Tracklist below.

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Variously described as “contemporary classical”, “minimalist”, and even “New Age”, Yiruma’s gorgeously peaceful piano music is impossible to classify – it is simply there to be enjoyed, to relax or even to study with. Minimal music is very popular, Yiruma is one of the most popular Minimal music pianists, regularly performing to sell‐out audiences around the globe. Despite his popularity, or maybe even a celebrity status, his music remains resolutely simple and unpretentious; more in the style of short pop music songs than regular solo piano pieces, the very best of it can be enjoyed on this exciting album.

Jeroen van Veen, himself a prolific composer as well as renowned pianist, fell in love with Yiruma’s music on first hearing. As he explains in his liner notes, the music’s enduring popularity is down to its simplicity for player and listener alike. Not many classical composers can boast of having millions of fans, and millions of YouTube views to boot; Yiruma, however, effortlessly bridges the gap between popular and classical, and, most of all, allows the listener to relax and unwind.


00:00:00 Chaconne
00:04:02 Mika’s Song
00:07:03 27. May
00:10:48 Spring Waltz
00:13:20 The View From My Window
00:16:08 Sky
00:19:42 The Day After
00:23:17 Fairy Tale
00:26:04 Do You?
00:30:33 Love Me
00:34:26 I
00:38:45 Wait There
00:43:49 Passing By
00:48:40 The Things I Really
00:52:02 Indigo
00:54:36 Poem
00:57:33 Infinia
01:01:12 Reminiscent
01:04:15 Tears On Love
01:08:04 Yellow Room
01:11:57 River Flows In You
01:15:28 One Day I Will
01:19:44 Loanna
01:23:47 Beloved
01:28:47 Kiss The Rain
01:32:44 Our Same World
01:34:31 May Be
01:38:30 Fotografia
01:41:38 Destiny Of Love
01:45:42 Sometimes … Someone
01:49:46 It’s Your Day
01:53:21 I’m Just A
01:58:00 When The Love Falls
02:01:34 The Moment
02:05:09 …
02:08:14 The Scenery Begins
02:12:10 Falling
02:16:52 With The Wind
02:20:15 All Myself To You
02:23:52 Time Forgets
02:27:51 Tears
02:29:42 Dream
02:34:14 Picture Me

Artist:
Jeroen van Veen (piano)

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Composer & Artists:
Composer: Carl Friedrich Abel
Artists: Georgia Browne (flute), Nordic Affect ensemble

About this Album:
Although Carl Friedrich Abel (1723–87) is known as one of the last and greatest virtuosos of the viola da gamba, his instrument declined in popularity towards the end of the 18th century, leading him to compose for other instruments; some of his most successful results can be heard in the music recorded on this disc.

Abel’s ability to compose particularly fine music for the flute can be traced back his time working at the Dresden court, which possessed one of the greatest orchestras of the era. Among the musicians working there were the flautists Buffardin and Quantz – the latter a prolific composer of flute concertos and sonatas for Frederick the Great, a notable patron of the arts. It is likely that Abel himself was a skilled flautist, and the instrument’s popularity at the time created a great demand for new compositions.

The works featured on this disc are less well known than Abel’s music for viola da gamba, and are performed less often. However, they provide an insight into 18th century music’s transition from Baroque complexity to the melody-driven Classical style, and are illuminated through performances by flute soloist Georgia Browne and the ensemble Nordic Affect, specialists in historical performance.

Tracklist:
00:00:00 Concerto for flute and strings No.5 in G: I. Allegro
00:06:32 Concerto for flute and strings No.5 in G: II. Adagio
00:10:57 Concerto for flute and strings No.5 in G: III. Presto
00:16:21 Sonata No.1 in C, Op. 6: I. Adagio
00:19:24 Sonata No.1 in C, Op. 6: II. Allegro
00:22:42 Sonata No.1 in C, Op. 6: III. Vivace
00:25:38 Trio Sonata No.1 in G, Op. 3: I. Vivace
00:30:47 Trio Sonata No.1 in G, Op. 3: II. Adagio ma non troppo
00:33:53 Trio Sonata No.1 in G, Op. 3: III. Menuetto
00:36:03 Sonata No.3 in E Minor, Op. 6: I. Adagio
00:38:41 Sonata No.3 in E Minor, Op. 6: II. Allegro
00:42:20 Sonata No.3 in E Minor, Op. 6: III. Vivace
00:45:28 Concerto for flute and strings No.2 in E Minor: I. Allegro
00:51:38 Concerto for flute and strings No.2 in E Minor: II. Adagio ma non troppo
00:57:01 Concerto for flute and strings No.2 in E Minor: III. Allegro
01:01:50 Symphony No.1 in C, Op. 7: I. Allegro assai
01:06:08 Symphony No.1 in C, Op. 7: II. Andantino
01:10:31 Symphony No.1 in C, Op. 7: III. Allegro

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #Abel #Strings #ClassicalStrings

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Composer: Antonio Vivaldi
Artists: L'Arte dell'Arco, Federico Guglielmo (violin), Francesco Galligioni (cello), Roberto Loreggian (harpsichord), Elisa Imbalzano (violin)

Federico Guglielmo whittles down his ensemble L’Arte dell’Arco to just three or four players for his latest release of Vivaldi’s music. Unlike other Vivaldi performers, Guglielmo is keen to return to the transparency of the Prete Rosso’s music, stripping away the ornate embellishments that have encumbered recent recordings, allowing the fluid lines to speak for themselves. In these Violin and Trio Sonatas, Guglielmo and his fellow musicians once again establish themselves as some of the foremost interpreters of the Italian’s music. For the most part bright and jolly, these sonatas demand to be played with charm and joie de vivre, which L’Arte dell’Arco certainly supply in abundance. The tender lines of the slow movements are still a world away from some of the darker, more sombre sonatas of Vivaldi’s contemporary J.S. Bach, and they find serious expression and resonance on this album rather than languid solemnity.

It is certainly odd that these Sonatas have been overlooked in the past, with few recordings available on CD, and no recent ones by Italian musicians. Also available as part of a complete boxset of Vivaldi’s Opp.1–12, this recording can also stand alone as an outstanding example of Vivaldi’s superb writing for chamber ensemble.

This album presents the first recording on period instruments of Vivaldi’s complete Opus 5, consisting of 4 violin sonatas for violin solo and continuo, as well as two Trio Sonatas for two violins and continuo.
In the years of composition of these works Vivaldi’s fame had already widely spread and he was keen to publish this set of chamber music as his Opus 5. The music is vintage Vivaldi: fresh, vigorous, full of melodic and harmonic invention and instrumental brilliance.

this recording is part of the complete edition based on the original sources of the New Vivaldi Edition by the Italian early music group L’Arte dell’Arco, led by violinist Federico Guglielmo, who is the soloist in these sonatas, seconded by a continuo of cello and harpsichord. “They understand the secret language of Vivaldi” (Diapason).

