"Marvel Mash-Up: Spider-Man and His Amazing Friends, Episode 3 - Magneto

The Marvel Universe is turned upside down with these humorous and unexpected takes on iconic Marvel heroes and villains - featuring classic animation with new voices and editing.
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Guest Starring: Spider-Man, Magneto, Iceman, Firestar
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Marvel expert JP says, "Please stop bothering me."

"Marvel Mash-Up: Spider-Man and His Amazing Friends, Episode 4 - Shocker

The Marvel Universe is turned upside down with these humorous and unexpected takes on iconic Marvel heroes and villains - featuring classic animation with new voices and editing.
---
Guest Starring: Spider-Man, Shocker, Iceman, Firestar
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Our favorite manager Josh says, "That Peter Parker needs to simmer down."

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Composer: François Devienne, Gaetano Donizetti, Ludwig van Beethoven
Artist: Massimo Data bassoon, Mario Carbotti flute, Piero Barbareschi piano

A delightful programme featuring the bassoon in duo and trio formation chamber music, centred around the substantial and neglected Bassoon Trio WoO37 by Beethoven.
This new recording presents a brilliant duo for bassoon and flute by Devienne, a trio for flute, bassoon and piano by opera composer Donizetti, a virtuoso Fantasia on Verdi themes by Morlacchi/Torriani and Beethoven’s masterpiece.

Tracklist:
00:00:00 Sonata in C Major for Flute and Bassoon: I. Allegro moderato
00:09:19 Sonata in C Major for Flute and Bassoon: II. Rondeau
00:13:33 Trio in F Major for Flute, Bassoon and Piano: I. Larghetto
00:18:05 Trio in F Major for Flute, Bassoon and Piano: II. Allegro
00:26:32 Trio for Piano, Flute and Bassoon in G Major, WoO 37: I. Allegro
00:38:00 Trio for Piano, Flute and Bassoon in G Major, WoO 37: II. Adagio
00:42:56 Trio for Piano, Flute and Bassoon in G Major, WoO 37: III. Thema andante con variazioni
00:52:34 Duetto concertato

Brit looks back on our seventh month on Nature League, when we explored the theme of plants. Get your Nature League pin here! https://store.dftba.com/collec....tions/nature-league/

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Nature League is a weekly edutainment channel that explores life on Earth and asks questions that inspire us to marvel at all things wild. Join host Brit Garner each week to learn about, connect to, and love the amazing living systems on Earth and the mechanics that drive them.

Composer: Antonio Vivaldi
Artists: Erik Bosgraaf (recorder & director), Ensemle Cordevento, Zefira Valova & Ivan Iliev (violin), Zdenka Prochazkova (viola), Linda Mantcheva (cello), Tomoki Sumiya (double bass), Alessandro Pianu (harpsichord & organ), Yavor Genov (chitarrone & baroque guitar)

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Vivaldi’s Four Seasons is one of the world’s most popular and widely recorded collections of music, a set that instantly became an international hit after it was first published at part of the composer’s Op.8 in 1725. No doubt it was its imitative directness – extra musical occurrences/phenomena evoked in an extremely suggestive manner and even written into the score, such as ‘the barking dog’ or ‘the drunkards’ sleep’ etc. – that caused such as sensation in its time, effortlessly bridging the gap between the salons of the highborn and the alehouses of the lowly. Today nothing has changed: the concertos are performed both by great violin virtuosos and famous hard rockers; they are works that are constantly being presented in new guises through the re-imagining and re-working of the musical score.

Such is the standpoint adopted on this recording by Erik Bosgraaf, who has chosen here to adapt the violin part for recorder, explaining how ‘the violin part can be played on the recorder with surprising ease, without many changes. In some ways it works even better than concertos Vivaldi wrote specifically for the recorder!’ Years ago Bosgraaf performed The Four Seasons with a symphony orchestra; for the present album, however, he wanted to approach his ideal as closely as possible using Cordevento, a small baroque ensemble he founded himself, knowing all the musicians through and through. Bosgraaf’s aim is to make the four legendary concertos sound as if they had been written for the recorder in the first place – and the results are laudable, with the contrasts between the wind instrument and the accompanying strings revealing previously unheard stratifications and details. As the soloist himself puts it, ‘Listen to Vivaldi with fresh ears and enjoy!’

