Composer: Claudio Monteverdi
Artist: Le Nuove Musiche
Krijn Koetsveld (artistic leader)

Tracklist below.

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Le Nuove Musiche, led by acclaimed director Krijn Koetsveld, continue with their exceptional series of Claudio Monteverdi’s complete madrigals. Following on from Books V & VI (BC93799), and Book VII (BC94980), released in December 2015, they turn their attention to Books III & IV. At this stage of Monteverdi’s career, he was at a turning point, something that comes across quite clearly in his compositions. In the more traditional works, he gives a clear nod to his teacher Marc’Antonio Ingegneri, as he demonstrates his ability to write in the declamatory Renaissance style. Where Monteverdi sets himself apart, however, is when he demonstrates his ability to match the tender lyrics to sound. O come è gran martire, ‘O what suffering it is’, is a perfect illustration of this, as the mournfully drawn-out ‘O’ immediately captures the listener’s attention, forcing us to appreciate the lover’s lament. He repeats this device in Vattene pur crudel, when Armida’s distressed cry of loneliness soars above the other lines: her rage at having been abandoned by her lover consumes the piece. Monteverdi straddles the Renaissance and the Baroque, and this comes to the fore especially in these two exciting books of madrigals.

Le Nuove Musiche’s approach to Monteverdi is an innovative one: to bring the past into the present, keeping alive the questions of the Renaissance that still permeate our musical landscape today, while seeking to maintain the highest standards of performance authenticity. Their release of Books V & VI garnered excellent reviews, including five stars in the French magazine Diapason.

00:00:00 Madrigals, Book 3, SV 60-74: La giovinetta pianta, SV 60
00:03:18 Madrigals, Book 3, SV 60-74: O come è gran martire, SV 61
00:06:14 Madrigals, Book 3, SV 60-74: Sovra tenere erbette e bianchi fiori, SV 62
00:09:21 Madrigals, Book 3, SV 60-74: O dolce anima mia, dunque è pur vero, SV 63
00:12:43 Madrigals, Book 3, SV 60-74: Stracciami pur il core,SV 64
00:16:06 Madrigals, Book 3, SV 60-74: O rossignuol che in queste verdi fronde, SV 65
00:20:04 Madrigals, Book 3, SV 60-74: Se per estremo ardore, SV 66
00:23:08 Madrigals, Book 3, SV 60-74: Vattene pur, crudel, con quella pace, SV 67
00:25:11Madrigals, Book 3, SV 60-74: Là tra ’l sangue e le morti egro giacente, SV 67
00:27:37 Madrigals, Book 3, SV 60-74: Poi ch’ella in sé tornò, deserto e muto, SV 65
00:30:38 Madrigals, Book 3, SV 60-74: O primavera, gioventú de l’anno, SV 68
00:33:21 Madrigals, Book 3, SV 60-74: Perfidissimo volto, SV 69
00:36:44 Madrigals, Book 3, SV 60-74: Ch’io non t’ami, cor mio, SV 70
00:40:26 Madrigals, Book 3, SV 60-74: Occhi, un tempo mia vita, SV 71
00:43:17 Madrigals, Book 3, SV 60-74: Vivrò fra i miei tormenti e le mie cure, SV 72
00:44:57 Madrigals, Book 3, SV 60-74: Ma dove, o lasso me, dove restaro, SV 72
00:47:36 Madrigals, Book 3, SV 60-74: Io pur verrò là dove sete, e voi, SV 72
00:49:54 Madrigals, Book 3, SV 60-74: Lumi, miei cari lumi, SV 73
00:52:20 Madrigals, Book 3, SV 60-74: Rimanti in pace, SV 74
00:55:50 Madrigals, Book 3, SV 60-74: Ond’ei di morte la sua faccia impressa, SV 74
00:59:22 Madrigals, Book 4, SV 75-93: Ah dolente partita, SV 75
01:02:52 Madrigals, Book 4, SV 75-93: Cor mio, mentre vi miro, SV 76
01:04:45 Madrigals, Book 4, SV 75-93: Cor mio, non mori? E mori, SV 77
01:07:19 Madrigals, Book 4, SV 75-93: Sfogava con le stelle, SV 78
01:10:00 Madrigals, Book 4, SV 75-93: Volgea l’anima mia soavemente, SV 79
01:13:07 Madrigals, Book 4, SV 75-93: Anima mia, perdona, SV 80a
01:15:37 Madrigals, Book 4, SV 75-93: Che se tu se’ il cor mio, SV 80b
01:17:59 Madrigals, Book 4, SV 75-93: Luci serene e chiare, SV 81
01:21:05 Madrigals, Book 4, SV 75-93: La piaga c’ho nel core, SV 82
01:23:03 Madrigals, Book 4, SV 75-93: Voi pur da me partite, anima dura, SV 83
01:26:10 Madrigals, Book 4, SV 75-93: A un giro sol de bell’occhi lucent, SV 84
01:28:33 Madrigals, Book 4, SV 75-93: Ohimé, se tanto amate, SV 85
01:30:53 Madrigals, Book 4, SV 75-93: Io mi son giovinetta, SV 86
01:33:33 Madrigals, Book 4, SV 75-93: Quell’augellin che canta, SV 87
01:35:52 Madrigals, Book 4, SV 75-93: Non piú guerra, pietate, SV 88
01:38:23 Madrigals, Book 4, SV 75-93: Sí ch’io vorrei morire, SV 89
01:41:20 Madrigals, Book 4, SV 75-93: Anima dolorosa che vivendo, SV 90
01:43:49 Madrigals, Book 4, SV 75-93: Anima del cor mio, SV 91
01:45:53 Madrigals, Book 4, SV 75-93: Longe da te, cor mio, SV 92
01:48:01 Madrigals, Book 4, SV 75-93: Piagne e sospira, SV 93

