. Dedication (Schumann)
01:26:38 Romance (Rubinstein)
01:29:18 Cantabile in D Major, Op. 17 (Paganini)
01:32:19 Hungarian Dance No. 7 in F Major, WoO 1 (Allegretto) (Brahms)
01:34:45 Romance, Op. 3 (Gliere)
01:38:50 Kujawiak in A Minor (Wieniawski (Henryk))
01:41:48 3 Old Viennese Dances: II. Liebesleid (Kreisler)
01:44:48 Le roi s'amuse: VII. Passepied (Arr. Elman) (Delibes / Elman (Mischa))
01:46:46 Waltz No. 1 in A Major, Op.54 (Moderato) (Dvorák)
01:50:22 5 Spanish Dances, Op. 12: I. Allegro brioso (Moszkowski)
01:52:01 16 Morceaux de Salon, Op. 49: VII. La Sevillana (Alard (Delphin))
01:54:33 Bandana Sketches, Op. 12 "Nobody Knows the Trouble I've Seen" (White)
01:57:57 Le Secret (Gautier (Jacques))
02:00:40 14 Romances, Op. 34: No. 14, Vocalise (Rachmaninoff)
02:06:31 Préludes, L. 117, Premier Livre: VIII. La fille aux cheveux de lin (Debussy)
02:09:17 Orfeo ed Euridice, Wq. 30, Act 2: Melodie No. 2 (Arr. Heifetz) (Von Gluck, arr. Jascha Heifetz)
02:12:27 2 Pieces for Cello and Orchestra, Op.20: II. Serenade Espagnole (Arr. Kreisler) (Glazunov, arr. Kreisler)
02:15:50 3 Romantic Pieces, Op. 75: I. Allegro moderato (Dvorák)
02:19:25 3 Romantic Pieces, Op. 75: II. Allegro maestoso (Dvorák)
02:22:22 3 Romantic Pieces, Op. 75: III. Allegro appassionato (Dvorák)
02:25:13 Thaïs, Act 2: Méditation (Massenet)
02:29:49 Zigeunerweisen, Op. 20 (Sarasate (Pablo de))
02:39:46 Romance (Wieniawski (Henryk))
02:44:46 Hora staccato (Dinicu (Grigoras))
02:46:10 Pacsirta (Dinicu (Grigoras))

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play):
https://brilliant-classics.lnk.to/Janacekcomplete
Physical purchase:
http://www.brilliantclassics.c....om/articles/j/jan%C3

The year 2004 commemorates the 150th anniversary of the birth of Leos Janacek, one of Czech’s most famous and original composers.

Janacek’s music is highly personal, his language immediately recognizable: short, almost aphoristic motives form the basis of a highly dramatic discourse.

His piano works include the famous Piano Sonata (written after the death of a man during a worker’s demonstration), the highly attractive cycle “On an overgrown path” (short pieces of sometimes violent, sometimes painfully intimate emotions), the cycle “In the mist”, and series on Czech and Moravian folk melodies.

Norwegian pianist Hakon Austbö already recorded extensively for Brilliant Classics (Satie, Brahms Klavierstücke, Grieg Lyrische Stücke), and proves himself again a true master in the short form, completely identifying himself with the composer and his inner thoughts.

00:00:00 Sonata I.X.: I. Foreboding
00:05:59 Sonata I.X.: II. Death
00:12:51 On an Overgrown Path, Pt. 1: I. Our Evenings
00:16:08 On an Overgrown Path, Pt. 1: II. A Blown Away Leaf
00:19:36 On an Overgrown Path, Pt. 1: III. Come with Us!
00:20:15 On an Overgrown Path, Pt. 1: IV. The Madonna of Frýdek
00:24:17 On an Overgrown Path, Pt. 1: V. They Chattered Like Swallows
00:26:28 On an Overgrown Path, Pt. 1: VI. Words Fail!
00:28:32 On an Overgrown Path, Pt. 1: VII. Good Night!
00:31:01 On an Overgrown Path, Pt. 1: VIII. Unutterable Anguish
00:34:10 On an Overgrown Path, Pt. 1: IX. In Tears
00:37:08 On an Overgrown Path, Pt. 1: X. The Barn Owl Has Not Flown Away!
00:41:04 On an Overgrown Path, Pt. 2: I. Andante - Un poco piú mosso
00:44:22 On an Overgrown Path, Pt. 2: II. Allegretto - Poco mosso
00:47:21 On an Overgrown Path, Pt. 2: III. Vivo - Presto (Completed by H. Austbø)
00:49:07 In the Mist: I. Andante - Poco mosso
00:52:30 In the Mist: II. Molto adagio - Presto
00:56:56 In the Mist: III. Andantino - Poco mosso
01:00:11 In the Mist: IV. Presto - Meno mosso - Andante
01:04:32 Tema con variazioni
01:14:48 In Remembrance
01:16:26 Ej, danaj!
01:18:21 Music for Gymnastics
01:23:21 To My Olga
01:23:57 On an Overgrown Path, Two Rejected Pieces: I. Più mosso
01:26:28 On an Overgrown Path, Two Rejected Pieces: II. Allegro
01:31:26 Moravian Dances: Dymák - Starodávný - Valaška - Požehnaný - Pilky - Kalamajka - Trojky - Sekerecka - Kolo - Celadenský
01:39:40 6 Miniatures: I. Lord Jesus Christ Is Born
01:40:21 6 Miniatures: II. Moderato
01:41:29 6 Miniatures: III. Without Title
01:42:04 6 Miniatures: IV. Cradle Song
01:42:57 6 Miniatures: V. Melodie
01:43:27 6 Miniatures: VI. Palace of Malostranský
01:44:32 Moravian Folksongs
01:52:29 A Recollection
01:54:26 Intimate Sketches: I. Merely blind fate?
01:55:27 Intimate Sketches: II. So That One Could Never Return
01:56:37 Intimate Sketches: III. The Golden Ring
01:56:50 Intimate Sketches: IV. I Am Waiting for You!