Erik Bosgraaf is considered one of the most innovative and versatile recorder players of his generation. His concerts are happenings, and offer fascinating combinations of classical and experimental music. His importance for the emancipation of the recorder (still often considered a stuffy and even childish instrument) is enormous. Bosgraaf’s version of Vivaldi’s Four Seasons (of course originally for violin and orchestra) is not a mere transcription for another instrument, but a recreation of a work of startling originality and power: listen to the furioso rendering of the Summer Storm!

Tracklist:
00:00:00 Concerto No. 1 in E Major, RV. 269 “La primavera”: I. Allegro
00:03:14 Concerto No. 1 in E Major, RV. 269 “La primavera”: II. Largo
00:05:54 Concerto No. 1 in E Major, RV. 269 “La primavera”: III. Allegro. Danza pastorale
00:10:02 Concerto No. 2 in G Minor, RV. 315 “L’estate”: I. Allegro non molto
00:15:04 Concerto No. 2 in G Minor, RV. 315 “L’estate”: II. Adagio
00:17:24 Concerto No. 2 in G Minor, RV. 315 “L’estate”: III. Presto. Tempo impetuoso d’estate
00:20:20 Concerto No. 3 in F Major, RV. 293 “L’autunno”: I. Allegro
00:25:43 Concerto No. 3 in F Major, RV. 293 “L’autunno”: II. Adagio
00:28:14 Concerto No. 3 in F Major, RV. 293 “L’autunno”: III. Allegro. La caccia
00:31:23 Concerto No. 4 in F Minor, RV. 297 “L’inverno”: I. Allegro non molto
00:34:45 Concerto No. 4 in F Minor, RV. 297 “L’inverno”: II. Largo
00:36:45 Concerto No. 4 in F Minor, RV. 297 “L’inverno”: III. Allegro