00:00:00 Trio Sonata in B-Flat Major, RV 76: I. Preludio. Andante
00:04:00 Trio Sonata in B-Flat Major, RV 76: II. Allemanda. Allegro
00:06:41 Trio Sonata in B-Flat Major, RV 76: III. Corrente. Allegro
00:09:38 Violin Sonata in B Minor, RV 35: I. Preludio. Largo
00:13:25 Violin Sonata in B Minor, RV 35: II. Allemanda. Allegro
00:16:04 Violin Sonata in B Minor, RV 35: III. Corrente. Allegro
00:18:08 Violin Sonata in F Major, RV 18: I. Preludio. Largo
00:20:30 Violin Sonata in F Major, RV 18: II. Corrente. Presto
00:21:49 Violin Sonata in F Major, RV 18: III. Sarabanda. Andante
00:24:03 Violin Sonata in F Major, RV 18: IV. Giga. Allegro
00:25:59 Violin Sonata in A Major, RV 30: I. Preludio. Largo
00:29:04 Violin Sonata in A Major, RV 30: II. Corrente. Presto
00:30:45 Violin Sonata in A Major, RV 30: III. Gavotta. Allegro
00:32:43 Violin Sonata in B-Flat Major, RV 33: I. Preludio. Largo
00:35:19 Violin Sonata in B-Flat Major, RV 33: II. Allemanda. Allegro
00:37:24 Violin Sonata in B-Flat Major, RV 33: III. Corrente. Allegro
00:39:24 Violin Sonata in B-Flat Major, RV 33: IV. Gavotta. Presto
00:41:00 Trio Sonata in G Minor, RV 72: I. Preludio. Largo
00:44:24 Trio Sonata in G Minor, RV 72: II. Allemanda. Allegro
00:46:54 Trio Sonata in G Minor, RV 72: III. Air-Menuet. Allegro

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Tracklist:
00:00:00 Symphony in D, K. 111A: I. Allegro assai
00:03:30 Symphony in D, K. 111A: II. Andante grazioso
00:04:49 Symphony in D, K. 111A: III. Presto
00:06:13 Symphony No. 18 in F, K. 130: I. Allegro
00:13:50 Symphony No. 18 in F, K. 131: II. Andantino grazioso
00:20:44 Symphony No. 18 in F, K. 132: III. Menuetto
00:23:11 Symphony No. 18 in F, K. 133: IV. Molto allegro
00:30:51 Symphony No. 19 in E-Flat, K. 132: I. Allegro
00:35:07 Symphony No. 19 in E-Flat, K. 133: II. Andante
00:41:59 Symphony No. 19 in E-Flat, K. 134: III. Menuetto
00:46:04 Symphony No. 19 in E-Flat, K. 135: IV. Allegro
00:50:11 Symphony No. 25 in G Minor, K. 183: I. Allegro con brio
01:01:15 Symphony No. 25 in G Minor, K. 184: II. Andante
01:07:23 Symphony No. 25 in G, Minor, K. 185: III. Menuetto
01:10:45 Symphony No. 25 in G, Minor, K. 186: IV. Allegro
01:18:04 Symphony No. 24 in B-Flat, K. 182: I. Allegro spiritoso
01:22:21 Symphony No. 24 in B-Flat, K. 182: II. Andantino grazioso
01:25:01 Symphony No. 24 in B-Flat, K. 182: III. Allegro
01:28:13 Symphony No. 26 in E-Flat, K. 184: I. Molto presto
01:31:30 Symphony No. 26 in E-Flat, K. 184: II. Andante
01:34:36 Symphony No. 26 in E-Flat, K. 184: III. Allegro
01:37:15 Symphony in D K196: I. Allegro molto
01:39:52 Symphony in D K196: II. Andantino grazioso
01:42:33 Symphony in D K196: III. Allegro
01:45:14 Symphony No. 29 in A, K. 201: I. Allegro moderato
01:55:32 Symphony No. 29 in A, K. 201: II. Andante
02:05:51 Symphony No. 29 in A, K. 201: III. Menuetto
02:09:00 Symphony No. 29 in A, K. 201: IV. Allegro con spirito
02:16:22 Symphony No. 32 in G, K. 318: I. Allegro spiritoso
02:19:32 Symphony No. 32 in G, K. 318: II. Andante
02:22:14 Symphony No. 32 in G, K. 318: III. Primo tempo
02:24:14 Symphony No. 33 in B-Flat, K. 319: I. Allegro assai
02:31:36 Symphony No. 33 in B-Flat, K. 319: II. Andante moderato
02:36:13 Symphony No. 33 in B-Flat, K. 319: III. Menuetto
02:38:53 Symphony No. 33 in B-Flat, K. 319: IV. Allegro assai
02:48:19 Symphony No. 34 in C, K. 338: I. Allegro vivace
02:55:51 Symphony No. 34 in C, K. 338: II Andante di molto più tosto allegretto
03:02:39 Symphony No. 34 in C, K. 338: III. Allegro vivace
03:08:46 Symphony No. 35 in D, K. 385 ‘Haffner’: I. Allegro con spirito
03:14:57 Symphony No. 35 in D, K. 385 ‘Haffner’: II. Andante
03:20:53 Symphony No. 35 in D, K. 385 ‘Haffner’: III. Menuetto
03:23:57 Symphony No. 35 in D, K. 385 ‘Haffner’: IV. Presto
03:28:13 Symphony No. 31 in D, K. 297 ‘Paris’: I. Allegro assai
03:36:43 Symphony No. 31 in D, K. 297 ‘Paris’: II. Andante
03:42:25 Symphony No. 31 in D, K. 297 ‘Paris’: III. Allegro
03:46:34 Symphony No. 36 in C, K. 425 ‘Linz’: I. Adagio – Allegro con spirito
03:57:16 Symphony No. 36 in C, K. 425 ‘Linz’: II. Andante
04:06:38 Symphony No. 36 in C, K. 425 ‘Linz’: III. Menuetto
04:09:49 Symphony No. 36 in C, K. 425 ‘Linz’: IV. Presto
04:17:46 Symphony No. 40 in G Minor, K. 550 (Second version with clarinets): I. Molto allegro
04:25:18 Symphony No. 40 in G Minor, K. 550 (Second version with clarinets): II. Andante
04:35:19 Symphony No. 40 in G Minor, K. 550 (Second version with clarinets): III. Menuetto
04:39:0 Symphony No. 40 in G Minor, K. 550 (Second version with clarinets): IV. Allegro assai
04:45:45 Symphony No. 39 in E-Flat, K. 543: I. Adagio – Allegro
04:59:42 Symphony No. 39 in E-Flat, K. 543: II. Andante
05:11:18 Symphony No. 39 in E-Flat, K. 543: III. Presto
05:19:27 Symphony No. 38 in D, K. 504 ‘Prague’: I. Adagio – Allegro
05:30:43 Symphony No. 38 in D, K. 504 ‘Prague’: II. Andante con moto
05:38:45 Symphony No. 38 in D, K. 504 ‘Prague’: III. Menuetto
05:42:39 Symphony No. 38 in D, K. 504 ‘Prague’: IV. Allegro
05:51:08 Symphony No. 40 in G Minor, K. 550 (Second version with clarinets): I. Molto allegro
05:58:36 Symphony No. 40 in G Minor, K. 550 (Second version with clarinets): II. Andante
06:08:30 Symphony No. 40 in G Minor, K. 550 (Second version with clarinets): III. Menuetto
06:12:20 Symphony No. 40 in G Minor, K. 550 (Second version with clarinets): IV. Allegro assai
06:19:23 Symphony No. 41 in C, K. 551 ‘Jupiter’: I. Allegro vivace
06:31:05 Symphony No. 41 in C, K. 551 ‘Jupiter’: II. Andante cantabile
06:41:20 Symphony No. 41 in C, K. 551 ‘Jupiter’: III. Menuetto
06:45:44 Symphony No. 41 in C, K. 551 ‘Jupiter’: IV. Molto allegro

This album comes from the French Harpsichord Music box-set, containing the first 7 CD's out of 29.