Tracklist below.

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This ingeniously programmed conceptalbum contains no original music by Paisiello but rather presents a selection of works which take as their inspiration his best‐known aria. ‘Nel cor più non mi sento’ is a duet from his 1788 opera L'amor contrastato, ossia La molinara – generally referred to as La molinara and, in an intriguing twist of history, translated in to German as Die schöne Müllerin. But in fact Schubert is one of the few noted variationcomposers absent here. Paganini’s later set of variations is a staple of the virtuoso‐violin repertoire, but this enterprising trio of musicians have looked to lesser‐known treatments of the duet, which attained great popularity on account of its simple but winning melody, so suitable for elaboration. Bortolazzi was well-known in his day as a superb mandolin player, and composed prodigiously for his instrument just as Mauro Giuliani did for the guitar, with an intimate understanding of its technical and expressive possibilities. Wanhal’s variations were originally composed for a melody instrument such as violin or flute, but it has been arranged specially for the trio here. Beethoven’s piano‐only variation set is relatively well‐known and has been recorded many times, but the smaller works for mandolin and fortepiano are no less engaging and have received little attention: this period-instrument performance almost has the field to itself. Michael Salka plays an original 1820 Böhm fortepiano, Alon Sariel an 1850 mandolin and Izhar Elias a Guadagnini guitar from 1812, less than two decades after the works recorded here were composed. This fascinating release is completed by Hummel’s ‘Grande Sonata’ for mandolin and piano and an extensive Potpourri for guitar and piano.
Composer: Johann Nepomuk Hummel, Ludwig van Beethoven
Artist: Izhar Elias (guitar)
Alon Sariel (mandolin)
Michael Tsalka (fortepiano)
00:00:00 Variations in G Major on Paisiello’s “nel cor più non mi sento”, Op. 8
00:06:45 Grand Sonata in C Major, Op. 37a: I. Allegro con spirit
00:12:47 Grand Sonata in C Major, Op. 37a: II. Andante moderato siziliano
00:16:06 Grand Sonata in C Major, Op. 37a: III. Rondo. Allegretto più tosto allegro
00:20:31 Introduction and Variations in A Major on Paisiello’s “nel cor più non mi sento”, Op.113
00:30:31 Polonaise Allegro in A Major, Op. 113
00:39:26 Andante with Variations in D Major, WoO 44b
00:48:11 Sonatina in C Minor, WoO 43a
00:52:03 Sonatina in C Major, WoO 44a
00:54:46 6 Variations in G Major on Paisiello’s “nel cor più non mi sento”, WoO 70
01:01:34 Pot-pourri for Guitar and Piano, Op. 53
01:12:47 6 Variations in G Major on Paisiello’s “nel cor più non mi sento”, Op. 42

Tracklist below.