Cute Puppy playing with it's mother

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Tracklist:
00:00:00 Concert Arias for Soprano and Orchestra: Der Liebe himmlisches Gefühl, KV. 119
00:06:07 Concert Arias for Soprano and Orchestra: Vorrei spiegarvi, oh Dio, KV. 418
00:12:20 Concert Arias for Soprano and Orchestra: Cara, se le mie pene, KV. deest
00:22:02 Concert Arias for Soprano and Orchestra: Se tutti i mali miei, KV. 83
00:29:53 Concert Arias for Soprano and Orchestra: Alcandro, lo confesso… Non sò d’onde viene, KV. 294
00:39:18 Concert Arias for Soprano and Orchestra: Se ardire, e speranza, KV. 82
00:46:00 Concert Arias for Soprano and Orchestra: Ah, spiegarti, oh Dio, KV. 178
00:49:15 Concert Arias for Soprano and Orchestra: Ch’io mi scordi di te… Non temer, amato bene, KV. 505
00:59:20 Concert Arias for Soprano and Orchestra: Alma grande e nobil core, KV. 578
01:04:02 Concert Arias for Soprano and Orchestra: A questo seno…Or che il cielo, KV. 374
01:12:06 Concert Arias for Soprano and Orchestra: Basta vincesti…Ah, non lasciarmi KV. 486a (295a)
01:17:50 Concert Arias for Soprano and Orchestra: Al desio, di chi t’adora, KV. 577
01:23:45 Concert Arias for Soprano and Orchestra: Conservati fedele, KV. 23
01:30:45 Concert Arias for Soprano and Orchestra: Voi avete un cor fedele, KV. 217
01:37:49 Concert Arias for Soprano and Orchestra: Misero mi…Misero pargoletto, KV. 77
01:50:50 Concert Arias for Soprano and Orchestra: Nehmt meinen Dank, KV. 383
01:54:03 Concert Arias for Tenor and Orchestra: Va, dal furor portata, KV. 21 (19c)
02:00:01 Concert Arias for Tenor and Orchestra: Or che il dover…Tali e cotanti sono, KV. 36 (33i)
02:08:44 Concert Arias for Tenor and Orchestra: Si mostra la sorte, KV. 209
02:11:26 Concert Arias for Tenor and Orchestra: Con ossequio, con rispetto, KV. 210
02:14:22 Concert Arias for Tenor and Orchestra: Clarice cara mia sposa, KV. 256
02:16:08 Concert Arias for Tenor and Orchestra: Se al labbro mio non credi, KV. 295
02:26:09 Concert Arias for Tenor and Orchestra: Per pietà, non ricercate, KV. 420
02:31:52 Concert Arias for Tenor and Orchestra: Misero! o sogno...Aura, che intorno spiri, KV. 431
02:41:14 Concert Arias for Bass and Orchestra: Io ti lascio, KV. Anh 245
02:44:13 Concert Arias for Bass and Orchestra: Così dunque tradisci…Aspri rimorsi atroci, KV. 432 (421a)
02:48:04 Concert Arias for Bass and Orchestra: Dite almeno in che mancai, KV. 479
02:54:25 Concert Arias for Bass and Orchestra: Mandina amabile, KV. 480
02:59:17 Concert Arias for Bass and Orchestra: Alcandro, lo confesso…Non sò, d’onde viene, KV. 512
03:06:18 Concert Arias for Bass and Orchestra: Mentre ti lascio, KV. 513
03:13:10 Concert Arias for Bass and Orchestra: Ich möchte wohl den Kaiser sein, KV. 539
03:15:51 Concert Arias for Bass and Orchestra: Un bacio di mano, KV. 541
03:18:01 Concert Arias for Bass and Orchestra: Per questa bella mano, KV. 612
03:25:05 Concert Arias for Bass and Orchestra: Popoli di Tessaglia KV. 316: Popoli di Tessaglia
03:28:30 Concert Arias for Bass and Orchestra: Popoli di Tessaglia KV. 316: Io non chiedo
03:35:09 Concert Arias for Soprano and Orchestra: Ah se in ciel, benigne stelle, KV. 538
03:42:50 Concert Arias for Soprano and Orchestra: Chi sà, chi sà, qual sia, KV. 582
03:46:50 Concert Arias for Soprano and Orchestra: Vado, ma dove? oh Dei! KV. 583
03:51:02 Concert Arias for Soprano and Orchestra: Ch’io mi scordi te? Non temer, amato bene, KV. 490
03:58:19 Concert Arias for Soprano and Orchestra: Per pietà, bell’idol mio, KV. 78 (73b)
04:02:04 Concert Arias for Soprano and Orchestra: Oh, temerario Arbace, KV. 79 (73d)
04:07:22 Concert Arias for Soprano and Orchestra: Bella mia fiamma, addio!... Resta, oh cara, KV. 528
04:17:22 Concert Arias for Soprano and Orchestra: Ah, lo previdi!-Ah, t’invola-Deh, non varcar, KV. 272
04:31:37 Concert Arias for Soprano and Orchestra: Misera, dove son! – Ah! non son’io che parlo, KV. 369
04:38:42 Concert Arias for Soprano and Orchestra: Mia speranza adorata!- Ah, non sai, qual pena sia il doverti, KV. 416
04:48:07 Concert Arias for Soprano and Orchestra: Non curo l’affetto, KV. 74b
04:53:25 Concert Arias for Soprano and Orchestra: Fra cento affanni, KV. 88
05:03:38 Concert Arias for Soprano and Orchestra: A Berenice- Sol nascente, KV. 70
05:15:27 Concert Arias for Soprano and Orchestra: Ma, che vi fece, o stelle- Sperai vicino il lido, KV. 368
05:24:18 Concert Arias for Soprano and Orchestra: No, no, che non sei capace, KV. 419

#Classical #BrilliantClassics #Music #Composer #ClassicalMusic #mozart

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Bartok’s assessment of Zoltán Kodály’s music as “the most perfect embodiment of the Hungarian spirit” will strike a chord with those familiar with the suite from his opera Háry János, the Dances of Galanta or indeed the works for cello which moved the instrument on from the Romantic idiom of Brahms, and at the same time looked backwards to the dancing elegance of Bach’s solo Suites.