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Composer: Jacques Champion de Chambonnières, Jean-Henry d’Anglebert, Gaspard Le Roux
Artists: Pieter-Jan Belder (harpsichord), Michael Borgstede (harpsichord), Yago Mahúgo (harpsichord), Francesco Cera (harpsichord), Franz Silvestri (harpsichord)

Brilliant Classics is proud to have released a number of harpsichord music of the highest quality over the past few years. This collection brings these works together, as well as never before published recordings, allowing the listener to soak up the sounds of 17th- and 18th-century France in its most intimate, domestic setting.

The release starts with Jean Henri d’Anglebert, featuring four of his extensive suites. Each begins with a precisely notated prelude, followed by various dance movements of lively gigues and slow sarabandes. Anglebert’s complex ornamentation system was so admired that it would later be copied by J.S. Bach. Francesco Cera, described as ‘one of the most promising talents in Italy’, performs the works. Jacques Champion de Chambonnières comes next; known as the ‘founding father’ of the French harpsichord tradition, he worked in the courts of both Louis XIII and XIV as a dancer and musician. Franz Silvestri plays on a modern-day harpsichord after Vaudry, Chambonnières’ suites reflect the regal French court at its peak. Pieter-Jan Belder, whose recordings span keyboard music from across Europe during this period, chooses to put the spotlight on Le Roux, a shadowy figure about whom not much is known. He has left us with a beguiling set of harpsichord suites, unusually printed twice: once for one harpsichord and one as an alternative setting for two harpsichords.

Tracklist can be found in the comment section!

Tracklist Below:
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00:00:00 Piano Concerto in G Major: II. Adagio assai - Maurice Ravel - Klára Würtz, Janáček Philharmonic Orchestra & Theodore Kuchar
00:09:19 Partita in F Major: II. Adagio un poco - Johann George Albrechtsberger
00:16:22 Harp Concerto in B-Flat Major, HWV 294: II. Larghetto – George Frederic Handel
00:21:53 Guitarmosaics: Nostalgia – Giovanni Caruso
00:25:25 Guitarmosaics: Estasi d’ amore – Giovanni Caruso
00:29:44 Impromptu in B-Flat Major, Op. 142 No. 3 'Rosamunde' – Franz Schubert
00:40:59 Prelude No. 1 in C Major, BWV 846: Ave Maria – J.S. Bach
00:45:35 Fantasiestücke, Op. 12: I. Des Abends – Schumann
00:48:58 An der schönen blauen Donau, Op. 314 – Johann Straus ||
00:58:52 River Flows in you – Yiruma
01:02:23 Chaconne – Yiruma
01:06:25 Spring Waltz - Yiruma

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Artist: Alessandro Andriani (cello), Simone Ceppetelli (cello continuo)

Born in Paris in 1749, Jean-Louis Duport, cellist and composer, also known as ‘le jeune’ – to distinguish him from his elder brother Jean-Pierre (1741–1818), called ‘l’ainé’ – is today regarded as one of the most important figures in the history of the development and evolution of cello technique. In 1806 he published his cello treatise Essai sur le doigté du violoncelle et sur la conduite de l’archet, a work that became the fundamental reference point for all subsequent schools of cello teaching. At the end of the treatise, we find the 21 Etudes for Violoncello (with a second cello part as accompaniment), works that explain and put into practice the methods described within. They are very difficult, highly virtuosic exercises that present a wide selection of tones and bowings as well as an extraordinary richness of compositional ideas, and in this way the Essai can be viewed as an anthology of concert pieces with real artistic value rather than just a mere practical handbook.

Made following precise philological criteria and with attention to the performing practice of the age, this recording includes a second cello as accompaniment (the instrument assumes the role of continuo, developing the performance and enlivening the listening experience) and employs original instruments with gut strings and historical bows. Thanks more to their difficulty and pedagogical reputation, the Etudes may have been rarely recorded, a fact which only adds value to the present issue, but they repay repeated listening for their élan, and will be required listening not only for cello students seeking to master the Etudes themselves but also for anyone with a passing interest in the music of Classical-era France.

00:00:00 Etude No. 1 in F Major (Andante)
00:09:01 Etude No. 2 in F Minor (Allegro)
00:14:45 Etude No. 3 in C Major (Allegro)
00:17:16 Etude No. 4 in C Minor (Allegro moderato et très marqué)
00:19:19 Etude No. 5 in C Minor (Moderato)
00:20:41 Etude No. 6 in G Major (Allegro)
00:23:59 Etude No. 7 in G Minor (Allegro)
00:25:30 Etude No. 8 in D Major (Adagio cantabile)
00:31:21 Etude No. 9 in D Minor (Allegro moderato)
00:43:14 Etude No. 10 in A Major (Allegro)
00:47:26 Etude No. 11 in A Minor (Allegro)
00:52:36 Etude No. 12 in E Major (Allegro moderato – Presqu’andante)
01:04:25 Etude No. 13 in E Minor (Allegro)
01:09:27 Etude No. 14 in B-Flat Major ( Andante grazioso)
01:13:42 Etude No. 15 in B-Flat Minor (Allegro)
01:22:04 Etude No. 16 in E-Flat Major (Adagio)
01:29:10 Etude No. 17 in E-Flat Minor (Allegro)
01:39:07 Etude No. 18 in A-Flat Major (Allegro maestoso)
01:46:59 Etude No. 19 in B Major (Allegro)
01:48:34 Etude No. 20 in B Minor (Allegro)
01:55:02 Etude No. 21 in D-Flat Major (Allegro)

Composer: J.S Bach

Artist:
Pieter-Jan Belder harpsichord
Christine Schornsheim harpsichord
Musica Amphion
Neues Bachisches Collegium Musicum
Netherlands Bach Ensemble