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The most famous scion of a musical family which stretched across at least ten generations, Johann Sebastian Bach had a very strong sense of history, tradition, and his evolving place in it, and was instrumental in curating and adding to the library of the music of the Bachs, which was known as the Altbachisches Archiv. This archive mostly comprises vocal music; now the Italian organist has created a fascinating instrumental counterpart, with short organ works by ten members of the family ranging from Heinrich Bach (1615–1692) to Wilhelm Friedemann Ernst Bach (1779–1845). And so, during the course of the disc, we move, always guided by the constraints of Protestant thought and liturgy, through austere low Baroque chorales to spectacular, late-Classical fantasias.


00:00:00 Chorale ‘Erbarm dich mein, o Herre Gott’ (Psalm 51)
00:02:45 Prelude and Fugue in E-Flat Major: I. Prelude
00:04:15 Prelude and Fugue in E-Flat Major: II. Fuge
00:07:11 Chorale ‘Wenn mein Stündlein vorhanden ist’
00:09:01 Partita on ‘Du Friedefürst, Herr Jesu Christ’: I. Chorale I
00:10:28 Partita on ‘Du Friedefürst, Herr Jesu Christ’: II. Variation I
00:11:35 Partita on ‘Du Friedefürst, Herr Jesu Christ’: III.Chorale II
00:12:34 Partita on ‘Du Friedefürst, Herr Jesu Christ’: IV. Variation II
00:13:41 Partita on ‘Du Friedefürst, Herr Jesu Christ’: V. Chorale III
00:14:40 Fugue in D Major
00:19:27 Fugue in C Minor
00:23:00 Rondo in G Major
00:28:17 Fantasy and Fugue in F Major: I. Fantasy
00:31:31 Fantasy and Fugue in F Major: II. Fugue
00:35:00 Prelude in E Minor
00:35:58 Fugue on the Letters of the Name BACH
00:41:40 Toccata in C Major

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Composer & Artist:
Composer: Carlo Sturla
Artists: Il Concento Ecclesiastico, Luca Franco Ferrari (conductor)

About this Album:
We don’t know much about Carlo Sturla, not even the dates of his birth and death, and he is absent from Google – quite an achievement! The sole reference to him is in the register of the Convent of Santa Brigida belonging to the Sisters of the Sacred Heart. Sturla worked here, but apparently his assiduous attendance upon and training of the young women under his tutelage was viewed with some suspicion.

His Passio di Venerdi di Venerdi di Santo displays a thorough appreciation of contemporary Genovese opera, with recitatives reserved for the dramatic content as was the fashion at the time. The arias therefore do not depict the drama and action, but relay rather vague emotions and feelings. His vocal writing requires agility, and the mocking chorus depicting the crowd reveal a theatrical yearning. The style is simple and the musical writing is linear, but the overall effect is one of delicate lyricism, and graceful but never excessive virtuosity.

This work was probably composed for Holy Week, and any religious establishment that boasted its own choir would often commission local composers to provide music for the services during this busy week. Sturla and his young choir would have been ideal candidates for such a task.

