Special thanks to Daphne R, Josh Ng, Daniel Smartt, Patrick Johnston!
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Happy New Year, guys!
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Provided to YouTube by Universal Music Group

Dva Shopski Dueta · Le Mystère Des Voix Bulgares

Le Mystere Des Voix Bulgares Vol.3

℗ 1990 Disques Cellier

Released on: 1990-01-01

Author, Composer: Stefan Moutaftshiev

Auto-generated by YouTube.

Christmas Song recorded live in Lisbon December 2017
Stille Nacht - Heilige Nacht - SILENT NIGHT
One of the most famous Christmas songs

Provided to YouTube by CDBaby

U Svojoj Noći · Zbor Taizé - Mostar

Tvoja Riječ Je Svjetlo: Pjesme Iz Taizéa

℗ 2019 Akademski Zbor Pro Musica

Released on: 2019-08-16

Auto-generated by YouTube.

Before you spend a ton of money on gear, make sure you practice creating the BASIC FOUNDATION of a film - THE STORY! And, I battle with a dog!

LAST 2 EPISODES:
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ABOUT THE BASIC FILMMAKER:
I post videos, short films, DIY build projects you've never seen before, After Effects tutorials, and cover cameras, gear, sliders, makeup, DSLRs, cranes, jibs, dolly's, stabilizers, shoulder rigs, rail systems, green screen tutorials, and answering any question you ask about filming.

GEAR USED.
Canon DSLR and 50mm lens. Rode lapel mic and Zoom H1 recorder. Edited in Premier Pro CC.

MUSIC, FOOTAGE AND GRAPHICS LEGAL:
All music, footage and graphics are either created or licensed by me. Don't steal! It kills your brains! :)

Here's some gear and links you can check out. It throws a few pennies my way, and costs you nothing. :)

AMAZON YOURSELF HERE:
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THANKS.
To YouTube and Vimeo for giving filmmakers a home and to Andrew Kramer, Freddie Wong, Film Riot, The Frugal Filmmaker, Knoptop, Indy Mogul and Corridor Digital for trail blazing. #basicfilmmaker #filmmaking #videos

Download on iTunes: https://itunes.apple.com/album..../locatelli-concerti-
For physical sales: http://www.brilliantclassics.c....om/articles/l/locate
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Composer: Pietro Antonio Locatelli
Artists: Igor Ruhadze (violin), Ensemble Violine Capricciosi

Virtuosity, showy improvisation and stratospherically high violin playing are the characteristics of Baroque composer Pietro Antonio Locatelli’s theatrical concerti grossi for soloists and ripieno. While concerti grossi from this time could usually be divided into two types, ‘da camera’ and ‘da chiesa’ – with the former containing more dance movements – Locatelli went down his own distinct path, creating a new model more like that of Torelli. His ripieno section was larger than the traditional accompanying group, and his slow movements contained drawn-out notes over which the first violinist or harpsichordist was free to improvise. Indeed, one harpsichord passage in Op.7 is so extraordinarily virtuosic that Locatelli labelled it ‘ad libitum’, presumably to avoid frightening the amateur musician.

Only the most consummate and accomplished musicians can perform works of this calibre. Igor Ruhadze and his ensemble Violini Capricciosi have spent years recording Locatelli’s works, having previously released his violin concertos and trio sonatas, described by Gramophone magazine as ‘brilliantly and at times breathtakingly performed’. They bring their expertise to this release once more, with a tight and supple ripieno section supporting the sumptuous, virtuosic solo playing.

The Concerto Grosso is a popular Baroque form, in which two instrumental groups complete against each other: a small group of soloists and the tutti of the orchestral group. It is the forerunner of the solo concerto form, which features only one solo instrument.
This set present the complete Concerti Grossi by Pietro Antonio Locatelli, modelled on the popular concerti grossi of his teacher Corelli. The writing, as might be expected from Locatelli the devil violinist, is highly virtuosic and brilliant, inventive in harmony and counterpoint, written to impress and entertain.
This set is part of the Locatelli Edition, the complete works by Locatelli, as performed by Igor Ruhadze and his early music band Violini Capricciosi, playing with great gusto, zest and dazzling virtuosity.

