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The Bananas wrap up their presents for each other. Morgan decides to make a birthday cake for the Bananas. Unfortunately Amy decides to help. And of course it’s Tuesday! The day Bananas chase the Teddy Bears.
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Welcome to the Official Bananas in Pyjamas Channel.
On this channel you will find classic and animated full episodes.
Your favourite clips and compilations and much more! Tune in every week and see the antics of B1, B2 and their many friends.
Welcome to the Official Bananas in Pyjamas Channel.
On this channel you will find classic and animated full episodes.
A Table For Topsy - The Bananas need a work table to make a present for Topsy, and spot just what they need in front of the Teddies' house. But Rat asks to borrow it from them, so when the Teddies tell the Bananas that they need the table back urgently, B1 and B2 must find it quickly. But Rat has lent it to someone else and everyone has borrowed that old table today.
The Waterhole - When the Bananas play a game near Tolstoy and Tomasina's waterhole, they accidentally damage a garden and squash some flowers that the turtles planted. Then, when they try to replant the flowers, they make matters even worse.
The Surf Off - The Bananas explore their town of Cuddlestown with their best friends Rat In A Hat and teddies - Lulu, Morgan and Amy. Rat is telling fibs again. But he comes unstuck when he boasts to the Bananas that he's a great surfer. The word soon spreads and before he can say "cheese and whiskers", everyone in Cuddlestown is on the beach to watch him do his surfing tricks. He will need a miracle to transform himself into a water rat. How is Rat going to get out of this one?
Topsylocks - Amy's favourite story is Goldilocks and the Three Bears, so when a mysterious stranger sneaks into the Teddies' house and eats all Amy's porridge, she thinks she knows who was reponsible. But does Goldilocks really exist? The Bananas decide to find out. Disguising themselves as bears, they try to track down the mystery porridge-eater. Who could it be?
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Bananas in Pyjamas Theme Song : https://youtu.be/6hPsXh5k0d8
Your favourite clips and compilations and much more! Tune in every week and see the antics of B1, B2 and their many friends.
From time immemorial humans have been charting the night sky to make sense of the cosmos—from the mapping of stars for navigation to today’s digital surveys of galaxies to understand dark matter. In this 60-minute-long presentation Dr. Priya Natarajan, author of the book “Mapping the Heavens,” recounts the evolution of celestial map-making and shows how maps literally track our ever evolving cosmic view. In particular, she discusses recent developments in our understanding of two invisible entities: dark matter and black holes. Dr. Natarajan is a theoretical astrophysicist at Yale University, interested in cosmology, gravitational lensing and black hole physics. Her research focuses on making dark matter maps of clusters of galaxies, the largest known repositories of dark matter.
Ruth Pordes was at Fermilab when computing equipment was first being moved into the laboratory offices. The elevated status of computers at the laboratory was made evident on move-in day.
Does a $125 lens hold up to a similar lens at twice the price? Does twice the price mean twice the quality? I show you the difference between two Canon 50mm lenses and let you decide. Remember, it isn't how much gear you have, or what you spend on it. It's what you DO with it. (NOTE: $350 for a lens is NOT an expensive lens by far).
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Je chanterai le Seigneur,
en présence des anges
De tout mon coeur, Seigneur, je te rends grâce :
tu as entendu les paroles de ma bouche.
Je te chante en présence des anges,
vers ton temple sacré, je me prosterne.
Je rends grâce à ton nom pour ton amour et ta vérité,
car tu élèves, au-dessus de tout, ton nom et ta parole.
Le jour où tu répondis à mon appel,
tu fis grandir en mon âme la force.
Tous les rois de la terre te rendent grâce
quand ils entendent les paroles de ta bouche.
Ils chantent les chemins du Seigneur :
« Qu'elle est grande, la gloire du Seigneur ! »
Si haut que soit le Seigneur,
il voit le plus humble ;
de loin, il reconnaît l'orgueilleux.
Si je marche au milieu des angoisses,
tu me fais vivre,
ta main s'abat sur mes ennemis en colère.
Ta droite me rend vainqueur.
Le Seigneur fait tout pour moi !
Seigneur, éternel est ton amour :
n'arrête pas l'oeuvre de tes mains.
In manus tuas, Pater, commendo spiritum meum.
In memoriam Ines Zovko (1988.-2014.)
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Composer: Pietro Antonio Locatelli
Artists: Igor Ruhadze (violin), Ensemble Violine Capricciosi
Virtuosity, showy improvisation and stratospherically high violin playing are the characteristics of Baroque composer Pietro Antonio Locatelli’s theatrical concerti grossi for soloists and ripieno. While concerti grossi from this time could usually be divided into two types, ‘da camera’ and ‘da chiesa’ – with the former containing more dance movements – Locatelli went down his own distinct path, creating a new model more like that of Torelli. His ripieno section was larger than the traditional accompanying group, and his slow movements contained drawn-out notes over which the first violinist or harpsichordist was free to improvise. Indeed, one harpsichord passage in Op.7 is so extraordinarily virtuosic that Locatelli labelled it ‘ad libitum’, presumably to avoid frightening the amateur musician.