Tracklist:
00:00:00 Cantus firmus: Passio Domini Nostri
00:01:49 Coro: Iesum Nazarenum!
00:02:34 Cantus firmus: Dicit eis Iesus
00:03:35 Recitativo: Iesum Nazarenum!
00:04:17 Cantus firmus: Ut impleretur sermo
00:06:54 Aria: Numquid et tu
00:07:52 Cantus firmus / Recitativo: Dicit ille / Non sum
00:09:54 Aria: Sic respondes pontifici?
00:10:37 Cantus firmus: Respondit ei Iesus
00:11:38 Coro: Numquid et tu
00:12:50 Cantus firmus / Recitativo: Negavit ille / Non sum
00:13:17 Aria: Nonne ego te vidi
00:14:28 Coro: Ave, rex Iudaeorum
00:15:10 Aria: Ecce adduco vobis
00:16:50 Cantus firmus / Recitativo: Exivit ergo Iesus / Ecce homo
00:17:40 Coro: Crucufige, crucifige eum!
00:19:38 Recitativo / Aria: Accipite eum vos / Ego enim non invenio
00:20:32 Cantus firmus / Coro: Responderunt ei / Nos legem habemus
00:21:46 Cantus firmus / Recitativo: Cum ergo audisset / Unde es tu?
00:25:11 Coro: Si hunc dimittis
00:26:51 Cantus firmus / Recitativo: Pilatus autem / Ecce rex vester
00:27:49 Coro: Tolle, tolle crucifige
00:29:17 Cantus firmus / Recitativo: Dicit eis / Regem vestrum
00:31:48 Coro: Non habemus regem
00:32:50 Cantus firmus: Tunc ergo tradidit
00:33:18 Duetto: Noli scrivere rex Iudaeorum
00:36:16 Cantus firmus: Respondit Pilatus
00:37:32 Coro: Non scindamus eam

Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

#CarloSturla #LucaFrancoFerrari #IlConcerntoEcclesiastico #BrilliantClassics #Music #Composer #ClassicalMusic #DiVenerdiSanto

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Hey! Every once in a while I like to have some fun. I've received comments about my on-camera-ness, so, pick one for yourself. I prefer my MESELF. NOTE: It's obvious from the video I am not and have never been an actor. The lesson here is it's best to be yourself. More in the description. ▼

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Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play):
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Composer & Artist:
Composer: Franz Tunder
Artist: Emanuele Cardi organ

About this Album:
ranz Tunder (1614-1667) was born in the German city of Lübeck, where he stayed his whole life as organist and treasurer of the St. Marienkirche.
Tunder is one of the cornerstones of the North German organ school. His style is the “Stylus Phantasticus”, in which the emotional content of the text is the basis of the musical expression, using sudden harmonic changes, dissonances and tone painting.
Tunder left an oeuvre consisting of Chorale Preludes on Lutheran hymns, as well as several separate organ preludes.
Emanuele Cardi is one of the foremost Italian organists, specialized in early organs and the restoration of Baroque instruments. On this recording he plays a magnificent Ghilardi organ built in 1996, inspired by the 17th century German Arp Schnitger instruments.
Excellent liner notes written by a musicologist, as well as the complete disposition and photo of the organ are included in the booklet. Another fine issue in the Brilliant Classics series of Pre-Bachian organ masters

Tracklist:
00:00:00 Præludium in G minor (I)
00:03:09 In dich hab ich gehoffet, Herr
00:08:37 Auf meinen lieben Gott
00:16:03 Præludium in F Major
00:19:43 Herr Gott, dich loben wir
00:27:25 Canzona in G Major
00:29:08 Christ lag in Todes Banden
00:41:05 Jesus Christus, wahr’ Gottes Sohn
00:46:25 Præludium in G Minor (III)
00:50:27 Jesus Christus, unser Heiland: I. Primus versus
00:52:45 Jesus Christus, unser Heiland: II. Secundus versus
00:54:18 Jesus Christus, unser Heiland: III. Tertius versus
00:56:29 Was kann uns kommen an für Not (vers.1)
01:10:46 Komm, Heiliger Geist, Herre Gott
01:18:07 Was kann uns kommen an für Not (vers.2)
01:27:53 Præludium in G Minor (II)

#ClassicalOrganMusic #OrganMusic #Classical #BrilliantClassics #Music #Composer #ClassicalMusic