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Tracklist:
00:00:00 Für Elise
00:02:42 Kindersszenen (Scenes from Childhood), Op. 15: Von fremden Ländern und Menschen
00:04:28 Kindersszenen (Scenes from Childhood), Op. 15: Kuriöse Geschichte
00:05:32 Kindersszenen (Scenes from Childhood), Op. 15: Hasche-Mann
00:06:02 Kindersszenen (Scenes from Childhood), Op. 15: Bittendes Kind
00:07:09 Kindersszenen (Scenes from Childhood), Op. 15: Glückes genug
00:08:12 Kindersszenen (Scenes from Childhood), Op. 15: Wichtige Begebenheit
00:09:01 Kindersszenen (Scenes from Childhood), Op. 15: Träumerei
00:11:42 Kindersszenen (Scenes from Childhood), Op. 15: Am Kamin
00:12:36 Kindersszenen (Scenes from Childhood), Op. 15: Ritter vom Steckenpferd
00:13:11 Kindersszenen (Scenes from Childhood), Op. 15: Fast zu ernst
00:15:01 Kindersszenen (Scenes from Childhood), Op. 15: Fürchtenmachen
00:16:24 Kindersszenen (Scenes from Childhood), Op. 15: Kind im Einschlummern
00:18:34 Kindersszenen (Scenes from Childhood), Op. 15: Der Dichter spricht
00:20:38 Album for the Young: Morning Prayer
00:21:46 Album for the Young: Winter morning
00:22:48 Album for the Young: March of the Soldiers
00:23:42 Album for the Young: Puppet is ill
00:25:28 Album for the Young: Puppet’s funeral
00:27:24 Album for the Young: Waltz
00:28:42 Album for the Young: The new puppet
00:29:29 Album for the Young: Mazurka
00:30:28 Album for the Young: Peasant Song
00:31:19 Album for the Young: Russian Dance
00:32:06 Album for the Young: Polka
00:32:48 Album for the Young: Ancient French Song
00:33:48 Album for the Young: Sweet Dreams
00:35:16 Album for the Young: Song of the Lark
00:36:25 Children’s Corner: Doctor Gradus ad Parnassum
00:38:28 Children’s Corner: Jimbo’s Lullaby
00:42:01 Children’s Corner: Serenade for the Doll
00:44:44 Children’s Corner: The snow is dancing
00:47:15 Children’s Corner: The little Shepherd
00:49:39 Children’s Corner: Golliwog’s Cakewalk

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play):
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Composer & Artist:
Composer: Carlo Sturla
Artists: Il Concento Ecclesiastico, Luca Franco Ferrari (conductor)

About this Album:
We don’t know much about Carlo Sturla, not even the dates of his birth and death, and he is absent from Google – quite an achievement! The sole reference to him is in the register of the Convent of Santa Brigida belonging to the Sisters of the Sacred Heart. Sturla worked here, but apparently his assiduous attendance upon and training of the young women under his tutelage was viewed with some suspicion.

His Passio di Venerdi di Venerdi di Santo displays a thorough appreciation of contemporary Genovese opera, with recitatives reserved for the dramatic content as was the fashion at the time. The arias therefore do not depict the drama and action, but relay rather vague emotions and feelings. His vocal writing requires agility, and the mocking chorus depicting the crowd reveal a theatrical yearning. The style is simple and the musical writing is linear, but the overall effect is one of delicate lyricism, and graceful but never excessive virtuosity.

This work was probably composed for Holy Week, and any religious establishment that boasted its own choir would often commission local composers to provide music for the services during this busy week. Sturla and his young choir would have been ideal candidates for such a task.

Tracklist:
00:00:00 Cantus firmus: Passio Domini Nostri
00:01:49 Coro: Iesum Nazarenum!
00:02:34 Cantus firmus: Dicit eis Iesus
00:03:35 Recitativo: Iesum Nazarenum!
00:04:17 Cantus firmus: Ut impleretur sermo
00:06:54 Aria: Numquid et tu
00:07:52 Cantus firmus / Recitativo: Dicit ille / Non sum
00:09:54 Aria: Sic respondes pontifici?
00:10:37 Cantus firmus: Respondit ei Iesus
00:11:38 Coro: Numquid et tu
00:12:50 Cantus firmus / Recitativo: Negavit ille / Non sum
00:13:17 Aria: Nonne ego te vidi
00:14:28 Coro: Ave, rex Iudaeorum
00:15:10 Aria: Ecce adduco vobis
00:16:50 Cantus firmus / Recitativo: Exivit ergo Iesus / Ecce homo
00:17:40 Coro: Crucufige, crucifige eum!
00:19:38 Recitativo / Aria: Accipite eum vos / Ego enim non invenio
00:20:32 Cantus firmus / Coro: Responderunt ei / Nos legem habemus
00:21:46 Cantus firmus / Recitativo: Cum ergo audisset / Unde es tu?
00:25:11 Coro: Si hunc dimittis
00:26:51 Cantus firmus / Recitativo: Pilatus autem / Ecce rex vester
00:27:49 Coro: Tolle, tolle crucifige
00:29:17 Cantus firmus / Recitativo: Dicit eis / Regem vestrum
00:31:48 Coro: Non habemus regem
00:32:50 Cantus firmus: Tunc ergo tradidit
00:33:18 Duetto: Noli scrivere rex Iudaeorum
00:36:16 Cantus firmus: Respondit Pilatus
00:37:32 Coro: Non scindamus eam

Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

#CarloSturla #LucaFrancoFerrari #IlConcerntoEcclesiastico #BrilliantClassics #Music #Composer #ClassicalMusic #DiVenerdiSanto

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ROME REPORTS es una Agencia de Noticias para TV, internacional e independiente, especializada en la actividad del Papa, la vida del Vaticano y los debates de actualidad sobre temas sociales, culturales o religiosos. Informar sobre la Iglesia Católica requiere cercanía a las fuentes, conocimiento en profundidad de la Institución, y elevados niveles de creatividad y competencia técnica.