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00:00:00 Concerto for 2 Harpsichords in C Major, BWV 1061: I. —
00:06:58 Concerto for 2 Harpsichords in C Major, BWV 1061: II. Adagio ovvero largo
00:12:08 Concerto for 2 Harpsichords in C Major, BWV 1061: III. Fugue
00:17:49 Concerto for 2 Harpsichords in C Minor, BWV 1062: I. —
00:21:29 Concerto for 2 Harpsichords in C Minor, BWV 1062: II. Andante
00:27:12 Concerto for 2 Harpsichords in C Minor, BWV 1062: III. Allegro assai
00:31:44 Concerto for 3 Harpsichords in D Minor, BWV 1063: I. —
00:36:30 Concerto for 3 Harpsichords in D Minor, BWV 1063: II. Alla siciliana
00:40:17 Concerto for 3 Harpsichords in D Minor, BWV 1063: III. Allegro
00:45:09 Concerto for 3 Harpsichords in C Major, BWV 1064: I. —
00:51:14 Concerto for 3 Harpsichords in C Major, BWV 1064: II. Adagio
00:56:32 Concerto for 3 Harpsichords in C Major, BWV 1064: III. Allegro
01:01:03 Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044: I. Allegro
01:09:58 Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044: II. Adagio
01:15:59 Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044: III. Alla breve
01:23:37 Oboe Concerto in A Major, BWV 1055: I. Allegro
01:28:41 Oboe Concerto in A Major, BWV 1055: II. Larghetto
01:34:29 Oboe Concerto in A Major, BWV 1055: III. Allegro ma non tanto
01:38:14 Concerto for 3 Violins in D Major, BWV 1064: I. Allegro
01:44:07 Concerto for 3 Violins in D Major, BWV 1064: II. Adagio
01:49:18 Concerto for 3 Violins in D Major, BWV 1064: III. Allegro
01:53:33 Oboe Concerto in F Major, BWV 1053: I. Allegro
02:00:48 Oboe Concerto in F Major, BWV 1053: II. Siciliano
02:05:42 Oboe Concerto in F Major, BWV 1053: III. Allegro
02:11:36 Oboe d’amore Concerto in A Major, BWV 1055R: I. Allegro
02:15:49 Oboe d’amore Concerto in A Major, BWV 1055R: II. Larghetto
02:19:51 Oboe d’amore Concerto in A Major, BWV 1055R: III. Allegro ma non tanto
02:24:26 Oboe Concerto in G Minor, BWV 1056R: I. Allegro
02:27:41 Oboe Concerto in G Minor, BWV 1056R: II. Largo
02:30:03 Oboe Concerto in G Minor, BWV 1056R: III. Presto
02:33:29 Concerto for Oboe d’amore in G Major: I. [Bass aria] (from BWV 100)
02:36:53 Concerto for Oboe d’amore in G Major: II. [Alto aria] (from BWV 170)
02:43:09 Concerto for Oboe d’amore in G Major: III. [Bass aria] (from BWV 30)
02:47:26 Concerto for Oboe and Violin in C Minor, BWV 1060R: I. Allegro
02:51:49 Concerto for Oboe and Violin in C Minor, BWV 1060R: II. Adagio
02:56:03 Concerto for Oboe and Violin in C Minor, BWV 1060R: III. Allegro
02:59:14 Harpichord Concerto in D Minor, BWV 1052: I. Allegro
03:06:54 Harpichord Concerto in D Minor, BWV 1052: II. Adagio
03:14:21 Harpichord Concerto in D Minor, BWV 1052: III. Allegro
03:22:23 Harpsichord Concerto in D Minor, BWV 1059: I. —
03:28:31 Harpsichord Concerto in D Minor, BWV 1059: II.
03:33:44 Harpsichord Concerto in D Minor, BWV 1059: III. Presto
03:37:12 Concerto for viola da braccio in G Major, BWV 1055: I. Allegro
03:41:34 Concerto for viola da braccio in G Major, BWV 1055: II. Larghetto
03:46:59 Concerto for viola da braccio in G Major, BWV 1055: III. Allegro ma non tanto
03:51:31 Concerto for Three Violins in D Major, BWV 1064R: I. Allegro
03:58:02 Concerto for Three Violins in D Major, BWV 1064R: II. Adagio
04:03:41 Concerto for Three Violins in D Major, BWV 1064R: III. Allegro

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Composer & Artist:
Composers: Antonín Dvorák, Bedrich Smetana, Bohuslav Martinu, Leoš Janácek
Artists: Stamitz Quartet, Bohuslav Matoušek (first violin), Josef Kekula (second violin), Jan Peruška (viola), Vladimír Leixner (cello)

About this Album:
Those by Dvořák chart the evolution of his style, from his interest in Wagnerian music in the years prior to 1870 – String Quartet in D major – to the folk-infused works of his later life, such as the String Quartet in G major Op.106, and show the influence of his time in the United States, with the String Quartet in F Op.96 ‘American’. The quartets of Smetana have a distinctive neo-classical flavour while those of Janáček show strong links to his operatic works. Prolific composer Bohuslav Martinů composed six quartets, of which two were mislaid during the war. One of these, his fifth string quartet, is widely considered to be one of the most pivotal works in the composer’s oeuvre, written in 1938, a year of much upheaval in Martinů’s life. Many of the quartets in the collection hold an emotional dimension, all of which are exquisitely brought to life by the Stamitz Quartet.

Established in 1985, the Stamitz Quartet quickly became known as leading interpreters of Czech repertory. Winners of the 1986 National Broadcasting Union Competition in Salzburg, the Quartet’s rise to fame was meteoric; they have since participated in tours throughout Europe and America and undertaken a variety of recording projects, of which this collection is one.

Tracklist:
The tracklist can be found in the comments!