The talented musician Erik Bosgraaf recorded the Complete Suites and Concertos for Recorder of Georg Phillip Telemann. This video contains the full album.

Tracklist below.
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.....to/TelemannComplete
For physical sales: http://brilliantclassics.com/a....rticles/t/telemann-c
Listen on Spotify: https://open.spotify.com/album..../46zjwcVWCHGVYNVhu6I

Telemann’s concertos offer a unique combination of virtuosity, wit and sense of the theatrical. Having taught himself to play the instrument as a child, the German master had a special understanding of and fondness for the recorder, and for it he created a new hybrid form, the Suite auf Concertenart, which combines soloistic display with baroque dances.

These suites and concertos may be less overtly virtuosic than works in the same genre which were beginning to appear around the same time over the other side of the Alps, but Telemann yields nothing to his Italian counterparts in terms of melodic freshness and fertility. The suites are styled in the French manner, as a series of courtly dances, though the A minor Suite features a grand and tragic ‘Air in the Italian style’ and concludes with a snappy Polonaise – one of Telemann’s favourite dance rhythms – reeling away like an inspired tavern fiddler.

Erik Bosgraaf’s discography on Brilliant Classics ranges from Vivaldi (BC94637 – now also available on LP) to Boulez (BC94842), not to mention two previous sets of Telemann – the solo fantasias (BC93757) and sonatas with basso continuo (BC95247) – as well as more rarely encountered delights by Jakob van Eyck (BC93391). These discs and others have garnered both popular attention and critical praise. Of Bosgraaf’s own, composer-approved transcription of the Dialogue de l’ombre double by Boulez, Gramophone commented that ‘balance between recorders and electronics is ideally judged, giving this music an immediacy yet also intimacy beyond that of any other recorded option.’

Closer to the recorder’s natural home in music several centuries earlier, Julie Anne Sadie wrote in the same magazine about Bosgraaf’s ‘magical version of the ubiquitous Four Seasons. ‘A carefully researched and arrestingly translucent chamber interpretation… the rapport between solo and ripieno forces is simply fabulous.’
00:00:00 Ouverture Suite in E-Flat Major, TWV 55:Es2: I. Ouverture
00:07:56 Ouverture Suite in E-Flat Major, TWV 55:Es2: II. Menuet I & II
00:11:04 Ouverture Suite in E-Flat Major, TWV 55:Es2: III. Sarabande
00:12:49 Ouverture Suite in E-Flat Major, TWV 55:Es2: IV. Bourrée, en echo altern.
00:16:08 Ouverture Suite in E-Flat Major, TWV 55:Es2: V. Passepied I & II
00:17:57 Ouverture Suite in E-Flat Major, TWV 55:Es2: VI. Gavotte
00:18:56 Ouverture Suite in E-Flat Major, TWV 55:Es2: VII. Gigue
00:20:54 Ouverture Suite in A Minor, TWV 55:a2: I. Ouverture
00:29:35 Ouverture Suite in A Minor, TWV 55:a2: II. Les plaisirs
00:32:22 Ouverture Suite in A Minor, TWV 55:a2: III. Air à l’Italien
00:38:30 Ouverture Suite in A Minor, TWV 55:a2: IV. Menuet I & II
00:41:12 Ouverture Suite in A Minor, TWV 55:a2: V. Réjouissance
00:43:12 Ouverture Suite in A Minor, TWV 55:a2: VI. Passepied (I & II)
00:44:58 Ouverture Suite in A Minor, TWV 55:a2: VII. Polonoise
00:48:28 Recorder Concerto in F Major, TWV 51:F1: I. Affettuoso
00:51:14 Recorder Concerto in F Major, TWV 51:F1: II. Allegro
00:54:48 Recorder Concerto in F Major, TWV 51:F1: III. Adagio
00:57:14 Recorder Concerto in F Major, TWV 51:F1: IV. Menuet I & II
01:00:28 Recorder Concerto in C Major, TWV 51:C1: I. Allegretto
01:03:34 Recorder Concerto in C Major, TWV 51:C1: II. Allegro
01:07:22 Recorder Concerto in C Major, TWV 51:C1: III. Andante
01:11:13 Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di menuet