He had taught himself to play the cello to a reasonable standard (also the violin and viola) and while, as he freely admitted, not a natural virtuoso, he had a feeling for the instrument which is obvious in his writing. The Adagio was his first published work, dating from 1905 and originally written for violin and piano: still broadly Romantic in idiom, and unaffected as yet by his work in collecting folk songs from the countries of south-eastern Europe which would decisively influence his mature idiom.

Composer: Zoltán Kodály
Artist: István Várdai (cello)
Klara Würtz (piano)

00:00:00 Sonata for Cello in B Minor, Op. 8: I. Allegro maestoso ma appassionato
00:09:16 Sonata for Cello in B Minor, Op. 8: II. Adagio con gran espressione
00:20:46 Sonata for Cello in B Minor, Op. 8: III. Allegro molto vivace
00:32:26 Sonatina for Cello and Piano
00:41:12 Capriccio for Cello Solo
00:46:07 Adagio for Cello and Piano
00:53:55 Sonata, Op. 4: I. Fantasia
01:01:31 Sonata, Op. 4: II. Allegro con spirit

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The Mass and songs by Guillaume de Machaut are probably the earliest consistent body of work attributable to a single composer in the Western canon. As such, they form a foundation stone to centuries of both melody-oriented song and contrapuntal polyphony that come thereafter. They have their own rich recording history, too, from the gentle and sometimes pedestrian efforts of pioneering groups like Pro Musica Antiqua and the New York Pro Musica, through to the dynamic and swinging recordings of the Orlando Consort.

Composer :Guillaume de Machaut
Artist: Ensemble Gilles Binchoit, Dominique Vellard (conductor)

00:00:00 Messe de Nostre Dame: Introitus. Gaudeamus omnes in domino
00:05:10 Messe de Nostre Dame: Kyrie eleison
00:12:15 Messe de Nostre Dame: Gloria in excelsis deo
00:17:15 Messe de Nostre Dame: Collectio. Veneranda nobis
00:18:21 Messe de Nostre Dame: Epistulum. Lectio libri sapientiae
00:20:25 Messe de Nostre Dame: Graduale. Propter veritatem
00:23:46 Messe de Nostre Dame: Alleluia, assumpta est Maria
00:25:51 Messe de Nostre Dame: Evangelium. In illo tempore intravit Jesus
00:27:48 Messe de Nostre Dame: Credo in unum Deum
00:35:06 Messe de Nostre Dame: Offertorium. Diffusa est gratia
00:36:34 Messe de Nostre Dame: Praefatio
00:39:22 Messe de Nostre Dame: Sanctus & Benedictus
00:44:02 Messe de Nostre Dame: Pater Noster
00:45:41 Messe de Nostre Dame: Agnus Dei
00:49:14 Messe de Nostre Dame: Communio. Regina mundi
00:53:57 Messe de Nostre Dame: Postcommunio. Mense celestis
00:55:03 Messe de Nostre Dame: Ite Missa est
00:56:42 Le vray remède d’amour: “Je, Guillaumes” from Le Jugement du Roi de Navarre
00:57:33 Le vray remède d’amour: Virelai “Dame, vostre doulz viaire”
01:03:36 Le vray remède d’amour: Motet “Amours qui ha le pouoir/Faus samblant”
01:06:08 Le vray remède d’amour: Virelai “Je vivroie liement”
01:09:14 Le vray remède d’amour: Rondeau “Ce qui soustient moy”
01:12:11 Le vray remède d’amour: “La, firent mains divers acors” from Le Remède de Fortune
01:13:20 Le vray remède d’amour: Ballade “Dame se vous m’estes lonteinne”
01:15:24 Le vray remède d’amour: Ballade “Je ne cuit pas”
01:21:27 Le vray remède d’amour: Rondeau “Doulz viaire gracieus”
01:23:15 Le vray remède d’amour: Motet “Christe, qui lux est/Veni creator spiritus”
01:27:45 Le vray remède d’amour: “Qui des couleurs” from La Loange des Dames
01:29:21 Le vray remède d’amour: Rondeau “Puisqu’en oubli”
01:30:57 Le vray remède d’amour: Ballade “Dame ne regardes pas”
01:34:30 Le vray remède d’amour: Ballade “Doulz amis”
01:40:57 Le vray remède d’amour: “Long sont mi jour” from Le Livre du Voir-Dit
01:41:36 Le vray remède d’amour: Complainte “Tels rit au main”
01:43:56 Le vray remède d’amour: Virelai “Liement me deport”
01:49:23 Le vray remède d’amour: “Des que on porroit” from Le Livre du Voir-Dit
01:50:49 Le vray remède d’amour: Ballade “De toutes flours”
01:57:26 Le vray remède d’amour: “Mon cuer, ma suer” from Le Livre du Voir-Dit
02:00:06 Le vray remède d’amour: Motet “Felix virgo” - “Inviolata genitrix”
02:04:39 Le Jugement du Roi de Navarre: Chanson roial ”Joie, plaisance et douce nourriture”
02:05:58 Le Jugement du Roi de Navarre: Ballade “Tres douce dame que j’aour”
02:09:52 Le Jugement du Roi de Navarre: “Un po apres le temps d’autonne...”
02:11:31 Le Jugement du Roi de Navarre: Motet “Plange regni/Tu qui gregem tuum ducis”
02:14:24 Le Jugement du Roi de Navarre: “Et tout einsi com je cuidoie...”
02:16:18 Le Jugement du Roi de Navarre: Motet “O livoris feritas/Fons totuis superbie”
02:19:01 Le Jugement du Roi de Navarre: “Et quant Nature vit ce fait...”
02:20:40 Le Jugement du Roi de Navarre: Virelai “Puis que ma dolour”
02:23:22 Le Jugement du Roi de Navarre: “Si que ces tempestes cesserent...”
02:26:39 Messe de Nostre Dame: Kyrie
02:33:12 Le Jugement du Roi de Navarre: “Si que tres bien me confessay...”
02:34:25 Le Jugement du Roi de Navarre: Virelai “J’aim sans penser”
02:36:42 Le Jugement du Roi de Navarre: Ballade “Esperance”
02:41:53 Le Jugement du Roi de Navarre: Double ballade “Quant Theseüs” - “Ne quier veoir”
02:47:11 Le Jugement du Roi de Navarre: “Damoiselle, la traïson de Theseüs...”
02:50:09 Le Jugement du Roi de Navarre: Ballade “Honte, paour, doubtance”
02:53:55 Le Jugement du Roi de Navarre: “Adont commensa Souffissance...”
02:57:28 Le Jugement du Roi de Navarre: Ballade “Nes que on porroit les estoilles nombrer”
03:03:00 Le Jugement du Roi de Navarre: “Quant leur consaus fu affinez...”
03:04:22 Le Jugement du Roi de Navarre: Ballade “Amours me fait desirer”