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Tracklist:
00:00:00 Für Elise
00:02:42 Kindersszenen (Scenes from Childhood), Op. 15: Von fremden Ländern und Menschen
00:04:28 Kindersszenen (Scenes from Childhood), Op. 15: Kuriöse Geschichte
00:05:32 Kindersszenen (Scenes from Childhood), Op. 15: Hasche-Mann
00:06:02 Kindersszenen (Scenes from Childhood), Op. 15: Bittendes Kind
00:07:09 Kindersszenen (Scenes from Childhood), Op. 15: Glückes genug
00:08:12 Kindersszenen (Scenes from Childhood), Op. 15: Wichtige Begebenheit
00:09:01 Kindersszenen (Scenes from Childhood), Op. 15: Träumerei
00:11:42 Kindersszenen (Scenes from Childhood), Op. 15: Am Kamin
00:12:36 Kindersszenen (Scenes from Childhood), Op. 15: Ritter vom Steckenpferd
00:13:11 Kindersszenen (Scenes from Childhood), Op. 15: Fast zu ernst
00:15:01 Kindersszenen (Scenes from Childhood), Op. 15: Fürchtenmachen
00:16:24 Kindersszenen (Scenes from Childhood), Op. 15: Kind im Einschlummern
00:18:34 Kindersszenen (Scenes from Childhood), Op. 15: Der Dichter spricht
00:20:38 Album for the Young: Morning Prayer
00:21:46 Album for the Young: Winter morning
00:22:48 Album for the Young: March of the Soldiers
00:23:42 Album for the Young: Puppet is ill
00:25:28 Album for the Young: Puppet’s funeral
00:27:24 Album for the Young: Waltz
00:28:42 Album for the Young: The new puppet
00:29:29 Album for the Young: Mazurka
00:30:28 Album for the Young: Peasant Song
00:31:19 Album for the Young: Russian Dance
00:32:06 Album for the Young: Polka
00:32:48 Album for the Young: Ancient French Song
00:33:48 Album for the Young: Sweet Dreams
00:35:16 Album for the Young: Song of the Lark
00:36:25 Children’s Corner: Doctor Gradus ad Parnassum
00:38:28 Children’s Corner: Jimbo’s Lullaby
00:42:01 Children’s Corner: Serenade for the Doll
00:44:44 Children’s Corner: The snow is dancing
00:47:15 Children’s Corner: The little Shepherd
00:49:39 Children’s Corner: Golliwog’s Cakewalk

Minnie Toons - El gran premio
Moños y diversión junto a Minnie y su mejor amiga Daisy.

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Callie es una dulce sheriff que va siempre acompañada de su ayudante, el pájaro carpintero Peck, y su compinche, el divertido cactus Toby. Callie y sus amigos protegen su agradable y pequeña ciudad fronteriza de Pueblo Amigos. Deben asegurarse de que todos sus ciudadanos siguen el Código del Oeste de la Justicia: honestidad, hospitalidad, cooperación y trabajo duro.

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So today we're going to look at the rather thorny issue of the media and its role in politics. Wether you're talking about older forms of media like newspapers and radio or newer forms like television and the Internet, all media serves the same purpose - to provide information to the public. So we're going to discuss their strengths and weaknesses and examine how both content creators and consumers play a role in the information that is told. It could be argued that because the media only relays information it isn't actually important to the American political system, but when you look more closely at what and how this information affects voters as well as their elected officials, we can more clearly see its importance as a political institution.

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A music video creation 2005 Note: This has nothing to do with the real members of a-Ha! The music is a-Ha but the video is not.

*Check out The Rose Phantom's own music @ these links:
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Royal albert hall London a-ha 2010 Hunting high and low album full live performance HD
Blue sky 0:40
Love is reason 3:23
Train of thought 6:24
Hunting high and low 11:01
Living a boy's adventure tale 15:28
And you tell me 20:27
The sun always shines on tv 23:24
Here I stand and face the rain 28:46
I dream myself alive 35:20
Take on me 39:32

"Scoundrel Days" by a-ha, from the album "Scoundrel Days", 1986.

Apoie o artista / Support the artist:
https://itunes.apple.com/us/artist/a-ha/166566
https://open.spotify.com/artis....t/2jzc5TC5TVFLXQlBNi

scoundrel days live performance basel avo session 2006 a-a