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Tracklist:
00:00:00 Concert Arias for Soprano and Orchestra: Der Liebe himmlisches Gefühl, KV. 119
00:06:07 Concert Arias for Soprano and Orchestra: Vorrei spiegarvi, oh Dio, KV. 418
00:12:20 Concert Arias for Soprano and Orchestra: Cara, se le mie pene, KV. deest
00:22:02 Concert Arias for Soprano and Orchestra: Se tutti i mali miei, KV. 83
00:29:53 Concert Arias for Soprano and Orchestra: Alcandro, lo confesso… Non sò d’onde viene, KV. 294
00:39:18 Concert Arias for Soprano and Orchestra: Se ardire, e speranza, KV. 82
00:46:00 Concert Arias for Soprano and Orchestra: Ah, spiegarti, oh Dio, KV. 178
00:49:15 Concert Arias for Soprano and Orchestra: Ch’io mi scordi di te… Non temer, amato bene, KV. 505
00:59:20 Concert Arias for Soprano and Orchestra: Alma grande e nobil core, KV. 578
01:04:02 Concert Arias for Soprano and Orchestra: A questo seno…Or che il cielo, KV. 374
01:12:06 Concert Arias for Soprano and Orchestra: Basta vincesti…Ah, non lasciarmi KV. 486a (295a)
01:17:50 Concert Arias for Soprano and Orchestra: Al desio, di chi t’adora, KV. 577
01:23:45 Concert Arias for Soprano and Orchestra: Conservati fedele, KV. 23
01:30:45 Concert Arias for Soprano and Orchestra: Voi avete un cor fedele, KV. 217
01:37:49 Concert Arias for Soprano and Orchestra: Misero mi…Misero pargoletto, KV. 77
01:50:50 Concert Arias for Soprano and Orchestra: Nehmt meinen Dank, KV. 383
01:54:03 Concert Arias for Tenor and Orchestra: Va, dal furor portata, KV. 21 (19c)
02:00:01 Concert Arias for Tenor and Orchestra: Or che il dover…Tali e cotanti sono, KV. 36 (33i)
02:08:44 Concert Arias for Tenor and Orchestra: Si mostra la sorte, KV. 209
02:11:26 Concert Arias for Tenor and Orchestra: Con ossequio, con rispetto, KV. 210
02:14:22 Concert Arias for Tenor and Orchestra: Clarice cara mia sposa, KV. 256
02:16:08 Concert Arias for Tenor and Orchestra: Se al labbro mio non credi, KV. 295
02:26:09 Concert Arias for Tenor and Orchestra: Per pietà, non ricercate, KV. 420
02:31:52 Concert Arias for Tenor and Orchestra: Misero! o sogno...Aura, che intorno spiri, KV. 431
02:41:14 Concert Arias for Bass and Orchestra: Io ti lascio, KV. Anh 245
02:44:13 Concert Arias for Bass and Orchestra: Così dunque tradisci…Aspri rimorsi atroci, KV. 432 (421a)
02:48:04 Concert Arias for Bass and Orchestra: Dite almeno in che mancai, KV. 479
02:54:25 Concert Arias for Bass and Orchestra: Mandina amabile, KV. 480
02:59:17 Concert Arias for Bass and Orchestra: Alcandro, lo confesso…Non sò, d’onde viene, KV. 512
03:06:18 Concert Arias for Bass and Orchestra: Mentre ti lascio, KV. 513
03:13:10 Concert Arias for Bass and Orchestra: Ich möchte wohl den Kaiser sein, KV. 539
03:15:51 Concert Arias for Bass and Orchestra: Un bacio di mano, KV. 541
03:18:01 Concert Arias for Bass and Orchestra: Per questa bella mano, KV. 612
03:25:05 Concert Arias for Bass and Orchestra: Popoli di Tessaglia KV. 316: Popoli di Tessaglia
03:28:30 Concert Arias for Bass and Orchestra: Popoli di Tessaglia KV. 316: Io non chiedo
03:35:09 Concert Arias for Soprano and Orchestra: Ah se in ciel, benigne stelle, KV. 538
03:42:50 Concert Arias for Soprano and Orchestra: Chi sà, chi sà, qual sia, KV. 582
03:46:50 Concert Arias for Soprano and Orchestra: Vado, ma dove? oh Dei! KV. 583
03:51:02 Concert Arias for Soprano and Orchestra: Ch’io mi scordi te? Non temer, amato bene, KV. 490
03:58:19 Concert Arias for Soprano and Orchestra: Per pietà, bell’idol mio, KV. 78 (73b)
04:02:04 Concert Arias for Soprano and Orchestra: Oh, temerario Arbace, KV. 79 (73d)
04:07:22 Concert Arias for Soprano and Orchestra: Bella mia fiamma, addio!... Resta, oh cara, KV. 528
04:17:22 Concert Arias for Soprano and Orchestra: Ah, lo previdi!-Ah, t’invola-Deh, non varcar, KV. 272
04:31:37 Concert Arias for Soprano and Orchestra: Misera, dove son! – Ah! non son’io che parlo, KV. 369
04:38:42 Concert Arias for Soprano and Orchestra: Mia speranza adorata!- Ah, non sai, qual pena sia il doverti, KV. 416
04:48:07 Concert Arias for Soprano and Orchestra: Non curo l’affetto, KV. 74b
04:53:25 Concert Arias for Soprano and Orchestra: Fra cento affanni, KV. 88
05:03:38 Concert Arias for Soprano and Orchestra: A Berenice- Sol nascente, KV. 70
05:15:27 Concert Arias for Soprano and Orchestra: Ma, che vi fece, o stelle- Sperai vicino il lido, KV. 368
05:24:18 Concert Arias for Soprano and Orchestra: No, no, che non sei capace, KV. 419

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The perfect starting point for exploring Romantic piano music. It features historic recordings of a truly excellent standard, including Blumental with the Vienna Symphony Orchestra under Helmuth Froschauer, the Orchestra of Radio Luxembourg with Pierre Cao accompanying French pianist Dosse, Boehm with the Westphalian Symphony Orchestra under Siegfried Landau, and Antal Doráti conducting the Royal Philharmonic Orchestra with Ilse von Alpenheim.

This 40 CD set contains a wealth of 19th century piano concertos written by composers who for some reason or other have been neglected by history, so called “minor masters” who may have lost the battle against the giants but nevertheless wrote very attractive, impressive and brilliant concertos for the piano (which in many cases was “their” instrument).

To name just a few: Hummel, Field, Czerny, Cramer, Ries, Clementi, Thalberg, Moscheles, Litolff, Kalkbrenner, Lyapunov, Balakirev, Medtner, Glazunov, Henselt, Moszkowski, Scharwenka and many more, over 60 composers!
Most of the recordings come from the rich and unique VOX catalogue, featuring such excellent pianists as Michael Ponti, Felicja Blumenthal, Hans Kann, Martin Galling, Jerome Rose, Roland Keller and many more.

Friedrich Kalkbrenner:
00:00:00 Piano Concerto No. 1 in D Minor, Op. 61: I. Allegro maestoso
00:13:20 Piano Concerto No. 1 in D Minor, Op. 61: II. Adagio molto
00:20:33 Piano Concerto No. 1 in D Minor, Op. 61: III. Rondo. Vivace

Johann Nepomuk Hummel:
00:29:58 Piano Concerto No. 4 in E Major, Op. 110: I. Allegro pomposo e spirituoso
00:44:11 Piano Concerto No. 4 in E Major, Op. 110: II. Andante con moto
00:50:56 Piano Concerto No. 4 in E Major, Op. 110: III. Rondo. Allegro moderato ma con brio

Carl Maria Von Weber:
00:57:53 Piano Concerto No. 1 in C Major, Op. 11: I. Allegro
01:14:13 Piano Concerto No. 1 in C Major, Op. 11: II. Adagio
01:32:25 Piano Concerto No. 1 in C Major, Op. 11: III. Presto
01:45:43 Piano Concerto No. 2 in E-Flat Major, Op. 32: I. Allegro moderato
01:53:08 Piano Concerto No. 2 in E-Flat Major, Op. 32: II. Adagio
02:02:11 Piano Concerto No. 2 in E-Flat Major, Op. 32: III. Rondo. Presto
02:22:58 Konzertstück in F Minor, Op. 79

Robert Volkmann:
02:35:14 Konzertstück in C Minor, Op. 42

Adolf von Henselt:
02:39:22 Piano Concerto in F Minor, Op. 16: I. Allegro patetico
02:46:05 Piano Concerto in F Minor, Op. 16: II. Larghetto
02:57:03 Piano Concerto in F Minor, Op. 16: III. Allegro agitato
Ferdinand Hiller:
03:05:42 Konzertstück for Piano and Orchestra, Op. 113

Frédéric Chopin:
03:14:09 Allegro de concert in A Major, Op. 46

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Composer: Johann Sebastian Bach
Artists: John Mark Ainsley (tenor), Stephen Richardson (bass), Catherine Bott (soprano), Choir of King’s College Cambridge, Stephen Cleobury (conductor)

Bach produced his St John Passion in 1724, and it was his first setting of the Passion story. The premiere of the first version of the Johannes-Passion took place on Good Friday in Leipzig at the Nicolaikirche. Johann Kuhnau had introduced the tradition of Passion oratorios to Leipzig a few years earlier. Bach’s work underwent several revisions right up to the late 1740s, and was performed regularly in all versions.