Only the most consummate and accomplished musicians can perform works of this calibre. Igor Ruhadze and his ensemble Violini Capricciosi have spent years recording Locatelli’s works, having previously released his violin concertos and trio sonatas, described by Gramophone magazine as ‘brilliantly and at times breathtakingly performed’. They bring their expertise to this release once more, with a tight and supple ripieno section supporting the sumptuous, virtuosic solo playing.
The Concerto Grosso is a popular Baroque form, in which two instrumental groups complete against each other: a small group of soloists and the tutti of the orchestral group. It is the forerunner of the solo concerto form, which features only one solo instrument.
This set present the complete Concerti Grossi by Pietro Antonio Locatelli, modelled on the popular concerti grossi of his teacher Corelli. The writing, as might be expected from Locatelli the devil violinist, is highly virtuosic and brilliant, inventive in harmony and counterpoint, written to impress and entertain.
This set is part of the Locatelli Edition, the complete works by Locatelli, as performed by Igor Ruhadze and his early music band Violini Capricciosi, playing with great gusto, zest and dazzling virtuosity.
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Tracklist:
00:00:00 Für Elise
00:02:42 Kindersszenen (Scenes from Childhood), Op. 15: Von fremden Ländern und Menschen
00:04:28 Kindersszenen (Scenes from Childhood), Op. 15: Kuriöse Geschichte
00:05:32 Kindersszenen (Scenes from Childhood), Op. 15: Hasche-Mann
00:06:02 Kindersszenen (Scenes from Childhood), Op. 15: Bittendes Kind
00:07:09 Kindersszenen (Scenes from Childhood), Op. 15: Glückes genug
00:08:12 Kindersszenen (Scenes from Childhood), Op. 15: Wichtige Begebenheit
00:09:01 Kindersszenen (Scenes from Childhood), Op. 15: Träumerei
00:11:42 Kindersszenen (Scenes from Childhood), Op. 15: Am Kamin
00:12:36 Kindersszenen (Scenes from Childhood), Op. 15: Ritter vom Steckenpferd
00:13:11 Kindersszenen (Scenes from Childhood), Op. 15: Fast zu ernst
00:15:01 Kindersszenen (Scenes from Childhood), Op. 15: Fürchtenmachen
00:16:24 Kindersszenen (Scenes from Childhood), Op. 15: Kind im Einschlummern
00:18:34 Kindersszenen (Scenes from Childhood), Op. 15: Der Dichter spricht
00:20:38 Album for the Young: Morning Prayer
00:21:46 Album for the Young: Winter morning
00:22:48 Album for the Young: March of the Soldiers
00:23:42 Album for the Young: Puppet is ill
00:25:28 Album for the Young: Puppet’s funeral
00:27:24 Album for the Young: Waltz
00:28:42 Album for the Young: The new puppet
00:29:29 Album for the Young: Mazurka
00:30:28 Album for the Young: Peasant Song
00:31:19 Album for the Young: Russian Dance
00:32:06 Album for the Young: Polka
00:32:48 Album for the Young: Ancient French Song
00:33:48 Album for the Young: Sweet Dreams
00:35:16 Album for the Young: Song of the Lark
00:36:25 Children’s Corner: Doctor Gradus ad Parnassum
00:38:28 Children’s Corner: Jimbo’s Lullaby
00:42:01 Children’s Corner: Serenade for the Doll
00:44:44 Children’s Corner: The snow is dancing
00:47:15 Children’s Corner: The little Shepherd
00:49:39 Children’s Corner: Golliwog’s Cakewalk
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Composer & Artist:
Composer: Carlo Sturla
Artists: Il Concento Ecclesiastico, Luca Franco Ferrari (conductor)
About this Album:
We don’t know much about Carlo Sturla, not even the dates of his birth and death, and he is absent from Google – quite an achievement! The sole reference to him is in the register of the Convent of Santa Brigida belonging to the Sisters of the Sacred Heart. Sturla worked here, but apparently his assiduous attendance upon and training of the young women under his tutelage was viewed with some suspicion.
His Passio di Venerdi di Venerdi di Santo displays a thorough appreciation of contemporary Genovese opera, with recitatives reserved for the dramatic content as was the fashion at the time. The arias therefore do not depict the drama and action, but relay rather vague emotions and feelings. His vocal writing requires agility, and the mocking chorus depicting the crowd reveal a theatrical yearning. The style is simple and the musical writing is linear, but the overall effect is one of delicate lyricism, and graceful but never excessive virtuosity.
This work was probably composed for Holy Week, and any religious establishment that boasted its own choir would often commission local composers to provide music for the services during this busy week. Sturla and his young choir would have been ideal candidates for such a task.
Tracklist:
00:00:00 Cantus firmus: Passio Domini Nostri
00:01:49 Coro: Iesum Nazarenum!
00:02:34 Cantus firmus: Dicit eis Iesus
00:03:35 Recitativo: Iesum Nazarenum!