Artist:
Erik Bosgraaf (recorder)
Ensemble Cordevento

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://VA.lnk.to/ChopinFavPiano
Physical purchase: http://www.brilliantclassics.c....om/articles/c/chopin
Facebook page: https://www.facebook.com/brilliantclassics/

Composer: Frédéric Chopin
Artists: Alwin Bär, Folke Nauta, Pieter van Winkel, Martijn van den Hoek, Paolo Giacometti (pianos)

A CD filled with short characteristic pieces by Frédéric Chopin. Played by several Dutch pianists, including International Franz Liszt Piano Competition winner Martijn van den Hoek and Alwin Bär.

00:00:00 Berceuse in D-Flat Major, Op. 57
00:05:06 Polonaise in A-Flat Major, Op. 53, “Heroic”
00:12:07 Nocturne in E-Flat Major, Op. 9 No. 2
00:16:22 Waltz in D-Flat Major, Op. 64 No. 1, “Minute Waltz”
00:18:06 Waltz in C-Sharp Minor, Op. 64 No. 2
00:21:45 Ballade No. 3 in A-Flat Major, Op. 47
00:29:06 Souvenir de Paganini
00:33:21 Fantasie-Impromptu in C-Sharp Minor, Op. 66
00:38:29 Etude in E Major, Op. 10 No. 3
00:42:30 Scherzo No. 2 in B-Flat Minor, Op. 31
00:52:19 Prelude in D-Flat Major, Op. 28 No. 15, “Raindrop”
00:57:32 Etude in C Minor, Op. 10 No. 12, “Revolutionary”
01:00:16 Nocturne in B-Flat Minor, Op. 9 No. 1
01:05:41 Barcarolle in F-Sharp Major, Op. 60

The Polonaise was a peasant dance from Poland that gained popularity in the early 18th century among composers and high society. Bach and Handel both wrote movements marked ‘Polonaise’, and in the early 19th century examples can be found in the finales of Beethoven’s Triple Concerto, and Field’s Third Piano Concerto. Chopin grew up with polonaise and other forms of traditional Polish music. His teacher, Elsner was a Polonaise composer, and the business of writing and publishing sets of polonaises was a lucrative one.

There was another reason why such a traditional was so popular in Poland at this time; the country had once again been robbed of its independence, and the nationalistic pulling power of such music helped keep the national identity and spirit alive. Chopin’s genius took the simple tunes of the Polonaise and allowed him to create large-scale complex and dramatic works with myriad emotions. In many ways they captured the Polish spirit which remained defiantly unbroken.

Folke Nauta was born in 1973 and has won many prizes in key competitions around Europe.

Composer: Frédéric Chopin
Artist: Folke Nauta (piano)

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00:00:00 Polonaises: Andante spianato et Grande Polonaise brillante Op.22 in E flat
00:14:15 Polonaises: Polonaise Op.26 No.1 in C sharp Minor
00:22:45 Polonaises: Polonaise Op.26 No.2 in E flat Minor
00:31:57 Polonaises: Polonaise Op.40 No.1 in A ‘Military’
00:37:31 Polonaises: Polonaise Op.40 No.2 in C Minor
00:46:01 Polonaises: Polonaise Op.44 in F sharp Minor
00:56:55 Polonaises: Polonaise Op.53 in A flat ‘Heroic’
01:03:55 Polonaises: Polonaise-Fantaisie Op.61 in A flat

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Here perhaps is the very heart of Bach; a very palpable demonstration of his heritage and impact. Bach revered his forebears, while at the same time wishing to renew their legacy – both that of his own, already notable Bach family and of their musical contemporaries – and leave a mark on posterity. His endless inventiveness in taking the old hymn tunes devised in the generations before him, and clothing them in rich and strange harmonies, each one tailored to the specific text and mood of its content, creates a box of small wonders.

Composer:
Johann Sebastian Bach

Artist:
Chamber Choir of Europe
Nicol Matt (conductor)

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Composer & Artist:
Composer: Frédéric François Chopin
Artists: Various artists

About this Album:
3 CD's containing the best music composed by Frédéric François Chopin.