Part 1
00:00:00 Chorus: Herr, unser Herrscher
00:08:34 Recitative: Jesus ging mit seinen Jüngern
00:11:02 Chorale: O große Lieb
00:11:49 Recitative: Auf daß das Wort erfüllet wurde
00:12:56 Chorale: Dein Will gescheh, Herr Gott, zugleich
00:13:50 Recitative: Die Schar aber und der Oberhauptmann
00:14:43 Aria (Alto): Von den Stricken meiner Sünden
00:19:28 Recitative: Simon Petrus aber folgete Jesu nach
00:19:43 Aria (Soprano): Ich folge dir gleichfalls mit freudigen Schritten
00:23:36 Recitative: Derselbige Jünger war dem Hohenpriester bekannt
00:26:51 Chorale: Wer hat dich so geschlagen
00:28:29 Recitative: Und Hannas sandte ihn gebunden
00:31:00 Aria (Tenor): Ach, mein Sinn
00:33:29 Chorale: Petrus, der nicht denkt zurück
00:34:38 Chorale: Christus, der uns selig macht

Part 2
00:35:40 Recitative: Da führeten sie Jesum von Kaipha vor das Richthaus
00:39:55 Chorale: Ach großer König
00:41:24 Recitative: Da sprach Pilatus zu ihm
00:43:26Arioso (Bass): Betrachte, meine Seele
00:45:58 Aria (Tenor): Erwäge, wie sein blutgefärbter Rücken
00:54:40 Recitative: Und die Kriegsknechte flochten eine Krone
01:00:26 Chorus: Durch dein Gefängnis, Gottes Sohn
01:01:20 Recitative: Die Juden aber schrieen und sprachen
01:05:34 Aria (Bass): Eilt, ihr angefochtnen Seelen
01:09:39 Recitative: Allda kreuzigten sie ihn
01:11:52 Chorale: In meines Herzens Grunde
01:12:57 Recitative: Die Kriegsknechte aber
01:16:52 Chorale: Er nahm alles wohl in acht
01:17:53 Recitative: Und von Stund an nahm sie die Jünger
01:19:24 Aria (Alto): Es ist vollbracht!
01:24:56 Recitative: Und neiget das Haupt und verschied
01:25:24 Aria (Bass): Mein teurer Heiland, laß dich fragen
01:30:07 Recitative: Und siehe da, der Vorhang im Tempel zerriß
01:30:40 Arioso (Tenor): Mein Herz, indem die ganze Welt
01:31:39 Aria (Soprano): Zerfließe, mein Herze
01:38:49 Recitative: Die Juden aber, dieweil es der Rüsttag war
01:41:06 Chorale: O hilf, Christe, Gottes Sohn
01:42:04 Recitative: Darnach bat Pilatum Joseph von Arimathia
01:44:23 Chorus: Ruht wohl, ihr heiligen Gebeine
01:50:48 Chorale: Ach Herr, laß dein lieb Engelein
01:52:39 Johannes Passion: Appendix: Chorale: O Mensch, bewein dein Sünde groß
01:58:26 Johannes Passion: Appendix: Aria (Bass): Himmel reiße, Welt erbebe
02:02:24 Johannes Passion: Appendix: Aria (Tenor): Zerschmettert mich
02:07:55 Johannes Passion: Appendix: Aria (Tenor): Ach windet euch nicht so
02:14:09 Johannes Passion: Appendix: Chorale: Christe, du Lamm Gottes

This is part 1 of the first and only Complete Locatelli Edition ever!
Locatelli, like many of his contemporaries, moved abroad and settled in Amsterdam/The Netherlands, concertising as a violinist (and a “devil” he was as a performer!), and founding a flourishing publishing house.

Locatelli composed in the tradition of the Italian Baroque, in the well known forms of the Concerto Grosso, Solo Concerto and Trio Sonata. His style is inventive, flamboyant, and extremely virtuoso. His violin sonatas and concertos still present a daunting challenge even to today’s violinists.

Pietro Antonio Locatelli was one of the most important composers of the Baroque period, being a particularly celebrated composer of violin repertoire. His collection L’arte del violino contains 12 violin concertos with 24 caprices in the first and last movement of each, allowing for astonishing displays of virtuosity.

Composer: Pietro Antonio Locatelli
Artist: Various artists

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Bartok’s assessment of Zoltán Kodály’s music as “the most perfect embodiment of the Hungarian spirit” will strike a chord with those familiar with the suite from his opera Háry János, the Dances of Galanta or indeed the works for cello which moved the instrument on from the Romantic idiom of Brahms, and at the same time looked backwards to the dancing elegance of Bach’s solo Suites.

He had taught himself to play the cello to a reasonable standard (also the violin and viola) and while, as he freely admitted, not a natural virtuoso, he had a feeling for the instrument which is obvious in his writing. The Adagio was his first published work, dating from 1905 and originally written for violin and piano: still broadly Romantic in idiom, and unaffected as yet by his work in collecting folk songs from the countries of south-eastern Europe which would decisively influence his mature idiom.

Composer: Zoltán Kodály
Artist: István Várdai (cello)
Klara Würtz (piano)

00:00:00 Sonata for Cello in B Minor, Op. 8: I. Allegro maestoso ma appassionato
00:09:16 Sonata for Cello in B Minor, Op. 8: II. Adagio con gran espressione
00:20:46 Sonata for Cello in B Minor, Op. 8: III. Allegro molto vivace
00:32:26 Sonatina for Cello and Piano
00:41:12 Capriccio for Cello Solo
00:46:07 Adagio for Cello and Piano
00:53:55 Sonata, Op. 4: I. Fantasia
01:01:31 Sonata, Op. 4: II. Allegro con spirit

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Composer: Franz Schubert
Artist: Diogenes Quartet

This release represents the final volume of the Diogenes Quartet’s integral recording of Schubert’s string quartets, spanning not only the composer’s well-known works but also the incomplete fragments, carefully reconstructed by Christian Starke. Schubert’s Quartet in G D887 came after the success of ‘Death and the Maiden’ and the ‘Rosamunde’ Quartet. It was his final work for string quartet; despite this, he struggled to get it published, and it was only performed for the first time posthumously. Even then, the quartet was not always well received, perhaps because it represented a departure from Schubert’s usual way of working with thematic material: for the first time, the theme in the first movement remains melodically the same, with the composer instead dramatically shifting the harmonic colouring underneath, allowing the theme to be revealed in different musical forms. While the slow second movement seems to follow a more traditional structure at first, it is soon interrupted with startling violent outbursts. The final movement is perhaps the most modern, as the individual voices tumble over each other in furious counterpoint, with barely a single note fulfilling a purely accompanying role.

Unlike the D887 quartet – one of Schubert’s most modern – the fragmentary movement D103 is one of the composer’s early works, probably started in 1814. Christian Starke’s completion features an additional transition in the reprise, which now begins with the opening gesture of the Allegro section, and allows the three expansive themes to be presented in a meaningful form.

The Diogenes Quartet are pleased to round off their complete recording of Schubert’s String Quartets, which represent years of careful musicianship and performances of the highest quality. The complete boxset is also available to buy (BC94468) and is the perfect addition to anyone wishing to fully explore the pleasing variety of Schubert’s music for quartet, which spanned his entire career.

This last recording in the Schubert Complete String Quartet cycle puts the crown upon a remarkable achievement by the German Diogenes Quartet, praised for its consistently high level of ensemble playing, full commitment and deep understanding of the composer’s dramatic language.
The CD ends with the famous Quartettsatz in C minor, an unfinished work, for this recording completed by musicologist and producer Christian Starke (who also wrote the excellent liner notes for the whole series).