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Hey! Every once in a while I like to have some fun. I've received comments about my on-camera-ness, so, pick one for yourself. I prefer my MESELF. NOTE: It's obvious from the video I am not and have never been an actor. The lesson here is it's best to be yourself. More in the description. ▼

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Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play):
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Classical music for dinnertime: https://brilliant-classics.lnk.....to/ClassicalMusicfo

Composer & Artist:
Composer: Franz Tunder
Artist: Emanuele Cardi organ

About this Album:
ranz Tunder (1614-1667) was born in the German city of Lübeck, where he stayed his whole life as organist and treasurer of the St. Marienkirche.
Tunder is one of the cornerstones of the North German organ school. His style is the “Stylus Phantasticus”, in which the emotional content of the text is the basis of the musical expression, using sudden harmonic changes, dissonances and tone painting.
Tunder left an oeuvre consisting of Chorale Preludes on Lutheran hymns, as well as several separate organ preludes.
Emanuele Cardi is one of the foremost Italian organists, specialized in early organs and the restoration of Baroque instruments. On this recording he plays a magnificent Ghilardi organ built in 1996, inspired by the 17th century German Arp Schnitger instruments.
Excellent liner notes written by a musicologist, as well as the complete disposition and photo of the organ are included in the booklet. Another fine issue in the Brilliant Classics series of Pre-Bachian organ masters

Tracklist:
00:00:00 Præludium in G minor (I)
00:03:09 In dich hab ich gehoffet, Herr
00:08:37 Auf meinen lieben Gott
00:16:03 Præludium in F Major
00:19:43 Herr Gott, dich loben wir
00:27:25 Canzona in G Major
00:29:08 Christ lag in Todes Banden
00:41:05 Jesus Christus, wahr’ Gottes Sohn
00:46:25 Præludium in G Minor (III)
00:50:27 Jesus Christus, unser Heiland: I. Primus versus
00:52:45 Jesus Christus, unser Heiland: II. Secundus versus
00:54:18 Jesus Christus, unser Heiland: III. Tertius versus
00:56:29 Was kann uns kommen an für Not (vers.1)
01:10:46 Komm, Heiliger Geist, Herre Gott
01:18:07 Was kann uns kommen an für Not (vers.2)
01:27:53 Præludium in G Minor (II)

#ClassicalOrganMusic #OrganMusic #Classical #BrilliantClassics #Music #Composer #ClassicalMusic

A-ha Live Germany Neuwied, Engers Castle, 06 de August,2009

There are few songs more quintessentially ’80s than Norwegian band A-ha’s “Take On Me.” It’s a synth-heavy power ballad accompanied by a high-concept music video, checking all the boxes that defined the pop music of the decade. When choosing the song for their cover, Brooklyn-based band Lake Street Dive ditched the decidedly ’80s feel of the song, infusing the song with a funky latin groove, elements of blue-eyed soul, and a fantastic trumpet solo. The result is one of our favorite covers of the season.

Visit: http://avclub.com
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A music video creation 2005 Note: This has nothing to do with the real members of a-Ha! The music is a-Ha but the video is not.

*Check out The Rose Phantom's own music @ these links:
http://www.therosephantom.com
&
http://www.therosephantom.bandcamp.com

scoundrel days live performance basel avo session 2006 a-a

a-ha performing an Unplugged version of Scoundrel Days, from their eponymous 1986 album, live at the Lanxess Arena in Köln, Germany, on February 6th, 2018.

A-ha - The Swing of Things (O Ritmo das Coisas)

Você diz que o mundo é um lugar cheio de eventos
Você me dá notícias
Que eu não quero saber
Você diz que eu deveria me importar
Que eu deveria falar o que penso

Oh, mas como posso falar do mundo
Que passa apressado
Com um nó em minha garganta
E lágrimas em meus olhos
Será que chegamos ao ponto sem retorno
Ou ainda é tempo de entrar
No ritmo das coisas?

Vamos caminhar por esta cidade sem vento
Continuarei até o inverno me pegar
"Durma", você escreveu, "durma querido"
Numa carta em algum lugar

Oh, mas como posso dormir
Com sua voz em minha cabeça
Com um oceano entre nós
E espaço em minha cama?
Será que cheguei ao ponto de perder o controle
Ou ainda é tempo de entrar
No ritmo das coisas?

Quando ela brilha no escuro
E sou enfraquecido pela visão
Desta beleza de tirar o fôlego
Na qual posso me esconder
Há um mundo lá fora cheio
De pessoas que temo
Mas, dado um tempo, eu entrarei
No ritmo das coisas

Sim, quando ela brilha no escuro
E sou atingido por essa visão
Sei que precisarei disso pelo resto de minha vida

O que eu fiz?
Que mentiras contei?
Brinquei com as pessoas que
Resgataram minha alma
Será que cheguei ao ponto de perder o controle
Ou ainda é tempo de entrar
No ritmo das coisas?