Tracklist:
00:00:00 Ballade No. 1 in G Minor, Op. 23
00:08:28 Prelude in C sharp Minor, Op. 45
00:12:53 Rondo a la Mazur in F, Op. 5
00:22:37 Polonaise in A, Op. 40 No. 1 “Military”
00:28:13 Etude in A-Flat, Op. 25 NO. 1 “Aeolian Harp”
00:30:51 Waltz in E-Flat, Op. 18
00:35:58 Nocturne in C-Sharp Minor, Op. 27 No. 1
00:41:03 Mazurka Op.24 No. 1 in G Minor
00:44:03 Mazurka Op. 24 No. 2 in C
00:46:25 Mazurka Op. 24 No. 3 in A-Flat
00:48:55 Mazurka Op. 24 No. 4 in B-Flat Mino
00:53:04 Fantasie in F Minor, Op. 49
01:06:14 Andante Spianato et Grande Polonaise Brilliante in E-Flat, Op. 22
01:20:31 Nocturne in D-Flat, Op. 27 No. 2
01:26:57 Krakoviak for piano & orchestra, Op. 14
01:42:49 Nocturne in C-Sharp Minor, Op. Posth.
01:46:54 Mazurka Op. 59 No. 1 in A Minor
01:50:32 Mazurka Op. 59 No. 2 in A-Flat
01:53:16 Mazurka Op. 59 No. 3 in F-Sharp Minor
01:56:45 Impromptu in A-Flat, Op. 29
02:00:32 Waltz in A Minor, Op. 34 No. 1
02:05:56 Ballade No. 4 in F Minor, Op. 52
02:17:21 Berceuse in D-Flat, Op. 57
02:22:30 Polonaise in A-Flat, Op. 53 “Heroic”
02:29:32 Nocturne in E-Flat, Op. 9 No. 2
02:33:42 Waltz in D-Flat, Op. 64 No. 1 “Minute Waltz”
02:35:28 Waltz in C-Sharp Minor, Op. 64 No. 2
02:39:09 Ballade No. 3 in A-Flat, Op. 47
02:46:31 Souvenir de Paganini
02:50:49 Fantasie-Impromptu No. 4 in C-Sharp Minor, Op. 66
02:55:59 Etude in E, Op. 10 No. 3 “Tristesse”
03:00:02 Scherzo No. 2 in B-Flat Minor, Op. 31
03:09:52 Prelude in D-Flat, Op. 28 No. 15 “Raindrop”
03:15:08 Etude in C Minor, Op. 10 No. 12 “Revolutionary”
03:17:54 Nocturne in B-Flat Minor, Op. 9 No. 1
03:23:07 Barcarolle in F-Sharp, Op. 60

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Tracklist below.

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Artist:
François Dumont (piano)
Laurent Le Flécher (violin)
Virginie Constant (cello)
Trio Élégiaque