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Composer: Dmitri Shostakovich
Artist: WDR Sinfonieorchester, Rudolph Barshai (conductor)

Shostakovich' music is the music of 20th century Russia, from the turbulent Revolution, through the horrors of war to the communistic repression. It is the cry of a soul in torment, expressing grief, despair in a highly personal way, through irony or bitter truth. The symphonies span Shostakovich'whole life, and form a milestone in the symphonic repertoire. They are frequently played, and have gained nearly the same popularity as Mahler's symphonies. A great recording by Russian conductor Rudolf Barshai, an authority in this repertoire, as he has worked closely together with the composer for a long time, and premiered the 14th symphony.

00:00:00 Symphony No. 1 in F Minor, Op. 10: Allegretto
00:08:09 Symphony No. 1 in F Minor, Op. 10: Allegro
00:12:55 Symphony No. 1 in F Minor, Op. 10: Lento
00:20:38 Symphony No. 1 in F Minor, Op. 10: Allegro molto

00:29:29 Symphony No. 2 in B Major, Op. 14 for Chorus & Orchestra "To October"

00:48:29 Symphony No. 3 in E-Flat Major, Op. 20 for Chorus & Orchestra "First of May"

01:14:59 Symphony No. 4 in C Minor, Op. 43: Allegretto poco moderato
01:42:10 Symphony No. 4 in C Minor, Op. 43: Moderato con moto
01:50:56 Symphony No. 4 in C Minor, Op. 43: Largo-allegro