00:00:00 String Quartet No. 15 in G Major, D. 887: I. Allegro molto moderato
00:22:46 String Quartet No. 15 in G Major, D. 887: II. Andante un poco moto
00:34:52 String Quartet No. 15 in G Major, D. 887: III. Scherzo. Allegro vivace – Trio. Allegretto 7’30
00:42:23 String Quartet No. 15 in G Major, D. 887: IV. Allegro assai
00:53:40 Movement for String Quartet in C Minor, D. 103: Grave – Allegro

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Composer: Luigi Boccherini
Artists: La Magnifica Comunità
Enrico Casazza violin and concert master

About this Album:
Luigi Boccherini (1743–1805) is one of the major figures in 18th century music, and was close to both Haydn and Mozart. The young Austrian admired Boccherini’s music, and his string quintets in particular. Throughout his long career, Boccherini’s style was influenced by composers such as Nardini, Sammartini in his native Italy, Wagenseil and Monn from the Mannheim school, and forward looking composers from France such as Gossec. However, Boccherini was to base himself in Spain at the royal court, and found himself rather cut off from mainstream European musical trends. This caused him to develop his individual style – a mix of Spanish dance influences, and a smooth ‘Latin’ charm that led some commentators to remark that his music was effeminate, and in the words of one violinist Giuseppe Puppo, that he was ‘Haydn’s wife’. This is to miss the point of Boccherini’s style. Although less dramatic than either Haydn or Mozart, his music does have moments of explosive drama that appear all the more effective when bursting fortissimo from an otherwise calm movement. The harmonic shifts are also surprising and used to great effect. His music is sensuous, passionate and dramatic. The Op.39 Quintets date from 1787 when he was at the court of Friederich Wilhelm II in Berlin. These are important works that rank alongside the chamber music of his great Austrian contemporaries, and Boccherini deserves to be in their company.

Tracklist:
00:00:00 String Quintets Op.39, Quintet in B flat G337: I. Andante lento
00:04:32 String Quintets Op.39, Quintet in B flat G337: II. Allegro vivo – Tempo di minuetto – Tempo I
00:08:06 String Quintets Op.39, Quintet in B flat G337: III. Rondeau: Allegro ma non tanto – Tempo di minuetto – Tempo I
00:14:44 String Quintets Op.39, Quintet in F G338: I. Allegro vivo non presto
00:21:28 String Quintets Op.39, Quintet in F G338: II. Adagio non tanto
00:26:06 String Quintets Op.39, Quintet in F G338: III. Minuetto, Trio
00:29:24 String Quintets Op.39, Quintet in F G338: IV. Finale: Allegro vivo
00:34:38 String Quintets Op.39, Quintet in D G339: I. Allegro vivo
00:42:32 String Quintets Op.39, Quintet in D G339: II. Pastorale: Amoroso ma non lento
00:48:28 String Quintets Op.39, Quintet in D G339: III. Finale: Presto


Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
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Composer & Artist:
Composers: Antonín Dvorák, Bedrich Smetana, Bohuslav Martinu, Leoš Janácek
Artists: Stamitz Quartet, Bohuslav Matoušek (first violin), Josef Kekula (second violin), Jan Peruška (viola), Vladimír Leixner (cello)

About this Album:
Those by Dvořák chart the evolution of his style, from his interest in Wagnerian music in the years prior to 1870 – String Quartet in D major – to the folk-infused works of his later life, such as the String Quartet in G major Op.106, and show the influence of his time in the United States, with the String Quartet in F Op.96 ‘American’. The quartets of Smetana have a distinctive neo-classical flavour while those of Janáček show strong links to his operatic works. Prolific composer Bohuslav Martinů composed six quartets, of which two were mislaid during the war. One of these, his fifth string quartet, is widely considered to be one of the most pivotal works in the composer’s oeuvre, written in 1938, a year of much upheaval in Martinů’s life. Many of the quartets in the collection hold an emotional dimension, all of which are exquisitely brought to life by the Stamitz Quartet.

Established in 1985, the Stamitz Quartet quickly became known as leading interpreters of Czech repertory. Winners of the 1986 National Broadcasting Union Competition in Salzburg, the Quartet’s rise to fame was meteoric; they have since participated in tours throughout Europe and America and undertaken a variety of recording projects, of which this collection is one.

Tracklist:
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Composer: Carl Philipp Emanuel Bach
Artists: Andrea Chezzi harpsichord
Alberto Colzani (2000), after Goermans-Taskin

About this Album:
A curious and unsatisfying reduction of huge music for tiny forces? By no means. These are not, after all, symphonies in the way that Beethoven, let alone Mahler, understood the term, but breezy three-movement affairs which had lately sprung out of an operatic context and were enjoying a new and independent life through the always-unpredictable idiom of C.P.E., who wrote eight such works between 1741 and 1762. Most of them began as symphonies for strings, with wind parts added later when Bach’s orchestra was enlarged. These early symphonies mixed an Italian style of pleasant and simple writing with the composer’s own evolving voice influenced by the Empfindsamer Stil, drawn together by the impeccable technique which C.P.E. had learnt at the feet of his father, the great Johann Sebastian.

The composer did not make these transcriptions of his ‘Berlin’ symphonies, but they were done during his lifetime to cater to the extensive public of amateur keyboard players. The Symphony in G major Wq122 No.1 (arr. Wq173) is perfectly suited to the harpsichord, with the freshness of an Italian opera overture, especially in the first movement. Elsewhere, Andrea Chezzi has made a few additions to the arrangement when it is excessively thin, limited to some doubling or addition of the inner part, following the practice of the time, while also playing with the ornamentation appropriate to a keyboard performance.

Andrea Chezzi is a solo harpsichordist and organist based in Parma, where he is titular organist for the Church of Santa Maria Annunziata in Mezzano Rondani in the Comune di Colorno, Parma, artistic director of the comune’s cultural association La Compagnia del Lorno, and a founding member of the Giuseppe Serassi cultural association for the appreciation of organs and early instruments.

Tracklist:
00:00:00 Symphony in G Major, Wq. 122 No. 1: II. Andante
00:02:51 Symphony in G Major, Wq. 122 No. 1: III. Allegretto
00:05:13 Symphony in F Major, Wq. 122 No. 2: I. Allegro assai
00:07:46 Symphony in F Major, Wq. 122 No. 2: II. Andante
00:14:53 Symphony in F Major, Wq. 122 No. 2: III. Tempo di minuetto
00:18:33 Symphony in D Major: I. Allegro (Arr. Wq. 176)
00:28:06 Symphony in D Major: II. Andante (Arr. Wq. 176)
00:31:13 Symphony in D Major: III. Presto (Arr. Wq. 176)
00:34:04 Symphony in E Minor, Wq. 122 No. 3: I. Allegro assai
00:38:15 Symphony in E Minor, Wq. 122 No. 3: II. Andante
00:44:01 Symphony in E Minor, Wq. 122 No. 3: III. Allegro



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This is part 3 of the first and only Complete Locatelli Edition ever!
Locatelli, like many of his contemporaries, moved abroad and settled in Amsterdam/The Netherlands, concertising as a violinist (and a “devil” he was as a performer!), and founding a flourishing publishing house.

Locatelli composed in the tradition of the Italian Baroque, in the well known forms of the Concerto Grosso, Solo Concerto and Trio Sonata. His style is inventive, flamboyant, and extremely virtuoso. His violin sonatas and concertos still present a daunting challenge even to today’s violinists.