00:00:00 Piano Trio in G Major, Op. 1 No. 2: I. Adagio – Allegro vivace
00:12:05 Piano Trio in G Major, Op. 1 No. 2: II. Largo con espressione
00:21:57 Piano Trio in G Major, Op. 1 No. 2: III. Scherzo. Allegro
00:25:40 Piano Trio in G Major, Op. 1 No. 2: IV. Finale. Presto
00:33:30 Piano Trio in D Major, Op. 70 No. 1 “Ghost”: I. Allegro vivace
00:43:58 Piano Trio in D Major, Op. 70 No. 1 “Ghost”: II. Largo assai ed espressivo
00:55:02 Piano Trio in D Major, Op. 70 No. 1 “Ghost”: III. Presto
01:03:28 Piano Trio in E-Flat Major, WoO 38: I. Allegro moderato
01:07:36 Piano Trio in E-Flat Major, WoO 38: II. Scherzo. Allegro ma non troppo
01:12:01 Piano Trio in E-Flat Major, WoO 38: III. Rondo. Allegretto
01:17:05 Piano Trio in C Minor, Op. 1 No. 3: I. Allegro con brio
01:26:22 Piano Trio in C Minor, Op. 1 No. 3: II. Andante cantabile con variazioni
01:33:26 Piano Trio in C Minor, Op. 1 No. 3: III. Menuetto. Quasi allegro – Trio
01:36:54 Piano Trio in C Minor, Op. 1 No. 3: IV. Finale. Prestissimo
01:44:43 Piano Trio in E-Flat Major, Op. 70 No. 2: I. Poco sostenuto – Allegro ma non troppo
01:55:04 Piano Trio in E-Flat Major, Op. 70 No. 2: II. Allegretto
02:00:01 Piano Trio in E-Flat Major, Op. 70 No. 2: III. Allegretto ma non troppo
02:04:47 Piano Trio in E-Flat Major, Op. 70 No. 2: IV. Finale. Allegro
02:12:39 Piano Trio in E-Flat Major, Op. 44: 14 Variations on an Original Theme: Tema. Andante con variazioni
02:25:22 Piano Trio in E-Flat Major, Op. 1 No. 1: I. Allegro
02:35:00 Piano Trio in E-Flat Major, Op. 1 No. 1: II. Adagio cantabile
02:42:02 Piano Trio in E-Flat Major, Op. 1 No. 1: III. Scherzo. Allegro assai
02:46:56 Piano Trio in E-Flat Major, Op. 1 No. 1: IV. Finale. Presto
02:54:23 Piano Trio in D Major, After Symphony No. 2, Op. 36: I. Adagio – Allegro con brio
03:06:37 Piano Trio in D Major, After Symphony No. 2, Op. 36: II. Larghetto quasi andante
03:17:33 Piano Trio in D Major, After Symphony No. 2, Op. 36: III. Scherzo
03:21:14 Piano Trio in D Major, After Symphony No. 2, Op. 36: IV. Allegro molto
03:27:54 Triosatz in E-Flat Major, Op. Posth. (Allegretto)
03:31:18 Piano Trio in B-Flat Major, Op. 97 “Archduke”: I. Allegro moderato03:44:09 Piano Trio in B-Flat Major, Op. 97 “Archduke”: II. Scherzo. Allegro
03:50:29 Piano Trio in B-Flat Major, Op. 97 “Archduke”: III. Andante cantabile, ma però con moto – Poco più adagio
04:02:27 Piano Trio in B-Flat Major, Op. 97 “Archduke”: IV. Allegro moderato
04:09:26 Piano Trio in B-Flat Major WoO39 (Allegretto)
04:15:39 Piano Trio in E-Flat Major, Op. 63, After String Quintet, Op. 4: I. Allegro con brio
04:23:43 Piano Trio in E-Flat Major, Op. 63, After String Quintet, Op. 4: II. Andante
03:30:23 Piano Trio in E-Flat Major, Op. 63, After String Quintet, Op. 4: III. Menuetto – Trio
04:36:36 Piano Trio in E-Flat Major, Op. 63, After String Quintet, Op. 4: IV. Finale. Presto
04:42:32 Piano Trio in B-Flat Major, Op. 11 “Gassenhauer”: I. Allegro con brio
04:51:23 Piano Trio in B-Flat Major, Op. 11 “Gassenhauer”: II. Adagio
04:56:30 Piano Trio in B-Flat Major, Op. 11 “Gassenhauer”: III. Tema. Pria ch'io l'impegno allegretto con variazioni
05:03:15 Piano Trio in G Major, Op. 121a “Ich bin der Schneider Kakadu” (Introduzione. Adagio assai – Tema. Allegretto con variazioni)
05:19:19 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: I. Adagio – Allegro con brio
05:26:38 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: II. Adagio cantabile
05:34:54 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: III. Tempo di menuetto
05:37:54 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: IV. Andante con variazioni
05:44:44 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: V. Scherzo. Allegro molto e vivace
05:48:01 Piano Trio in E-Flat Major, Op. 38, After the Septet, Op. 20: VI. Andante con moto alla marcia – Presto

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Composer & Artist:
Composer: Sergei Rachmaninoff
Artists: Janáček Philharmonic Orchestra, Wolfram Schmitt-Leonardy (piano), Theodore Kuchar

About this Album:
Rachmaninoff’s fifth piano concerto? How could you have missed it? Well, do not be alarmed, there has been no such thing until last year, 2007. In fact this concerto is an arrangement of Rachmaninoff’s second symphony. But putting it like that would be selling short this work.

These days injured pianist Alexander Warenberg mainly works as a composer and arranger. He was asked to tackle the seemingly ludicrous task of changing the second symphony into a work with an important piano part. Warenberg has meticulously reworked the four movements of the symphony into the regular three movements of Rachmaninoff’s concertos.

Tracklist:
00:00:00 Symphony No. 2 in E Minor, Op. 27: I. Largo - Allegro moderato (Arranged as Piano Concerto by Alexander Warenberg)
00:18:36 Symphony No. 2 in E Minor, Op. 27: II. Adagio - Molto allegro (Arranged as Piano Concerto by Alexander Warenberg)
00:31:48 Symphony No. 2 in E Minor, Op. 27: III. Allegro vivace (Arranged as Piano Concerto by Alexander Warenberg)

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The Nocturne is a romantic piano piece in which a nocturnal, romantic atmosphere is expressed, where perfumed melodies float serenely over a calmly murmuring accompaniment.-Credit where credit is due: the inventor of the genre is the Irish composer John Field, who made fame as a pianist of his own works. It needed the genius of Chopin to perfect the genre to the highest artistic level: Chopin's Nocturnes are the archetypes of romantic piano music, and count among his best loved works.