02:16:58 Symphony No. 5 in D Minor, Op. 47: Moderato
02:32:29 Symphony No. 5 in D Minor, Op. 47: Allegretto
02:38:01 Symphony No. 5 in D Minor, Op. 47: Largo
02:51:19 Symphony No. 5 in D Minor, Op. 47: Allegro non troppo

03:02:49 Symphony No. 6 in B Minor, Op. 54: Largo
03:21:38 Symphony No. 6 in B Minor, Op. 54: Allegro
03:27:25 Symphony No. 6 in B Minor, Op. 54: Presto

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Composer & Artist:
Composer: Ernest Bloch
Artists: Maristella Patuzzi, Mario Patuzzi

About this Album:
20th-century composer Ernest Bloch forged a unique path, firmly establishing his Jewish identity through his music and thereby creating many works of great spiritual expression. Born in Geneva in 1880, he studied in Belgium and Germany before moving to America. Although he returned to Europe, he eventually became a US citizen, abandoning Switzerland forever due to the encroaching threat of Nazism. It was in the States that his music was truly appreciated for the first time; in New York, he conducted renowned orchestral concerts of his own works and became known as the “Jewish Composer”, winning the Coolidge Prize for his Viola Suite. It was around this time that he began to compose for the violin.

Tracklist:
00:00:00 Violin Sonata No. 1 in A Minor (1920): I. Agitato
00:11:27 Violin Sonata No. 1 in A Minor (1920): II. Molto quieto
00:20:46 Violin Sonata No. 1 in A Minor (1920): III. Moderato
00:29:20 Abodah in C Minor (1929): Molto moderato
00:35:33 Melody in D Major (1929): Moderato
00:38:03 Suite No. 1 in G minor (1958) for solo violin (1958): Prélude – Andante tranquillo – Allegro – Andante – Allegro energico – Tempo del primo movimento – Allegro
00:46:48 Baal Shem Three Pictures of Chassidic Life (1923): I. Vidui (Contrition). Un poco lento
00:50:11 Baal Shem Three Pictures of Chassidic Life (1923): II. Nigun (Improvisation). Adagio non troppo
00:56:58 Baal Shem Three Pictures of Chassidic Life (1923): III. Simchas Torah (Rejoicing). Allegro giocoso


Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

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In this painting demo I’ll show how I paint a portrait with oils.
Oil on canvas, 30 x 30 cm (~12 x 12 inches)

REAL-TIME PAINTING VIDEOS, TUTORIALS and other helpful materials ▶ https://www.patreon.com/dariacallie

▷ For prints and original paintings please visit https://dariacallie.com/store/

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Materials used:

• Oil paints - Gamblin Oil Colors and Nevskaya palitra (russian brand)
Colors: Burnt umber, Cadmium Yellow, Ultramarine Blue, Red and Titanium White. (I have a color-mixing video where I explain how I premix my palette) In addition I have a couple of colors that I use very rarely: Ivory Black, Celestial Blue and Cobalt Violet Deep.
• Primed linen canvas (from a local art-store)
• Paint thinner (odorless mineral spirits)
• Medium (stand linseed oil)
• Brushes - Detail brushes & Filbert synthetic brushes of different sizes
• Glass palette (homemade)
• Palette knife (from a local art-store)
• Varnish
• Paper towels (or tissues that I use to wipe the brushes)


Music: The Next Step - Classical guitar instrumental by The Tinkerbell Effect
SoundCloud: https://soundcloud.com/thetink....erbelleffect/the-nex
Music License: https://creativecommons.org/licenses/by/3.0/

Music: Acoustic/Pop/Rock/Alternative - Acoustically driven instrumental by Hyde
SoundCloud: https://soundcloud.com/davidhy....demusic/acoustic-pop
Music License: https://creativecommons.org/licenses/by/3.0/

Visit me on FB: https://www.facebook.com/LeonardoPereznieto
Visit my website: http://www.artistleonardo.com/

Do you want to help me translating it into your language?
(Note: First check if it hasn´t been translated already by pressing the "CC" button on the lower part of the video).
All you need to do is to please translate the file at the link below and send it to me:
https://docs.google.com/file/d..../0B0UOw8r7hWG2UXluTm

Visit: http://www.fineartebooks.com/ for free drawing tutorials.