00:04:17 Cantus firmus: Ut impleretur sermo
00:06:54 Aria: Numquid et tu
00:07:52 Cantus firmus / Recitativo: Dicit ille / Non sum
00:09:54 Aria: Sic respondes pontifici?
00:10:37 Cantus firmus: Respondit ei Iesus
00:11:38 Coro: Numquid et tu
00:12:50 Cantus firmus / Recitativo: Negavit ille / Non sum
00:13:17 Aria: Nonne ego te vidi
00:14:28 Coro: Ave, rex Iudaeorum
00:15:10 Aria: Ecce adduco vobis
00:16:50 Cantus firmus / Recitativo: Exivit ergo Iesus / Ecce homo
00:17:40 Coro: Crucufige, crucifige eum!
00:19:38 Recitativo / Aria: Accipite eum vos / Ego enim non invenio
00:20:32 Cantus firmus / Coro: Responderunt ei / Nos legem habemus
00:21:46 Cantus firmus / Recitativo: Cum ergo audisset / Unde es tu?
00:25:11 Coro: Si hunc dimittis
00:26:51 Cantus firmus / Recitativo: Pilatus autem / Ecce rex vester
00:27:49 Coro: Tolle, tolle crucifige
00:29:17 Cantus firmus / Recitativo: Dicit eis / Regem vestrum
00:31:48 Coro: Non habemus regem
00:32:50 Cantus firmus: Tunc ergo tradidit
00:33:18 Duetto: Noli scrivere rex Iudaeorum
00:36:16 Cantus firmus: Respondit Pilatus
00:37:32 Coro: Non scindamus eam
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
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Composer & Artist:
Composer: Franz Tunder
Artist: Emanuele Cardi organ
About this Album:
ranz Tunder (1614-1667) was born in the German city of Lübeck, where he stayed his whole life as organist and treasurer of the St. Marienkirche.
Tunder is one of the cornerstones of the North German organ school. His style is the “Stylus Phantasticus”, in which the emotional content of the text is the basis of the musical expression, using sudden harmonic changes, dissonances and tone painting.
Tunder left an oeuvre consisting of Chorale Preludes on Lutheran hymns, as well as several separate organ preludes.
Emanuele Cardi is one of the foremost Italian organists, specialized in early organs and the restoration of Baroque instruments. On this recording he plays a magnificent Ghilardi organ built in 1996, inspired by the 17th century German Arp Schnitger instruments.
Excellent liner notes written by a musicologist, as well as the complete disposition and photo of the organ are included in the booklet. Another fine issue in the Brilliant Classics series of Pre-Bachian organ masters
Tracklist:
00:00:00 Præludium in G minor (I)
00:03:09 In dich hab ich gehoffet, Herr
00:08:37 Auf meinen lieben Gott
00:16:03 Præludium in F Major
00:19:43 Herr Gott, dich loben wir
00:27:25 Canzona in G Major
00:29:08 Christ lag in Todes Banden
00:41:05 Jesus Christus, wahr’ Gottes Sohn
00:46:25 Præludium in G Minor (III)
00:50:27 Jesus Christus, unser Heiland: I. Primus versus
00:52:45 Jesus Christus, unser Heiland: II. Secundus versus
00:54:18 Jesus Christus, unser Heiland: III. Tertius versus
00:56:29 Was kann uns kommen an für Not (vers.1)
01:10:46 Komm, Heiliger Geist, Herre Gott
01:18:07 Was kann uns kommen an für Not (vers.2)
01:27:53 Præludium in G Minor (II)
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El Lorito Pepe - La Granja de Zenón 3
Fresh out the oven!
In this update, meet Om Nom's new friend Ginger and play through dozens of brand-new levels in the Bakery!
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Visit the Great Lakes Distillery in Milwaukee, WI to find out how spirits are made. Plus, the science of spirit making with a NYU chemist. (SciFri does not suggest trying this at home.)
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An air purifier filled with spider webs, a toilet insert that filters estrogen, a cactus-like water harvester—these were just a few of the ambitious and creative ideas presented at the first Biodesign Challenge, which took place on June 23, 2016. Held at the Museum of Modern Art, the gathering presented the work of 9 teams of students who designed a concept, product, or material that was biologically-inspired. The challenge—which scientists pitched and judged—gave students the unique opportunity to work with researchers to apply scientific principles to their particular field of design.
Produced by Luke Groskin
Music by Audio Network
Additional video and stills provided by:
"Bioesters" - FIT
Tessa Callaghan, Gian Cui, Aleksandra Gosiewski,
Aaron Nesser, Theanne Schiros, Asta Skocir
"Liver Clear" - RPI
Amanda Harrold, Kathleen McDermott, Jacob Steiner
and Perrine Papillaud
"Dewpoint" - SAIC
Bailey Beatt, Maurice Hampton, Jackie Huang, and Sam Scheib
"Mutua" - SCI-ARC
Mun Yi Cheng, Caleb Fisher, Fangyuan Hu, Brendan Ho,
Ryan Odom, Anthony Stoffella & Xiangtia Sun
"Stabilimentum" - UPenn
Mónica Butler, Jiwon Woo
Charged web footage from Oxford University