Among the contemporaries we hear beautiful specimens of Kalkbrenner, Pleyel, Alkan and others.-Played on fortepianos from the time of composition like Broadwood, Pleyel and Érard pianos by expert Bart van Oort, who draws unexpected colours from these wonderful instruments, thus bringing us back to the salons of the 19th century

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Tracklist can be found in the comment section!

El director del Grupo ACI, Alejandro Bermúdez, nos ofrece a diario reflexiones en audio y vídeo sobre temas de actualidad en los que los católicos necesitamos tener una posición clara e informada. Compártelo con tus amigos, tu comunidad o en tu medio de comunicación católico.
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Composer: Antonio Vivaldi
Artists: L'Arte dell'Arco, Federico Guglielmo (violin), Francesco Galligioni (cello), Roberto Loreggian (harpsichord), Elisa Imbalzano (violin)

Federico Guglielmo whittles down his ensemble L’Arte dell’Arco to just three or four players for his latest release of Vivaldi’s music. Unlike other Vivaldi performers, Guglielmo is keen to return to the transparency of the Prete Rosso’s music, stripping away the ornate embellishments that have encumbered recent recordings, allowing the fluid lines to speak for themselves. In these Violin and Trio Sonatas, Guglielmo and his fellow musicians once again establish themselves as some of the foremost interpreters of the Italian’s music. For the most part bright and jolly, these sonatas demand to be played with charm and joie de vivre, which L’Arte dell’Arco certainly supply in abundance. The tender lines of the slow movements are still a world away from some of the darker, more sombre sonatas of Vivaldi’s contemporary J.S. Bach, and they find serious expression and resonance on this album rather than languid solemnity.

It is certainly odd that these Sonatas have been overlooked in the past, with few recordings available on CD, and no recent ones by Italian musicians. Also available as part of a complete boxset of Vivaldi’s Opp.1–12, this recording can also stand alone as an outstanding example of Vivaldi’s superb writing for chamber ensemble.

This album presents the first recording on period instruments of Vivaldi’s complete Opus 5, consisting of 4 violin sonatas for violin solo and continuo, as well as two Trio Sonatas for two violins and continuo.
In the years of composition of these works Vivaldi’s fame had already widely spread and he was keen to publish this set of chamber music as his Opus 5. The music is vintage Vivaldi: fresh, vigorous, full of melodic and harmonic invention and instrumental brilliance.

this recording is part of the complete edition based on the original sources of the New Vivaldi Edition by the Italian early music group L’Arte dell’Arco, led by violinist Federico Guglielmo, who is the soloist in these sonatas, seconded by a continuo of cello and harpsichord. “They understand the secret language of Vivaldi” (Diapason).

00:00:00 Trio Sonata in B-Flat Major, RV 76: I. Preludio. Andante
00:04:00 Trio Sonata in B-Flat Major, RV 76: II. Allemanda. Allegro
00:06:41 Trio Sonata in B-Flat Major, RV 76: III. Corrente. Allegro
00:09:38 Violin Sonata in B Minor, RV 35: I. Preludio. Largo
00:13:25 Violin Sonata in B Minor, RV 35: II. Allemanda. Allegro
00:16:04 Violin Sonata in B Minor, RV 35: III. Corrente. Allegro
00:18:08 Violin Sonata in F Major, RV 18: I. Preludio. Largo
00:20:30 Violin Sonata in F Major, RV 18: II. Corrente. Presto
00:21:49 Violin Sonata in F Major, RV 18: III. Sarabanda. Andante
00:24:03 Violin Sonata in F Major, RV 18: IV. Giga. Allegro
00:25:59 Violin Sonata in A Major, RV 30: I. Preludio. Largo
00:29:04 Violin Sonata in A Major, RV 30: II. Corrente. Presto
00:30:45 Violin Sonata in A Major, RV 30: III. Gavotta. Allegro
00:32:43 Violin Sonata in B-Flat Major, RV 33: I. Preludio. Largo
00:35:19 Violin Sonata in B-Flat Major, RV 33: II. Allemanda. Allegro
00:37:24 Violin Sonata in B-Flat Major, RV 33: III. Corrente. Allegro
00:39:24 Violin Sonata in B-Flat Major, RV 33: IV. Gavotta. Presto
00:41:00 Trio Sonata in G Minor, RV 72: I. Preludio. Largo
00:44:24 Trio Sonata in G Minor, RV 72: II. Allemanda. Allegro
00:46:54 Trio Sonata in G Minor, RV 72: III. Air-Menuet. Allegro

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Composer: Johannes Brahms
Artists: Sara Mingardo alt
Luca Sanzò viola
Maurizio Paciariello piano