If you would like to invest in a drawing, painting or sculpture by Leonardo Pereznieto, or to hire him for workshops or lectures, please write to: info@leopereznieto.com (Business only, not for personal messages.)

List of materials:

Mechanical pencil with a 0.5 HB lead
MagicRub FaberCastell eraer
Canson white drawing paper, fine grain

If you would like to see photos and brands of my tools, please go to my blog about materials with the following link:

http://www.fineartebooks.com/howtodraw_drawingschool/My_Blog/Entries/2012/8/1_My_materials.html

You may also follow me on:

My Blog: http://www.fineartebooks.com/howtodraw_drawingschool/My_Blog/My_Blog.html

Twitter: https://twitter.com/#!/ArtistLeonardo

LinkedIn: http://www.linkedin.com/profile/view?id=89957576&trk=tab_pro

Google+: https://plus.google.com/u/0/10....0373866809472929876/

VK: http://vk.com/leonardopereznieto

Leonardo Pereznieto: http://www.leonardopereznieto.com/leo/Intro.html

Audio file(s) provided by http://www.audiomicro.com

This tutorial shows how to draw a Manga Face Easily (Female)
Как просто нарисовать лицо в стиле Манга (Женское)
Як легко малювати манга обличчя (жіноче)
Comment dessiner facilement un visage manga (féminin)

You can check out Google's Science Journal app at https://makingscience.withgoog....le.com/science-journ

We're back in Bozeman, Montana this week talking to Amy Atwater, Collections Manager at the Museum of the Rockies. MOR has among the largest collections of North American dinosaurs in the United States. We talk to Amy about her job and the collection she manages.

Thanks as always to Nobumichi Tamura for allowing us to use his wonderful paleoart : http://spinops.blogspot.com/

Produced in collaboration with PBS Digital Studios: http://youtube.com/pbsdigitalstudios

Want to follow Eons elsewhere on the internet?
Facebook - https://www.facebook.com/eonsshow
Twitter - https://twitter.com/eonsshow
Instagram - https://www.instagram.com/eonsshow/

This episode on the Tully Monster is supported by Squarespace. If you visit squarespace.com and use offer code "eons", you'll get 10% off your first purchase.

There are animals in the fossil record that challenge some of our most basic ideas about what animals are supposed to look like. If there ever was a monster on this planet that was worthy of the name, it might have been the Tully Monster.

Produced in collaboration with PBS Digital Studios: http://youtube.com/pbsdigitalstudios

Image credits:
Banffia - Royal Ontario Museum, Jean-Bernard Caron: http://www.burgess-shale.rom.on.ca/

Thanks to Julio Lacerda and Studio 252mya for the Tully Monster illustration. You can find more of Julio's work here: https://252mya.com/gallery/julio-lacerda

Check out other PBS Digital Studios channels:
https://www.youtube.com/pbsinfiniteseries
https://www.youtube.com/grossscienceshow

Want to follow Eons elsewhere on the internet?
Facebook - https://www.facebook.com/eonsshow
Twitter - https://twitter.com/eonsshow
Instagram - https://www.instagram.com/eonsshow/

References:
http://news.yale.edu/2016/03/1....6/solving-mystery-tu
http://www.nature.com/nature/j....ournal/v532/n7600/ab
http://sitn.hms.harvard.edu/fl....ash/2016/enigmatic-t
https://blogs.scientificameric....an.com/laelaps/tully
https://www.sciencedaily.com/r....eleases/2017/02/1702
http://www.museum.state.il.us/....exhibits/symbols/fos
http://scienceblogs.com/laelap....s/2010/03/12/your-fr
https://www.eurekalert.org/pub...._releases/2017-02/uo
https://www.anl.gov/photos/tul....ly-monster-secrets-r
https://www.anl.gov/articles/s....olving-mystery-tully
https://www.fieldmuseum.org/sc....ience/blog/monster-m

Visit our website: https://www.bbvaaprendemosjuntos.com/es
Suscríbe to our youtube channel: https://www.youtube.com/aprendemosjuntos
Follow us on Facebook: http://fb.com/aprendemosjuntosBBVA
Follow us on Twitter: http://twitter.com/aprenderjuntos_
Listen to our podcasts on Spotify: https://open.spotify.com/show/....07rXxtOlzNI0NuB8vpAg