Pietro Antonio Locatelli was one of the most important composers of the Baroque period, being a particularly celebrated composer of violin repertoire. His collection L’arte del violino contains 12 violin concertos with 24 caprices in the first and last movement of each, allowing for astonishing displays of virtuosity.

Composer: Pietro Antonio Locatelli
Artist: Various artists

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Tracklist below.

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Composer:
Johann Sebastian Bach

Artist:
Daniele Boccaccio organ

00:00:00 Prelude No. 1 in C Major, BWV 846
00:01:42 Fugue No. 1 in C Major, BWV 846
00:04:10 Prelude No. 2 in C Minor, BWV 847
00:05:43 Fugue No. 2 in C Minor, BWV 847
00:07:49 Prelude No. 3 in C-Sharp Major, BWV 848
00:09:17 Fugue No. 3 in C-Sharp Major, BWV 848
00:12:19 Prelude No. 4 in C-Sharp Minor, BWV 849
00:15:19 Fugue No. 4 in C-Sharp Minor, BWV 849
00:19:24 Prelude No. 5 in D Major, BWV 850
00:20:47 Fugue No. 5 in D Major, BWV 850
00:22:47 Prelude No. 6 in D Minor, BWV 851
00:24:32 Fugue. No. 6 in D Minor, BWV 851
00:26:44 Prelude No. 7 in E-Flat Major, BWV 852
00:30:41 Fugue No. 7 in E-Flat Major, BWV 852
00:32:45 Prelude No. 8 in E-Flat Minor, BWV 853
00:35:35 Fugue No. 8 in E-Flat Minor, BWV 853
00:42:01 Prelude No. 9 in E Major, BWV 854
00:43:40 Fugue No. 9 in E Major, BWV 854
00:45:14 Prelude No. 10 in E Minor, BWV 855
00:47:21 Fugue No.10 in E Minor, BWV 855
00:48:38 Prelude No. 11 in F Major, BWV 856
00:50:03 Fugue No. 11 in F Major, BWV 856
00:51:35 Prelude No. 12 in F Minor, BWV 857
00:53:24 Fugue No. 12 in F Minor, BWV 857
00:57:56 Prelude No. 13 in F-Sharp Major, BWV 858
00:59:21 Fugue No. 13 in F-Sharp Major, BWV 858
01:01:49 Prelude No. 14 in F-Sharp Minor, BWV 859
01:03:19 Fugue No. 14 in F-Sharp Minor, BWV 859
01:06:11 Prelude No. 15 in G Major, BWV 860
01:07:15 Fugue No. 15 in G Major, BWV 860
01:10:37 Prelude No. 16 in G Minor, BWV 861
01:11:59 Fugue No. 16 in G Minor, BWV 861
01:14:20 Prelude No. 17 in A-Flat Major, BWV 862
01:15:36 Fugue No. 17 in A-Flat Major, BWV 862
01:18:12 Prelude No. 18 in G-Sharp Minor, BWV 863
01:19:27 Fugue No. 18 in G-Sharp Minor, BWV 863
01:21:46 Prelude No. 19 in A Major, BWV 864
01:23:11 Fugue No. 19 in A Major, BWV 864
01:25:43 Prelude No. 20 in A Minor, BWV 865
01:27:02 Fuge No. 20 in A Minor, BWV 865
01:32:25 Prelude No. 21 in B-Flat Major, BWV 866
01:34:25 Fugue No. 21 in B-Flat Major, BWV 866
01:36:37 Prelude No. 22 in B-Flat Minor, BWV 867
01:38:27 Fugue No. 22 in B-Flat Minor, BWV 867
01:41:36 Prelude No. 23 in B Major, BWV 868
01:42:44 Fugue No. 23 in B Major, BWV 868
01:45:16 Prelude No. 24 in B Minor, BWV 869
01:49:23 Fugue No. 24 in B Minor, BWV 869
01:56:06 Prelude No. 1 in C Major, BWV 870
01:58:32 Fugue No. 1 in C Major, BWV 870
02:00:38 Prelude No. 2 in C Minor, BWV 871
02:03:17 Fugue No. 2 in C Minor, BWV 871
02:05:34 Prelude No. 3 in C-Sharp Major, BWV 872
02:07:09 Fugue No. 3 in C-Sharp Major, BWV 872
02:09:30 Prelude No. 4 in C-Sharp Minor, BWV 873
02:13:15 Fugue No. 4 in C-Sharp Minor, BWV 873
02:16:03 Prelude No. 5 in D Major, BWV 874
02:21:42 Fugue No. 5 in D Major, BWV 874
02:24:20 Prelude No. 6 in D Minor, BWV 875
02:26:07 Fugue No. 6 in D Minor, BWV 875
02:28:09 Prelude No. 7 in E-Flat Major, BWV 876
02:30:31 Fugue No. 7 in E-Flat Major, BWV 876
02:32:33 Prelude No. 8 in D-Sharp Minor, BWV 877
02:36:34 Fugue No. 8 in D-Sharp Minor, BWV 877
02:40:15 Prelude No. 9 in E Major, BWV 878
02:45:30 Fugue No. 9 in E Major, BWV 878
02:48:35 Prelude No. 10 in E Minor, BWV 879
02:52:27 Fugue No. 10 in E Minor, BWV 879
02:55:52 Prelude No. 11 in F Major, BWV 880
02:59:26 Fugue No. 11 in F Major, BWV 880
03:01:10 Prelude No. 12 in F Minor, BWV 881
03:05:32 Fugue No. 12 in F Minor, BWV 881
03:08:02 Prelude No. 13 in F-Sharp Major, BWV 882
03:11:42 Fugue No. 13 in F-Sharp Major, BWV 882
03:14:28 Prelude No. 14 in F-Sharp Minor, BWV 883
03:17:20 Fugue No. 14 in F-Sharp Minor, BWV 883
03:21:47 Prelude No. 15 in G Major, BWV 884
03:24:44 Fugue No. 15 in G Major, BWV 884
03:26:06 Prelude No. 16 in G Minor, BWV 885
03:28:10 Fugue No. 16 in G Minor, BWV 885
03:31:33 Prelude No. 17 in A-Flat Major, BWV 886
03:35:30 Fugue No. 17 in A-Flat Major, BWV 886
03:38:14 Prelude No. 18 in G-Sharp Minor, BWV 887
03:43:20 Fugue No. 18 in G-Sharp Minor, BWV 887
03:47:10 Prelude No. 19 in A Major, BWV 888
03:48:55 Fugue No. 19 in A Major, BWV 888
03:50:35 Prelude No. 20 in A Minor, BWV 889
03:54:38 Fugue No. 20 in A Minor, BWV 889
03:56:31 Prelude No. 21 in B-Flat Major, BWV 890
04:04:55 Fugue No. 21 in B-Flat Major, BWV 890
04:07:20 Prelude No. 22 in B-Flat Minor, BWV 891
04:10:09 Fugue No. 22 in B-Flat Minor, BWV 891
04:15:24 Prelude No. 23 in B Major, BWV 892
04:17:35 Fugue No. 23 in B Major, BWV 892
04:21:31 Prelude No. 24 in B Minor, BWV 893
04:23:39 Fugue No. 24 in B Minor, BWV 893