About this Album:
Brahms had already declared to his long-suffering publisher Simrock that he was done with the business of composition before producing these, his final pieces of chamber music. He was inspired by the clarinettist Richard Mühlfeld, a player in the court orchestra of Meiningen, where Hans von Bülow conducted the composer’s music including all the symphonies. Mühlfeld’s breath control and superb melodic sensitivity evidently reawakened in the composer the long-breathed melodies which mark out his chamber music throughout his career, but Brahms soon declared that the sonatas could just as well be played on the viola, perhaps with one eye on his royalties from Simrock, but violists have been glad to seize on their ‘own’ Brahms ever since.
Melancholy is perhaps inevitably the major key of both sonatas – Brahms had been drawn to express autumnal loneliness even 40 years before – but they are not gloomy works, and are built with undimmed ingenuity as masterfully organic structures in which the usual contrast of first and second themes is forsaken for the kind of continuous variation which Arnold Schoenberg could justly and admiringly describe as ‘musical prose’.

Tracklist:
00:00:00 Violin Sonata No. 1 in F Minor, Op. 120: I. Allegro appassionato
00:08:32 Violin Sonata No. 1 in F Minor, Op. 120: II. Andante un poco adagio
00:13:20 Violin Sonata No. 1 in F Minor, Op. 120: III. Alegretto grazioso
00:18:11 Violin Sonata No. 1 in F Minor, Op. 120: IV. Vivace
00:23:44 2 Gesänge, Op. 91: I. Gestillte Sehnsucht
00:29:53 2 Gesänge, Op. 91: II. Geistliches Wiegenlied
00:35:25 Violin Sonata No. 2 in E-Flat Major, Op. 120: I. Allegro amabile
00:44:14 Violin Sonata No. 2 in E-Flat Major, Op. 120: II. Allegro appassionato
00:50:13 Violin Sonata No. 2 in E-Flat Major, Op. 120: III. Andante con moto

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Tracklist below.

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The complete sonatas for Viola da Gamba of Johann Sebastian Bach.

In this new recording of the magnificent (and still undervalued) sonatas for viola da gamba by Bach. The keyboard is an organ, a german school Rückpositiv. The use of the organ instead of the harpsichord has changed the interpretation of the musician to a large extent: the sustained sound of the organ tones (contrary to the quickly decaying sound of the harpsichord) heightens the tension of the harmonics, especially the dissonances. The length of the notes is therefore often shortened, taking into account the reverberant acoustics of the church, which also affected the tempo choices. In short, this interpretation is completely different from the harpsichord version, shedding a new light on these masterpieces by Bach, who himself was never averse to using different instruments for his works.

00:00:00 Sonata No. 1 in G Major, BWV 1027: I. Adagio
00:04:23 Sonata No. 1 in G Major, BWV 1027: II. Allegro ma non tanto
00:08:23 Sonata No. 1 in G Major, BWV 1027: III. Andante
00:10:47 Sonata No. 1 in G Major, BWV 1027: IV. Allegro moderato
00:14:13 Sonata No. 2 in D Major, BWV 1028: I. Adagio
00:16:27 Sonata No. 2 in D Major, BWV 1028: II. Allegro
00:20:21 Sonata No. 2 in D Major, BWV 1028: III. Andante
00:25:24 Sonata No. 2 in D Major, BWV 1028: IV. Allegro
00:29:54 Sonata No. 3 in G Minor, BWV 1029: I. Vivace
00:35:48 Sonata No. 3 in G Minor, BWV 1029: II. Adagio
00:42:15 Sonata No. 3 in G Minor, BWV 1029: III. Allegro

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Composer: Egidio Romualdo Duni
Artist: Accademia d'Arcadia, Roberto Balconi director, Agnieszka Budzińska-Bennet soprano, Maciej Straburzyński baritone, Łukasz Wilda tenor

Les deux chasseurs et la laitière (The two hunters and the milkmaid) is an opéra-comique first performed at the Théâtre Italien in July 1763, and repeated many times there as well as attracting stagings across Europe for the following half-century, when the fashion for such light entertainment was supplanted by younger and better-known contemporaries from Mozart to Rossini.

The composer in this case is Egidio Romualdo Duni (1708-1775), originally educated within the Neapolitan school of composers. As a court composer in Parma he produced several Italian operas such as Olimpiade and La buona figliola, still awaiting modern revival. His move to Paris in 1757 proved decisive, and four years later he became music director of the Théâtre Italien, where he produced many light operas such as this example, which is as unfailingly charming and humorous as it is now little known.