Jimmy Wales is recognized as the creator of the most important collaborative project in the world: Wikipedia. An online encyclopedia that is published in two hundred and eighty-eight languages and that has more than forty-six million articles. Among other awards, in 2015 she received the Princess of Asturias Award for international cooperation for her contribution to the promotion and dissemination of knowledge to humanity. Jimmy Wales is passionate about education, especially about the possibilities that informal learning currently offers for the education of people. Named the sixth most influential person in the world, Wales argues that in part thanks to technology, learning goes beyond college or university, and points to the need to continue learning throughout life.

#AprendemosJuntos

"¿Porque los viejos de Samaná saben ingles?"

Freed Slave Emigrants to Samana
by Dr. Dana Minaya of the Samana College Research Center
https://www.youtube.com/watch?v=3oDgbDGxI4s

African Americans in Samana
by Nestor Montilla, Sr. (The Common Roots Project)
https://www.youtube.com/watch?v=8zXumAsq03Y

Samana History
by JorgeLuisAnderson
https://www.youtube.com/watch?v=HddZn8TMzv0

El coro al final The Plantation Singers
Swing Low, Sweet Chariot
https://www.youtube.com/watch?v=ljup8cIRzIk

Visite http://kiskeya.life para mas vídeos y artículos en Ingles y Español sobre Quisqueya!

¡Duda, investiga y aprende!

Patreon: https://www.patreon.com/user?u=877947
Instagram: http://instagram.com/kiskeya.life/
Facebook: http://facebook.com/kiskeyalife
Twitter: http://twitter.com/aleccorday

Las cámaras y equipo nuestro:
http://amzn.to/1VD2vSJ

#samanaenglish #megustapila #kiskeyalife

------------------------------------------------

Créditos:

Escrito, dirigido y producido por Alec Corday
http://www.aleccorday.com

Productor Ejecutivo Lola Mendez
http://instagram.com/uh.lola
http://instagram.com/lolamendezphotography
http://www.uhlola.com
http://www.lolamendezphotography.com

Tema musical principal por SENNA
https://sennamusic.bandcamp.com/

My drawing book: http://amzn.to/1K7L8Ed
Visit me on FB: https://www.facebook.com/LeonardoPereznieto
My website: http://www.ArtistLeonardo.com/

Do you want to help me translating it into your language?
(Note: First check if it hasn´t been translated already by pressing the "CC" button on the lower part of the video).
All you need to do is to please go to the following link and translate. Thank you!:
http://www.youtube.com/timedte....xt_video?v=hagEiv-vv

If you would like to invest in a drawing, painting or sculpture by Leonardo Pereznieto, or to hire him for workshops or lectures, please write to: info@artistleonardo.com (Business only, not for personal messages.)

List of materials:

Mechanical pencil with 0.7mm, B lead
Mechanical pencil with 0.3mm, 2H lead
Lead Holder with 2mm lead, 3H
Kneaded eraser Prismacolor
MagicRub FaberCastell eraser
Fabriano white drawing paper, fine grain

If you would like to see photos and brands of my tools, please go to my blog about materials with the following link:

http://fineart-tips.blogspot.m....x/2015/07/my-drawing

You may also follow me on:

My Blog: http://fineart-tips.blogspot.mx/

My Twitter: https://twitter.com/#!/ArtistLeonardo

Fine Art Tips on Google+: http://goo.gl/TqsmiJ

My Google+ page as an artist (with my sculptures, paintings, etc): https://plus.google.com/+Artistleonardo/posts

My Instagram: http://instagram.com/artistleonardo

My LinkedIn: http://www.linkedin.com/profile/view?id=89957576&trk=tab_pro

My Vine: https://vine.co/v/hKnn3rbwJmT

My Pinterest: http://pinterest.com/ArtistLeonardo/

My VK: http://vk.com/leonardopereznieto

My website Leonardo Pereznieto: http://www.leonardopereznieto.com/leo/Intro.html

I wish you great creations!

Audio file(s) provided by http://www.audiomicro.com

This tutorial shows How to Draw a Woman in Profile - Hummingbird Girl