Tracklist:
00:00:00 Les deux chasseurs et la latière: Introduction. Allegro assai
00:03:16 Les deux chasseurs et la latière, Scène I: Ariette – Colas. Je suis percé jusq’aux os
00:06:10 Les deux chasseurs et la latière, Scène II: Ariette – Guillot. Tant qu’il me reste
00:07:55 Les deux chasseurs et la latière, Scène II: Duo - Guillot & Colas. Eh! Bien, Colas? ... Eh! Bien, guillot?
00:09:55 Les deux chasseurs et la latière, Scène III: Ariette – Guillot. Le briquet frappe la pierre
00:12:22 Les deux chasseurs et la latière, Scène IV: Ariette – Perrette. Voilà la petite Laitière
00:15:32 Les deux chasseurs et la latière, Scène IV: Ariette – Guillot. Si vous trouvez dans la plaine
00:17:23 Les deux chasseurs et la latière, Scène IV: Duo - Guillot & Perrette. Quand je trouve à l’écart... Telle qu’une perdrix
00:20:07 Les deux chasseurs et la latière, Scène IV: Ariette – Perrette. Voici tout mon projet
00:22:04 Les deux chasseurs et la latière, Scène V: Ariette – Guillot. Jeune fille à cet âge
00:24:09 Les deux chasseurs et la latière, Scène VIII: Ariette – Perrette. Hélas! J’ai repandu mon lait
00:26:53 Les deux chasseurs et la latière, Scène IX: Trio - Colas, Guillot & Perrette. Je tombe ... La masure… Quelle aventure!
00:28:15 Les deux chasseurs et la latière, Scène IX: Ariette – Perrette. Tu promets de me rendre heureuse
00:30:00 Vaudeville: Vaudeville – Colas, Guillot & Perrette. J’étois gisant à cette place
00:34:34 Vaudeville: Choeur – Colas, guillot & perrette. Ain si le sort, un tems, nous berce
00:35:49 Michal Orlowski Second Half of the 18th Century Sinfonia in F Major: I. Allegro
00:44:27 Michal Orlowski Second Half of the 18th Century Sinfonia in F Major: II. Andante, rondo
00:48:57 Michal Orlowski Second Half of the 18th Century Sinfonia in F Major: III. Allegro, rondo

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Composer: Franz Liszt
Artist: Various artists

Franz Liszt is universally celebrated as one of the greatest-ever virtuoso performers on the modern piano. Contemporary accounts describe his seemingly superhuman technical abilities and equally striking charisma and stage presence. Yet Liszt was a formidable composer, and his expansion of pianistic possibilities was achieved as much through innovation in his own great piano works as through his astonishing performance on the instrument, if not more. Like many child virtuosos thrust early into busy concert careers (Liszt’s began at the age of nine) he retired early, weary of the spotlight, turning his back on the stage at the remarkably early age of 35. Since he lived to the likewise remarkable old age of 75, much more than the latter half of his life was devoted solely to composition, and having been a pianist of his calibre, the works he created for his own instrument were indeed groundbreaking.
Tracklist Below:
00:00:00 Années de pèlerinage II, S.161: I. Sposalizio
00:07:04 Années de pèlerinage II, S.161: II. Il penseroso
00:11:08 Années de pèlerinage II, S.161: III. Canzonetta del Salvator Rosa
00:13:58 Années de pèlerinage II, S.161: IV. Sonetto 47 del Petrarca
00:19:14 Années de pèlerinage II, S.161: V. Sonetto 104 del Petrarca
00:25:31 Années de pèlerinage II, S.161: VI. Sonetto 123 del Petrarca
00:32:45 Années de pèlerinage II, S.161: VII. Après une lecture du Dante
00:49:14 Piano Sonata in B Minor, S.178
01:20:44 Soirées de Vienne, S.427: VI. Allegro con strepito in A Minor
01:27:47 En rêve, S.207
01:29:51 Mephisto Waltz No. 3, S.216
01:38:01 Bagatelle sans tonalité, S.216a
01:40:48 Trübe Wolken, S.199
01:43:44 Études d’exécution transcendante, S.139: I. Preludio
01:44:45 Études d’exécution transcendante, S.139: II. Molto Vivace
01:46:56 Études d’exécution transcendante, S.139: III. Paysage
01:52:44 Études d’exécution transcendante, S.139: IV. Mazeppa
02:00:49 Études d’exécution transcendante, S.139: V. Feux-follets
02:04:52 Études d’exécution transcendante, S.139: VI. Vision
02:11:16 Études d’exécution transcendante, S.139: VII. Eroica
02:16:31 Études d’exécution transcendante, S.139: VIII. Wilde Jagd
02:22:06 Études d’exécution transcendante, S.139: IX. Ricordanza
02:33:46 Études d’exécution transcendante, S.139: X. Allegro agitato molto
02:38:48 Études d’exécution transcendante, S.139: XI. Harmonies du soir
02:48:29 Études d’exécution transcendante, S.139: XII. Chasse-neige